Archive for the ‘Black Lives Matter’ Category

Movie Review: Across The Universe – UTSA The Paisano

Across the Universe is a film about love, anti-war activism, self-discovery, psychedelic drug culture, free speech, sexuality and the civil rights movement, themes which are all beautifully choreographed into a Beatles musical. Director Julie Taymor knew that creating a musical based off songs solely by The Beatles would be a challenge. Using 33 of their songs and minimal dialogue, Taymor created a masterpiece that can influence viewers in both a personal and generational way.

The film follows three young adults in the 1960s whose fictional lives coincide with real events. Jude, played by actor Jim Sturgess, leaves his home in Liverpool to finally meet his father, who lives in America. While there, he meets a lively Princeton student named Max, played by actor Joe Anderson, and the two quickly become friends. Jude eventually meets Lucy, Maxs younger sister, who is played by actress Evan Rachel Wood, and together they create a romantic connection. The three journey to New York City and meet a handful of characters who each face personal challenges.

There are moments in the film where it feels like a trippy, extended music video. At one point, Bono yes, Bono sings I am the Walrus while the people around him slowly slip into a psychedelic state. In the middle of the movie, Max is drafted into the Vietnam War. The film depicts men carrying Lady Liberty on their back while singing I Want You (Shes So Heavy) to symbolize the cost of freedom. In a veterans hospital, Salma Hayek is the nurse who administers morphine while the men in bed sing Happiness Is A War Gun.

Although Taymor never intended it, this film has potential influence on millennial activism and comments on social issues still relevant in todays society. In the 21st century, weve seen the Iraq War, the Black Lives Matter movement, the gay rights movement, and so many more events similar to ones that occurred in the 1960s that have influnced our youths actions. We have seen young people march Americas streets demanding change from those in power, which is similar to several scenes in the film.

No matter what message you choose to take away from Across the Universe, the film is bound to have a powerful impact, and perhaps, by the end of the film, youll begin to believe that all you really need is love.

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Movie Review: Across The Universe - UTSA The Paisano

We Cant Afford To Give Anything Up For Free: Alicia Garza Is Shifting The Power To Black Voters With The Black Futures Lab – MadameNoire

Source: Craig Barritt / Getty

I think most people actually dont choose to do this work, Alicia Garza says with a laugh, her voice clear and crisp, filled with a restrained confidence. But I think that whats more true is that for all of us, we have experiences that shape our understanding of how the world works, she continued.

Its Thursday, March 12, and while we were on opposing coasts, both of us were collectively bracing ourselves for the unprecedented response to the coronavirus. But outside of a public health pandemic, Garza has witnessed a threat which evokes the same level of fear, found within the daily threat of racism and homophobia as a queer, Black woman in America.

I ask Garza about what led her to organizing and activism and she responds that it began with watching her mother struggle as a single parent.

I know that women like my mom are juggling so many responsibilities and yetwere literally holding our country together, but our country doesnt do the work to hold us together, Garza said. While her mom remarried and found success as a thriving small-business owner, Garza is aware that itsnot a shared experience among Black Americans. But the memory of the journey stays with her, fueling her body politic.

The work Garza refers to is the devotional and oftentimes thankless dedication to those whose power has been stripped, ratified by white supremacy and systemic oppression. To change the current power structures in play, Garza calls for a re-imagining of the way politics have served Black voters.

In 2018, she shifted gears as one of the co-founders of the Black Lives Matter (BLM) Global Network to create the Black Futures Lab. Much of her urgency stemmed from watching her community of organizers go without crucial resources like access to safe, livable housing and health support.

Our work is really focused on building the capacity of Black families to make the rules so that we can change the rules.

What I realized very quickly is that resources are distributed unequally and that is really a function and a question of power, she said. Coming out of the 2016 elections, Black Lives Matter was really in full swing and yet there was very little, if any attempt to speak to the issues that Black communities cared about across the country.

The lab was started to make Black people powerful in politics. We know that every time an election cycle rolls around Black people are engaged culturally but not substantively around issues that we care about and that means that were not a part of the decisions being made about us and that has implications, Garza continued.

Recently the Black Futures lab launched and completed the Black Census Project, which Garza proudly describes as, the largest survey of Black people in America thats been done in 155 years. Along with engaging voters and the creation of the Black Census project, the Black Futures Lab encourages Black influencers with large social platforms to use it for politics instead of projects.

We now can use that data to inform how policy is developed and shaped in cities across the country, Garza said in regards to the Black Agenda 2020, whichexamines the concerns that surfaced from the census project, coupled with prompts on how to address those issues with policy actions.

So much of the time, we engage in these kinds of politics that are transactional for some that leave a lot of people behind.

Black Futures Lab was able to fund their work through a grant from the Marguerite Casey Foundation. Since 2012 the organization has invested over $15 million dollars. $5 million in the past year was issued to 50 different Black and brown grassroots organizers to oversee outcomes for the 2020 election, which will undoubtedly affect the most marginalized of us.

I think institutions make rules about how they want to intervene in the equal distribution of resources and I know that the Marguerite Casey Foundation for example has relay prioritized improving the lives of Black and brown families across this country in every part of their lives.

Inducing a shift from what Garza describes as a race neutral approach to a race forward approach, is one of the Black Census Projects tenants, along with the Black Futures Lab. Reminding the general public and politicians vying for office that Black people are not a monolith, only concerned with police brutality and vigilante violence, but also have a vested interest in healthcare, global warming and the economy.

We are focused on political power because the problems that we face are immense and the solutions actually require that we dont keep doing the same old thing and getting different results, said Garza.

I think were seeing Black people act decisively, but yet its not really clear what commitments were receiving around changing whats happening on the federal and local level, Garza said.We cant afford to give anything up for free, and we have to challenge this notion that the people who are speaking out on our behalf have our best interest at heart.

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We Cant Afford To Give Anything Up For Free: Alicia Garza Is Shifting The Power To Black Voters With The Black Futures Lab - MadameNoire

Keep Calm and Listen to Brian Lehrer – The New York Times

Brian Lehrer was having difficulty. He was doing his daily radio show from home because of the COVID-19 outbreak. There was a little dead air, and he disconnected a congressman just as he was about to make a point.

Whoops, he said gently.

But even under the circumstances a pandemic in a city on the verge of lockdown he was the calming presence hes always been. Remember that most of us, and most of our loved ones, are going to be fine, he started the show on the day the city closed the schools. But the Russian roulette aspect of this, the randomness of this, is very real. So lets look it in the eye, and move on together.

Among his fans, he can do no wrong. He is a cross between Tom Brokaw and Mister Rogers. He is the high school social studies teacher we all wish we had. He is, in the words of the City Council speaker of New York, your super smart, approachable uncle who you respect and admire, and who always knows way more on every single issue than you would possibly expect.

Aidy Bryant, the Saturday Night Live actress who introduced him at a public radio gala in Manhattan last year, admits to being star-struck only twice in her career: once when she met Prince, and once when she met Brian Lehrer.

Lots of large cities have local news radio figures, like Michael Krasny on KQED in the Bay Area, or Larry Mantle on KPCC in Los Angeles. But to the thousands of New Yorkers who listen to The Brian Lehrer Show five days a week at 10 a.m., our local news radio host is equal parts civic treasure and municipal therapist.

And hes been at it for some time: Listeners have tuned in to the Lehrer show on WNYC for local and national politics, current events and social issues for the past three decades through the Central Park Five trial, the Sept. 11 attacks, the 2008 financial crisis, the rise of Black Lives Matter, Hurricane Sandy, the 2016 election and now the coronavirus pandemic.

Mr. Lehrer begins each show focusing on a topic in the news (Brexit, gentrification, the presidential primary), providing accessible interviews with authors, politicians, actors, journalists, or the occasional Sesame Street character (Elmo once explained Hurricane Sandy to children).

But its after the interview that the show really begins, when Mr. Lehrer opens the phone lines to listeners, allowing them to hold forth on a bevy of issues, from the hyperlocal (rezoning in their neighborhood, tension in the school district, a late-arriving Access-a-Ride) to the national (why people should stop buying single-use plastics). Topics flow from the wonky (an explainer on early voting) to the whimsical (Does the New York accent still exist?).

For the past few weeks, he has been covering the coronavirus pandemic closely, dedicating segments to discussions with doctors, politicians, teachers and a very informed audience. It has been something of a challenge for Mr. Lehrer.

After 9/11, at least people could come together and support each other in their fears and in their grief, he said. I dont think Ive ever experienced a situation where theres a need to support each other and isolate each other at the same time.

Unable to move around freely, people are spending more time on their devices, getting news and misinformation from social media, which doesnt help Mr. Lehrers cause: trying to keep his community calm, and together.

Brian Lehrer was born in 1952, and grew up in Bayside, Queens, which he calls a relatively homogeneous place: most people were white, Jewish and middle class. But the calm of the neighborhood was shattered by the tumult of the late 1960s.

People around him were in turmoil over whether they were going to go to Vietnam. I had a high draft number, said Mr. Lehrer, 67, by way of explaining his ability to look at the issue dispassionately.

If you grow up in that kind of environment, where the global issue of the time connects to your personal sense of safety and commitment people in my circles basically didnt think the war was right thats probably how a lot of people got interested in the news at that time.

A radio devotee even in childhood his first radio experience was as a summer camp D.J. Mr. Lehrer graduated from SUNY Albany with degrees in music and mass communications, the latter designed around his D.J. shifts at the college radio station. After graduating in 1973, he got an offer at a rock n roll station in Albany; Lehrer accepted the job as long as he could open the phone lines on Sundays between midnight and 3 a.m. to host a talk show.

He replicated this practice at stations in Columbus, Ohio, and Norfolk, Va., and managed to get two masters degrees one in journalism, from Ohio State University, and one in public health, from Columbia, eventually ending up as a freelance journalist. Then, in the late 80s, WNYC asked him to audition for a news program they were putting together.

At the time, the bedrock of public radio was newsmagazine shows like Morning Edition and All Things Considered, which were filled with authoritative, expert voices.

At his audition, Lehrer made it clear that he wanted to engage listeners more, taking questions from real people, instead of just listening to pundits spout responses to a host, to democratize the dialogue. He had become interested in this exchange, which often produced better policies, he said, while studying for his masters of public health.

It was an eye opener to me, he said, how often politics got in the way of the best possible environment policy, because one group or another had to be appeased for whatever reason, and that helped me add another level of sophistication to the show that I wouldnt have had otherwise.

So that was that: The sophistication of his show, as well as the accessibility, would involve the very people who listened to him.

When he started at WNYC, the Fairness Doctrine had just been abolished. Gone was the requirement that broadcast stations balance controversial topics with various points of view. Talk radio exploded, with angry conservative men popping up all over the dial.

Mr. Lehrer wanted his show, which premiered in 1989, to be an antidote to what radio hosts like Rush Limbaugh were doing. The original title of Lehrers show was On the Line, a play on its welcoming interview format.

He now speaks with easily over a thousand people a year, roughly four people every show including, once, me. (I was on to discuss The 1619 Project.) And tens of thousands more call and tune in, some names more recognizable than others. Gov. Andrew M. Cuomo is known to call in. The actress and activist Rosie Perez has, too. And in the middle of a conversation about the crisis for small business owners in New York City, the actor Tony Danza got on the line to talk about his mozzarella shop.

Lehrers most useful trait may be his most nebulous one: in a city of eight million mean or rude or cold New Yorkers, everybody seems to like Brian Lehrer, almost to a startling effect. Its in no small part that hes the rare non-lawmaker who fully understands how congestion pricing might work.

Mr. Lehrers magic is bipartisan: hes made New York City with all its internecine drama between the state and the metropolitan area, multiple elections in a year, City Council charter revisions feel like one big neighborhood. Mr. Lehrer is also a self-proclaimed Welcome Wagon for newcomers to the city giving them a direct line to the mayor, explaining whats going on with the buses on 14th Street. (In German, his name translates to teacher.) He seems to feel a personal responsibility to provide this service.

Were always told how divided we are as a nation, said Julia Genatossio, who has continued listening online after she left New York for Southern California, but the broad range of listeners to Brians show clearly tells us another version of ourselves.

So how has a wonky radio figure with a lightly nasal delivery become a universally beloved icon of a city that thrives on cynicism? It might have to do with the fact that Lehrer has kept his personal life private. He has virtually no social media presence outside of the show, which paradoxically lends his program even more intimacy.

For a radio guy, he gets recognized pretty frequently: in the supermarket, on the subway, in the bodega. New Yorkers who run into him might want to do a version of calling in to the show, responding to a topic from earlier that week or telling him what he should be talking about.

Fans traded drips of his personal life with me he lives in Inwood, he has sons, he loves to run. The stories bandied about reveal a man who seems, alternately, like a family member and a celebrity, a real mensch.

What makes him such a great host is that he is one of the only people with a long-running show on radio or TV who I would not consider to be a personality, said Mike Bernstein, whos been listening for over 20 years. Despite being on the radio every day with a show that bears his name, its never about him.

Every Friday morning for the past four years, the program hosts Ask the Mayor, a segment inspired by radio spots mayors Rudy Giuliani and Michael Bloomberg had with other stations. The show approached the administration when Mayor Bill de Blasio took office, but they were initially rebuffed. After some time and some bad press City Hall accepted. Corey Johnson, the City Council speaker and a self-described huge, huge fan, requested a segment as well: He sits in for the monthly Speak to the Speaker.

To regular listeners, those Friday mornings are a time of community updates, mayoral decree and occasional sparring between mayor and host.

But even Mr. de Blasio wont say anything bad about Brian Lehrer. In a show earlier this month, the mayor bristled at Mr. Lehrer asking if he had seen recent video footage of a young black man in Canarsie being detained by six police officers without a clear reason.

Mr. de Blasio chided Mr. Lehrer and his staff for not tuning in to the previous days news conference, where he spoke about the footage at length. Mr. Lehrer responded that he had indeed tuned in, but was asking for the many listeners who werent able to watch the conference; Mr. de Blasio contended that the news conference shouldve answered Mr. Lehrers question about whether or not hed reviewed the footage.

And yet he didnt hesitate to describe him as the Walter Cronkite of the age.

I will tussle with him if I think he has his facts wrong, or I think hes missing something, the mayor said, but I dont for a moment think he has a bias.

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Keep Calm and Listen to Brian Lehrer - The New York Times

3 indicted on murder charges in unrelated Birmingham slayings – AL.com

Three people have been indicted on murder charges in unrelated incidents, including a Birmingham activist who was initially charged with a lesser crime.

A Jefferson County grand jury on March 6 issued the murder indictments against Mercutio Southall, Micayla Sloan and Terrence Watkins, according to court records made public Wednesday.

The 35-year-old Southall, one of the initial leaders in the citys Black Lives Matter movement, is indicted on intentional murder in the 2019 slaying of 54-year-old Arthur Douglas Hudson. He was originally charged with manslaughter.

The shooting happened about 10:30 p.m. in June 2019 Hudsons home in the 6600 block of First Avenue South. East Precinct officers were just finishing up a nearby traffic stop when a red Ford F-150 flew past them driving erratically and then came to a screeching halt. The driver - later identified as Southall - jumped out of the truck and ran behind a home.

One of the officers began to follow him, and saw a woman sitting in the pickup truck with her head in her hands. Just then, multiple shots rang out behind the home. Police heard a man - later identified as Hudson - yell that he had been shot and found him climbing over a fence to get away from the shooter. Officers tried to tend to his injuries - two gunshot wounds - but he was pronounced dead on the scene.

Southall - with a gun holstered on his side - was taken into custody at the scene. Southalls sister was taken by Birmingham Fire and Rescue Service to UAB Hospital for treatment for lacerations. It wasnt immediately clear how she was injured. Southall remains on bond.

Sloan, a 23-year-old Walker County woman, has been indicted on a felony murder charge in connection with the 2018 deadly shooting of a young Birmingham man. She is charged with murder in the Oct. 11, 2018 killing of 24-year-old Skyler Lewis.

West Precinct officers were dispatched just before 3:30 a.m. that day to a home at 1839 18th Street in Ensley. Once on the scene, police found Lewis lying unresponsive inside the home. Birmingham Fire and Rescue Service medics pronounced him dead on the scene.

A second male victim was also found wounded inside the house. He was taken to UAB Hospital with critical injuries. Additional officers then responded to the 1500 block of Bessemer Road where a woman was founded with a gunshot wound. Authorities quickly determined she had been injured in the 18th Street shooting.

The two-count indictment against Sloan states she did commit or attempt to commit a felony clearly dangerous to human life, burglary, and in the course of that crime she, or another participant, caused the death of Lewis by shooting him with a pistol.

Court records show Sloan had previously written a letter to the judge asking she be released so that she could take care of her children and go back to work, but she remains in the Jefferson County Jail with bond set at $60,000.

Watkins, 37, is charged in the Sept. 23 shooting death of Tiyesha Carson, also 37.

Birmingham police and firefighters responded at 4:20 a.m. that Monday after getting a ShotSpotter call to the 1300 block of Avenue V. Once on the scene. They found Carson suffering from a gunshot wound.

The woman was found in the rear of a residence, but she did not live there. Authorities said it appears she went to the home searching for help after she was shot.

Carson was taken to UAB Hospitals Trauma Center, where she was pronounced dead at 5:45 a.m.

Authorities have not said what led to the deadly shooting. Watkins is out of jail on $100,000 bond.

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3 indicted on murder charges in unrelated Birmingham slayings - AL.com

What I Buy & Why: Collectors Carlos and Rosa de la Cruz on Why They Dont Actually Have Any Art Hanging Above the Sofa – artnet News

A version of this story first appeared in the spring 2020Artnet Intelligence Report.

What was your first acquisition?

Star Gazer (1956) by Rufino Tamayo, in 1988. Our collection changed direction in 1992 when we acquired the work of Flix Gonzlez-Torres. From then on, weve collected contemporary art.

What was your most recent acquisition?

Four large-scale paintings by Glenn Ligon and a neon from his series inspired by the poems and unfinished films of Pier Paolo Pasolini. We also acquired work by Jennifer Guidi and Picture 4 (2018), by Nate Lowman, from a series of paintings based on crime scene photos of the October 1, 2017, mass shooting in Las Vegas. Another recent acquisition: two paintings by Haiti-born, Miami-based artist Tomm El-Saieh.

Glenn Ligon, Notes for a Poem on the Third World (chapter two) (2019). Photo Courtesy of the de la Cruz Collection.

Which artists are you hoping to add to your collection this year?

We are looking at a younger generation of figurative artists whose work engages with contemporary social realities and movements such as Black Lives Matter and womens empowerment.

What is the most expensive work of art that you own?

The value of art is subjective.

Where do you buy art most frequently?

We have always built strong relationships with the artists we collect and the galleries who represent them. Additionally, we have been supporters of Art Basel and Frieze.

What work do you have hanging above your sofa?

We do not place furniture against our walls. Carlos and I have always lived with art in a way that for some may seem unconventional and do not consider artworks decorative objects.

What artwork, if any, do you have in your bathroom?

We dont place art in the bathroom.

Tomm El-Saieh, Fruiting Body (2019). Photo Courtesy of the de la Cruz Collection.

What is the most impractical work of art you own? What makes it so challenging?

Flix Gonzlez-Torress (Untitled) Portrait of Dad (1991) is a pile of candy placed on the floor. We have to make sure that the candy is always fresh!

What work do you wish you had bought when you had the chance?

One of Flix Gonzlez-Torress curtains.

If you could steal one work of art without getting caught, what would it be?

One of Flix Gonzlez-Torress curtains!

A version of this story first appeared in the spring 2020Artnet Intelligence Report. To download the full report, which has juicy details on the best-selling artists of 2019, how A.I. could transform the art industry, and how titans of the finance industry are infiltrating the auction houses,click here.

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What I Buy & Why: Collectors Carlos and Rosa de la Cruz on Why They Dont Actually Have Any Art Hanging Above the Sofa - artnet News