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Its been almost six months since the United States packed up and pulled out of Afghanistan, ending the longest war in American history and sending thousands of Afghans into hiding. The Taliban, rebranded as the Islamic Emirate of Afghanistan, initially promised amnesty and understanding to those who had opposed the terror group for more than 20 years.

But as many had feared, the Taliban lied.

A United Nations report released this week and seen by several news organizations claims approximately 100 former Afghan military members and government officials have been killed since the Taliban took over, at least two-thirds of them directly by the Taliban or their affiliates. That figure seemed improbable to one woman reached by Coffee or Die Magazine who is currently hiding in Afghanistan from Taliban retaliation. And it rang unrealistically low to a Marine Corps veteran in Mississippi who spends his free hours desperately trying to coordinate the rescue of people still in the country.

In a tweet, an account linked to the Taliban Ministry of Interior Affairs said the government has not killed anyone since the amnesty.

Aysha, whose name has been changed to protect her identity, is a 26-year-old human rights activist in Afghanistan who has spent the last five months hiding in fear for her life. She moves from one safe house to the next every few weeks, a shell-game tactic used to avoid the Talibans door-to-door searches.

They are killing soldiers, activists and lawyers in the cities, villages and surrounding areas by [calling them] thieves, or removing them from their homes to unknown places, Aysha told Coffee or Die. No trace of them is left.

Aysha doesnt leave the house unless she has to. Instead, her younger sister ventures out with her face covered by a hijab to fetch supplies, bringing back a month or twos worth of food for a dozen people.

However, when her sister contracted COVID-19 and grew grievously ill, Aysha had no choice but to take her to a doctor in a city. There, she said, she saw Taliban soldiers open fire on two vehicles transporting former Afghan soldiers.

Aysha is one of 1,100 at-risk Afghans supported by Allied Extract, a US-based nonprofit founded by military veterans determined to help those who once worked for or supported the American war effort but were left behind last summer. The group has managed to evacuate more than 240 vulnerable Afghans, many of whom supported coalition efforts, spending a total of $115,000 raised from private donors.

But fleeing Afghanistan became increasingly difficult as the Talibans grip on the country grew stronger. Despite Taliban promises that US Secretary of State Antony Blinken said were to let anyone with proper documents leave the country in a safe and orderly manner, the Taliban are not allowing many Afghans to leave, especially those who supported the United States.

Moises Espinal is Allied Extracts co-executive director and chief financial officer, and served four years as a Marine infantryman including two deployments to Afghanistan. Now a full-time accountant, he says he squeezes in a handful of hours each week to help coordinate Allied Extract.

Those weekly hours, he said, were as high as 40 in September and October, as he received dozens of messages each day from Afghans seeking asylum. But when the flights stopped and leaving the country became something between difficult and impossible, the number of messages declined. Thats when Allied Extract decided to pivot its strategy.

Now the group spends approximately $6,000 a week on renting buildings as safe houses, along with groceries and other supplies for approximately 1,100 people. But these efforts are just buying time, which always seems to be running short for those Afghans in hiding.

The Taliban are actively persecuting those who either worked against the Taliban movement with the government or those who spoke out against the Taliban movement while they were conducting their insurgency, Espinal said. Two weeks ago we had an incident where one of the judges left the compound and the Taliban controlling that district recognized [him]. And [he] and his wife were beat in front of the family pretty much and they were taken away to an unknown prison. Luckily for them, they were one of the few that were released.

As for the UNs estimate, Espinal thinks the numbers dont add up. Just among Allied Extract clients, he said, two have disappeared without a trace, and another 100 who decided to escape on their own have not been heard from, though the team hopes for the best.

Espinal said its hard to believe that the Taliban, who are now equipped with US weapons and operate unopposed almost everywhere, have only tracked down and killed 100 US-affiliated Afghans in five months.

We are trying to help roughly 1,100 people that actively worked against the Taliban movement, and we are a small organization, Espinal said. Other groups are helping tens of thousands of other people who all worked against the Taliban movement. Youre telling me that out of these tens of thousands of people and special immigrant visa applicants, the Taliban has managed to only get their hands on 100 of them?

And reports of killings and disappearances continue to trickle out of the country. Six people were kidnapped in Kabul two weeks ago, the UN reported, three days after attending a womens rights demonstration in the city. Two were snatched out of their car in the early evening hours of Jan. 19 and four others were taken from their home later that same night. The UN said, Control over dissent appears to be tightening, noting reports of torture and ill-treatment of activists, journalists, and former government officials and military members.

#Afghanistan: We are very alarmed at the continued disappearance of 6 people who were abducted in Kabul two weeks ago in connection with recent womens rights protests.

Arbitrary arrests and detentions perpetuate a climate of fear and uncertainty.

https://t.co/WU7OxSpgKV pic.twitter.com/g8DnxmC88H

UN Human Rights (@UNHumanRights) February 1, 2022

Aysha said most of the violence is rarely reported or the Taliban invent stories to justify the killings. The former Afghan troops she saw ambushed were later painted as thieves, she said. Others who have been killed were labeled as members of Afghanistans Islamic State group affiliate, ISIS-K.

We fully understand that by the name of thief they are killing former soldiers, Aysha said. One of my friends brothers was also a former soldier and [the] Taliban killed him in November 2021 and said that he was a thief.

The Taliban agreed to resume commercial flights out of Kabul Tuesday after months of stagnant airport operations, Axios first reported. The agreement will allow two Qatar Airways flights per week out of Kabul. The resumption of flights, Aysha hopes, could eventually be a way out. But she knows it could also be a trap.

Aysha hopes she might one day board a plane bound for the United States, but for now, a flight anywhere will do. For now, her days are spent indoors, studying or busying herself with housework, anything to safely pass the time, which is otherwise broken up only by running from one safe house to the next.

But her spirit is dwindling. Some days, she admits, she feels as if all hope for the future has dissipated. Nevertheless, she continues to fight, not for herself, but for her younger sister. Their future depends almost entirely on the kindness of others, many of whom are half a world away.

I am in a very difficult situation, I am very stressed and anxious. I dont know what will be my future, but I dont have [any other] choice, we have to endure these dark days, Aysha said. I dont know if we will see good days again or not, but for now, we are like a bird that [has] been taken out of flight and trapped in a dark cage.

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'No Trace of Them Is Left' The Toll of Hiding in Afghanistan - Coffee or Die Magazine

After resettling in the United States, Zubair Rezwan said living in this new country compared to Afghanistan was like time traveling.

When you come here, there are lots of new things you face, and lots of new cultural things you may not be familiar with, he said.

Pitts Political Science Student Association hosted a virtual lecture featuring Rezwan, an Afghan journalist and refugee, last Friday. As a former translator for the U.S. embassy in Kabul, Afghanistan, Rezwan opened up about his work in Afghanistan and his eventual resettlement to the United States.

As a young professional in Kabul, Rezwan said his career began at Metro Media, where he worked as both a producer and presenter. Rezwan said the job was a defining moment in his life.

I learned how to see the world from a different angle and a critical window, Rezwan said. I met lots of new friends, I saw different corners of the city and I found lots of weird, secret things going under the skin of the city.

Rezwan said he encountered many Taliban attacks through his work, including an attack during a play that killed more than 20 people. His friend, a German citizen, died in the attack and several of his peers, who were there to cover the production of the play, were badly injured.

I lost my friend, and colleague, in a suicide bombing during a play in 2014, Rezwan said. There was going to be a scene about a suicide bombing, which kills innocents, and suddenly there was a real explosion, among the audience. Later international media outlets reported that the bomber was a young student trained by the Taliban to attack this show.

Rezwan said when the Taliban began to occupy Kabul, they targeted journalists, women, students, activists and anyone who could be counted as a spark of knowledge and wisdom.

When Hannah Goldstein, a junior political science and urban studies major, asked Rezwan what drove him to continue journalism in the face of danger, he said his actions were no different than other Afghan citizens.

What drives a woman to work? What drives a teacher to teach? What drives the police member to serve? Rezwan said. I think its all about life everyone wants to live, and everyone wants to have freedom and choice.

After his time with Metro Media, Rezwan continued his career as a journalist at other media outlets, where he gained experience in writing, producing and reporting. Then, in 2018, Rezwan said he began to work at the U.S. Embassy as a translator.

This job was a risk itself, Rezwan said. The Taliban believed that the interpreters were the eyes, ears and tongues of the infidel foreigners, especially Americans.

Despite this risk, Rezwan continued his work at the embassy, where he witnessed many of his colleagues face danger, particularly a father of two young children.

He used to keep his fruits everyday in his pockets to bring to his children. I cannot forget those days, when we used to tease him about stealing office mangoes and apples, and he would laugh out loud, Rezwan said. He was shot by the Taliban, one or two days before his flight to the United States.

Under Taliban threat, Rezwan said he began the process of applying for a U.S. visa, and he finally received an interview date for Aug. 23, after three and a half years of waiting. Rezwan said eight days before his appointment, the Taliban seized Kabul, and Afghanistan began to crumble from the inside.

Rezwan said there were thousands of people trying to seek refuge from the Taliban, leaving many people displaced.

We saw the fear of people escaping from their killers. They got shot, they fell down from the wings of the U.S. forces planes, they lost their kids, but they did it to run from the Taliban, Rezwan said.

The embassy eventually escorted Rezwan and his peers to the airports gates once the airport was secured. After many days, Rezwan and his wife were transported to Fort Pickett, a military base in Blackstone, Virginia, and they lived at a local refugee camp for about two months.

Rezwan said he is now living in Alexandria, Virginia. Though he is now protected from future Taliban attacks, Rezwan said it is important to remember those living in Afghanistan and listen to the stories of people still in the country.

Afghanistan is suffering the worst possible situation that a human society can even face, Rezwan said. There is no food, no banking, no jobs and no school, especially for women.

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Everyone wants to live: Zubair Rezwan reflects on journalism career in Afghanistan - The Pitt News

New Delhi: India will continue to help crisis-hit Afghanistan and fund its humanitarian aid requirements, but at much lower levels than it did before the Taliban captured power last year, Budget allotments made by the Modi government show.

In Union Budget 2022-23, India has slashed its development assistance to the war-torn country to Rs 200 crore, down 43 per cent from Rs 350 crore in 2021-22 (Budget estimates), when Kabul was under a democratic government.

As is usual practice, Bhutan has been given a major chunk of the budgetary allocation for development assistance to Indias neighbours. However, Bangladesh has witnessed a significant jump this time, with aid going up to Rs 300 crore in FY23 from Rs 200 crore in FY22.

According to sources, while budgetary allocation for a particular fiscal keeps getting tweaked over the year in accordance with the geopolitical needs, the figures are indicative of the Narendra Modi governments priority as it has to focus on some of the key nations in the neighbourhood now if it must counter Chinas growing influence.

With the Taliban taking over Kabul last year, India has suspended its diplomatic presence in Afghanistan by shutting down the embassy and the four consulates there, and has also halted all the big-ticket and small and medium infrastructure projects there. This has led to the fall in budgetary allocation, sources said.

Moreover, the Modi government has also temporarily suspended scholarships to Afghan students who used to travel to India every year for higher studies.

Under the former Ashraf Ghani regime, India had been running several large-scale infrastructure projects in Afghanistan through grants and other kinds of assistance.

However, with Afghanistan facing a humanitarian catastrophe as its economy continues to collapse under the Taliban regime, India has decided to continue its aid to the Afghan people.

New Delhi has already supplied four batches of large-scale medical consignments to Afghanistan, consisting of essential life-saving medicines and vaccines, since the Taliban took over Kabul on 15 August 2021.

In the coming days, India has plans to send 50,000 tonnes of wheat to Afghanistan via Pakistan, in collaboration with the UN World Food Programme.

Also read: With Ukraine situation tense, India-Russia hold high-level talks as Moscow takes up UNSC chair

At Rs 2,266 crore, Bhutan continues to be the largest recipient of Indias assistance due to the rise in development work.

Almost one-third of Indias total aid assistance goes to Bhutan every year as New Delhi continues to remain involved in building large-scale hydro projects and several other small and medium projects in the neighbouring country, sources said.

Indias key development projects in Bhutan as part of its aid assistance include the Mangdechhu Hydroelectric Project, Punatsangchhu Hydroelectric Project, the E-Library Project and introduction of Rupay Cards, among others.

With Bangladesh, the expenditure has witnessed a rise as India has been involved in the celebrations around the birth centenary of Bangabandhu Sheikh Mujibur Rahman, the father of that nation, and the golden jubilee of the countrys independence.

During his visit to Bangladesh in 2021, PM Modi had also announced some large-scale connectivity projects that are strategically key for Indias foreign policy.

The budget allocation for Myanmar is at Rs 600 crore, up nearly one-third from Rs 400 crore in 2021-22.

India has continued to remain diplomatically engaged with the junta in Myanmar after the military coup last February, that overthrew the democratically elected government.

According to sources, New Delhi will continue to support the ongoing development projects there.

The overall budget of the Ministry of External Affairs (MEA) has been increased 20 per cent to Rs 17,250 crore for 2022-23, up from Rs 14,329 crore in 2020-21.

This is due to the fact that the government aims to roll out e-passport schemes too this year.

The spending will likely begin towards Indias preparations for the G20 presidency next year.

Despite the fact that the Taliban have taken over, its a message to the Afghan public that India still is interested in their welfare. Its of course a lower aid allocation than in 2020-21 because at that time, we were involved on ground in many projects, said former foreign secretary Kanwal Sibal.

In the case of Bangladesh, in which weve increased our aid allocation, its a political message to the Sheikh Hasina government that India will provide continuous support to Bangladesh and deepen the relationship. You cant ignore the China factor either, because they have a large presence there also. We want to deepen our position in the country for a longer term too, he said.

On aid to Myanmar, Sibal said while the rest of the world has been imposing sanctions on Myanmar and pushing it more and more into an alliance with China, India cant be in the same boat and needs cooperation because both countries share a border.

In fact, we saw a major refugee influx into the Northeast when the junta took over last year. So, the aid allocation reflects that we are interested in stabilisation in the country and the money allocated is of course, for projects to benefit the people, not for lining the pockets of the junta, he added.

(Edited by Amit Upadhyaya)

Also read: India ready to engage with Pakistan on expanding list of pilgrimage sites, mode of travel: MEA

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India cuts development aid to Taliban-ruled Afghanistan by 43%, big jump for Bangladesh: Budget - ThePrint

NEW DELHI: The shipping of 50,000 tonnes of wheat offered by India as humanitarian assistance to the Afghan people via Pakistani land routes is expected to begin next week, Afghan ambassador Farid Mamundzay said on Wednesday.

Mamundzay welcomed the Indian governments allocation of 200 crore as aid for Afghanistan in its budget for 2022-23, describing it as a timely intervention against the backdrop of a dire need for food grains and humanitarian assistance among the Afghan people.

The Indian side proposed sending 50,000 tonnes of wheat via the Wagah land border with Pakistan on October 7, and received an initial response from Islamabad only on November 24. On December 3, Pakistan said it would allow Indian relief materials to be shipped via the border crossing only in Afghan trucks, and the two sides have been finalising the modalities since then.

Also Read: Desperate Afghans queue for free bread as poverty crisis deepens

India is going to deliver 50,000 tonnes of wheat in the next week or two, and the delivery will be completed in a months time, Mamundzay told the media on the sidelines of a trade meet hosted by the Afghan embassy.

We can expect the delivery to start between February 10 and 12, he said, adding that Pakistan has given all the assurances required by the Indian side.

Referring to the allocation of 200 crore as aid for Afghanistan in the Indian budget for the next fiscal, Mamundzay said, This comes at a very crucial time when other countries have turned their back toward Afghanistan. India has been forthcoming to support the Afghan people at a difficult time.

He added, The assistance of 200 crore for development is something we greatly appreciate. The 100 crore [allocated in Indias budget] for development of [Irans] Chabahar port is yet another initiative that has been welcomed by the Afghan business community.

Also Read: In Indias Budget, a message to Afghan people that New Delhi isnt switching off

Mamundzay also welcomed New Delhis decision to continue funding scholarships for Afghan students, saying: India continues to invest in our future. There has also been support in the humanitarian field in the form of six tonnes of medicines and 500,000 doses of Covid-19 vaccines that were sent in the past few weeks. We look forward to Indias timely intervention in the areas where the Afghan people require the most help.

Noting that Afghanistan is going through a difficult time and needs developmental assistance, he said, There couldnt be a better time than this for displaying the goodwill and generosity that India has always shown to the Afghan people.

Mamundzay said trade with India under the erstwhile Afghan government had incrementally increased over the past 20 years and reached a peak of about $1.5 billion a year before the Taliban takeover of Kabul.

This trade could be doubled in a few years if trade routes are properly opened. In the past nine months, trade has increased and there was no dip. The focus of the Taliban is on banking and the release of foreign reserves, they have an understanding of the significance of trade. We hope they will continue with that approach, he said.

India hasnt recognised the Taliban setup that assumed power in Afghanistan in mid-August last year after the collapse of the Ashraf Ghani government, but it has said it will continue to provide aid to the Afghan people, who are currently grappling with a humanitarian crisis.

Rezaul H Laskar is the Foreign Affairs Editor at Hindustan Times. His interests include movies and music....view detail

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Indian plan to send wheat to Afghanistan back on track, shipment begins next week - Hindustan Times

Aziz Hazara is tracking an unusual shipment - 20 tonnes of rubbish collected from Bagram air base, formerly the largest US military base in Afghanistan. It is making its way west, back to its source. Itll pass through Karachi and the Gulf, sailing the Indian Ocean and crossing the Atlantic to return to the US.

The artist, who currently works in Kabul and Berlin, estimates that the journey could take up to a year as it carefully retraces what he refers to as the supply chain of the global war on terror the route along global ports and cities that American soldiers and weapons passed through to get to Afghanistan during the war. When it finally lands on US soil, it is home. Hazara calls it his gift to the American people.

To skirt regulations on refuse imports (the US prohibits such shipments even though it exports tonnes of its own waste to South-East Asia every year), he has labelled the junk-filled container as art. Having checked the rules, Hazara explains that if it makes it to the country successfully, it cannot be shipped back. When it arrives, it belongs to the Americans. Once it is in America, you cant undo it, he says.

The ongoing work has been commissioned for the 2022 Carnegie International, a major art exhibition held every three to four years, which will take place in Pittsburgh in September.

Part of childhood in Kabul is on one side, a horror show. On the other side, war is so normalised that you dont realise it until you see it from a distance

Aziz Hazara, artist

When US troops withdrew from Afghanistan last year, after a 20-year occupation, they left behind death, chaos and rubbish. Bagram air base, where more than 100,000 American troops had served from 2001 to 2021, had a shopping centre and fast food restaurants. Now, heaps of rubbish, toxic plastic, scrap metal and electronic waste are all that remain, and the Taliban have taken control of the airfield and the rest of Afghanistan.

More than a gesture, A gift to the American people (its working title) considers the legacy of war and the idea of circularity as weapons, equipment and military detritus manufactured in the West make their way into the hands of the Taliban after the collapse of the Afghan National Defense and Security Forces, furthering death and destruction. It also critiques political and economic complicity in an age of globalised conflict and proxy wars.

Born in 1992 in Wardak, a province in Afghanistans central region, Hazara and his family moved to Kabul when he was a child. Life in the capital, which has been marred by the Soviet-Afghan War, civil conflicts and the US invasion, shaped much of his memories and world view.

Part of childhood in Kabul is on one side, a horror show," he explains. On the other side, war is so normalised that you dont realise it until you see it from a distance.

Ranging from video and photography to installation and performance, his works contemplate war and occupation, both Soviet and American, and their lingering effects. Hazara often features children in his works, a choice that he says reflects his obsession with his own childhood.

In December, he won the $100,000 Future Generation Art Prize from the PinchukArtCentre, Kyiv, for his work Bow Echo (2019). The five-channel video installation shows young boys struggling to climb rocky mounds along the hills of Kabul as fierce winds attempt to knock them down.

The children blow on toy bugles, producing bleak sounds diminished by the howling gales. The futility of their efforts is palpable, one almost runs out of breath with them, as they clamour for a kind of control or recognition.

In another work, Rehearsal (2020), the artists young subjects play a different game. A boy recreates the sound of gunfire as he sits on the shoulders of another who swings him side to side like a weapon mount.

Hazara says many children in Afghanistan have mastered the mimicry of such noises, even recognising the differences between the Taliban-used Kalashnikovs and the US militarys M16 rifles. War has become very normalised, he says. We grow up with it, we die with it. We commemorate it, we celebrate it and we remember it.

As the videos title suggests, Rehearsal shows the children mirroring what they see around them, performing what is expected of them, especially as young boys, and practising for what may be ahead. What begins as childrens games may become more sinister later on, and in the context of a war-stricken country, the outcome feels more fated.

'Rehearsal' (2020), a five-channel video installation by Aziz Hazara. Photo: Aziz Hazara / Experimenter, Kolkata

The artists characters not only underscore a loss of innocence, but another form of circularity, of war begetting war. Afghanistans crisis is the outcome of generations of conflict, constructed by invading forces battling out their own interests on Afghan land.

The Taliban that we have in Kabul now are the kids that grew up in the refugee camps in Pakistan [in the mid-1980s and 1990s]. They have been through all these J is for Jihad campaigns, Hazara says, referring to a $50 million US-backed educational programme that promoted the use of mujahideen textbooks. Containing lines such as Doing Jihad against infidels is our duty, the books and lessons aimed to further religious war to help combat the Soviets.

This process of radicalisation is an American project, Hazara says.

The artist turns to a different kind of weapon in Eyes in the Sky (2020), where a drone follows children as they walk the arid mountainous landscape and gather to play around an abandoned tank. That their playground is made from a machine intended to kill doesnt seem to bother them as they hop on to its metallic body carrying toy guns.

A still from 'Eyes in the Sky' (2020), a single channel video installation by Aziz Hazara. Photo: Aziz Hazara / Experimeter, Kolkata

Addressing the use of surveillance in modern warfare, Hazara considers the drone as a technological panopticon, keeping a watchful eye over its subjects. Kabul is a city that is constantly under surveillance by the Americans, the Germans, the Brits, the French, the artist says of the period before the American withdrawal. There are all these drones, kite balloons, objects flying above you. They watch you 24/7.

He is referring to the spy balloons that were scattered across Afghan skies from 2007 (they were first used in Iraq in 2004) to observe and record the movements of residents and gather intelligence on potential attacks, including suicide bombers. They contain an archive of a city, a collection of images created after being constantly being watched without permission, Hazara says.

Unsurprisingly, the drones were reviled by locals, casting a psychological effect that prevented them from living their daily lives. Men were afraid of sleeping on their rooftops, a common activity during hot summer months, and women were cautious about stepping out to their yards.

Towards the end of Eyes in the Sky, the boys turn their guns upwards, firing at the all-seeing eye. In real life, when American crews would take down the blimps for maintenance, they would note that they were ridden with hundreds of bullet holes.

Its my constant struggle to not depict [violence], but use visual devices that might appear well-composed, but on the other side are brutal

Aziz Hazara

Such wartime surveillance practices are distinctly American high-tech, exportable and therefore highly bankable. This, too, has become a legacy of modern war. Formerly in the hands of the US, vast stores of data on the Afghan people, including digital histories and biometric data, collected over the years through a national ID and voter registration systems, are now with the Taliban, according to various reports, a shifting threat for which the implications are yet unknown.

But while the cameras of the military are intent on watching, Hazaras camera is concerned with the telling of memories and stories. The artists fascination with the camera as an object that bears colonial and militaristic histories began as a problematic relationship, he says. This was largely influenced by his witnessing the ways foreign journalists in Kabul while growing up. I didnt like when people, especially white journalists, were walking around the city and photographing us without permission. I found that they were exoticising us, he explains.

In his practice, he casts a different lens, one that rejects dehumanising images of conflict prevalent in international media, and presents stark views of Afghanistans landscape and those who live in it. Its my constant struggle to not depict [violence], but use visual devices that might appear well-composed, but on the other side are brutal, he explains.

His work, he says, is a continuous search along the border between being political and poetic.

'Bow Echo' (2019). Photo: Aziz Hazara / Experimenter, Kolkata

Sound plays an integral part of it, too. Hazara once again draws from his childhood in Kabul, where the citys soundscape blends the hum of drones, the whirr of choppers flying in and out of the green zone, recitations from masjids calling you for prayers, and on occasion, the sound of "suicide bombings".

Sound becomes a constant reminder of your geography and that was important to translate into the work, he explains.

The use of sound is perhaps most chilling in Monument (2019), one of Hazara's most powerful pieces. Running a little over five minutes, the double-channel video installation, shown at the Biennale of Sydney in 2019, takes place at a memorial site for the victims of a 2018 suicide bombing. Carried out by the Islamic State Khorasan, an offshoot of the militant group borne out of another war between other nations, the attack targeted an education centre in a Shia neighbourhood in Kabul. A total of 48 students, men and women, were killed and 67 people were injured.

One side of Monument shows the graveyard and memorial site in a wide-angle view, an arrangement of flags and posters, while the second screen offers a close-up of the latter, revealing the faces of the students, mostly teenagers, their names and dates of birth and death.

There is no narration and little context needed. As these scenes play, we hear only a steady low noise: the wind and the flags flapping along, then auditory cues of war, looming helicopters and soaring jets.

The artist reminds us of what we know to be true, that war does not end with a withdrawal, and not even with the laying down of weapons. It scars, stains and sticks it does not wash off, even if the US and its coalition may wish it so. Today, Afghanistan is not only faced with the grief of more than 170,000 dead (a conservative estimate by the Costs of War Project) and millions displaced, but also a humanitarian crisis that is rapidly worsening.

Contained in Hazaras work is a ruminative condemnation of imperial violence and a tragic foreshadowing of the countrys future. Like the sound of Monument, the road ahead is vast, eerie and cold.

Updated: February 2nd 2022, 12:27 PM

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Artist sends 20 tonnes of rubbish from Afghanistan to US as 'gift to the American people' - The National