Archive for the ‘Censorship’ Category

Conservatives warn of Big Tech-federal government ‘collusion’ on censorship – Washington Examiner

Conservatives are rallying against what they call collusion between Big Tech and the federal government, fearing the two powerful entities will censor them under the guise of preventing domestic terrorism.

Large tech platforms from Facebook and YouTube to Spotify and GoFundMe have ratcheted up bans and censorship of users and organizations.

The companies, once viewed as neutral platforms and marketplaces, are increasingly behaving as left-wing activist organizations because of cancel culture, conservatives say.

There seems to be a pretty universal cultural collusion among a bunch of these companies that they dont want dissenting voices to use their products," said Inez Feltscher Stepman, a senior policy analyst at the conservative Independent Womens Forum, on her podcast earlier this month.

At the same time, the federal governments counterterrorism apparatus under President Joe Biden has taken multiple actions recently aimed at curbing speech deemed as extremism and misinformation.

Conservatives challenge the government's definition of misinformation and say new Biden policies will target them.

For example, the Justice Department announced in January the creation of a new domestic terrorism unit that will investigate those who ascribe to extremist anti-government and anti-authority ideologies.

House Republicans also say an FBI whistleblower email shows the agency is using "counterterrorism tools" to monitor violent threats against school employees and teachers in relation to parents protesting local school board decisions.

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Conservatives are perhaps most concerned about a February bulletin from the Department of Homeland Security saying the federal government plans to work with public and private sector partners to reduce the "proliferation of false or misleading narratives, which sow discord or undermine public trust in U.S. government institutions."

Republicans say that, depending on how the government defines "false or misleading narratives," those who are against mask and vaccine mandates or raise questions about the origins of the coronavirus could be classified as terrorists.

For the government to characterize mainstream political disagreements as something approaching criminality is frightening and sends shivers down my spine, said Rep. Dan Bishop of North Carolina. Thats what happens in totalitarian regimes. Normal Americans engaging in normal activity and speech shouldnt be conflated with terrorism. Thats very dangerous for the government to be doing."

He added that the federal government and its agencies, such as the Centers for Disease Control and Prevention, can and should put out their point of view on problems in society. They can even criticize certain information online as being incorrect, Bishop said, but its not the government's role to criminalize or deter certain speech on private platforms.

At the end of January, U.S. Surgeon General Dr. Vivek Murthy urged tech platforms to censor comedian Joe Rogan and use the power that we have to limit the spread of misinformation."

White House press secretary Jen Psaki said in early February she supported Murthys advice regarding content moderation.

Conservatives say the federal government has threatened to crack down on right-leaning speech for years.

The desire to criminalize certain speech has been brewing for a very long time, and now the Biden bureaucracy is free to make moves that they couldnt under Trump, said Kara Frederick, a tech research fellow at the Heritage Foundation, a conservative think tank. Some high-level bureaucrats want to use counterterrorism tools to suppress mainstream conservative views expressed, and the Jan. 6 attack has given them the perfect excuse to use these new tools."

She added she had met with 21 Republicans in Congress in the past three months, including members in leadership, and they were all concerned about tech companies and the federal governments efforts to reduce misinformation.

GOP Rep. Bishop said he expects Republicans to take back control of the House of Representatives after the midterm elections and will then investigate the federal government's recent actions related to misinformation and domestic terrorism.

"The Republican leadership has a very robust oversight effort planned, with all investigative tools at our disposal to be used," Bishop said. "We will examine the administration and the tech companies very closely, and if that fuels successful litigation, so much the better."

Until 2023, Bishop said, Republicans can only use their platform to express concerns and hold the Biden administration accountable.

Conservatives say Democrats would be equally concerned if a Republican administration were in charge of defining illegal misinformation.

How would the Left feel if it was Trump and his people deciding what is misinformation and we're locking up people based on that? said Dan Gainor, vice president at the Media Research Center, a conservative media watchdog that tracks censorship on Big Tech platforms.

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Everybody has to stand their ground and not give in to cancel culture and these misinformation policies. Theyll never be satisfied. You cant placate a pack of hungry lions and ever make them happy. Youve got to fight it, Gainor said.

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Conservatives warn of Big Tech-federal government 'collusion' on censorship - Washington Examiner

Truth Social criticized by far-right talk show host for ‘censorship’ as it surges in popularity – Washington Examiner

Former President Donald Trump's new social media app, Truth Social, is surging with new users but facing criticism from some on the Right for what they claim is censorship.

The critics say Truth Social, which has billed itself as a free-speech alternative to Big Tech platforms, has some of the same problems with content moderation and data privacy that led them to seek alternatives to companies such as Facebook and Twitter.

A right-wing broadcaster who has pushed conspiracy theories about the coronavirus in recent months was censored for posting what the platform classified as "sensitive content." Another user has been banned from the app for creating an account that made fun of Devin Nunes, the CEO of Trump Media and Technology Group, the parent company of Truth Social.

Right-wing personality and radio host Stew Peters complained his speech was suppressed by having a Show Content label placed on one of his posts on Truth Social, forcing users to click to see his content.

Im ALREADY being censored on Truth Social, Peters said on Telegram, another free speech-focused social media platform.

I said, The people in our government responsible for allowing our kids to be killed with these dangerous Covid shots, should be put on trial and executed,' Peters said, along with a screenshot of his post on Truth Social. Free speech isnt free."

PARLER ATTEMPTS TO REBRAND ITSELF AS NONPARTISAN AND MAINSTREAM

Truth Social was the most downloaded free app on Apples app store earlier this week, with nearly 400,000 people receiving notices they were on a waitlist upon trying to sign up.

Nunes said Thursday that Truth Social's top priority is bringing people on to the platform's app as soon as possible.

Since its launch on Sunday, Truth Social has been swamped with people seeking to sign up and been plagued by sign-up errors and delays, with many users being unable to create an account successfully or receiving confusing error messages.

A Truth Social user who attempted to register an account intended to make fun of Nunes with a new account titled '@DevinNunesCow' wasoutright bannedfrom the platform.

The account name was a reference to a satirical Twitter account called "Devin Nunes cow," created by web developer and internet personality Matt Ortega, which gained notoriety and a large following on the platform after Nunes sued the account for defamation in 2019.

Ortega tried to create a Truth Social account that also pretended to be Nunes's cow but was removed from the platform for doing so.

I may be the first officially cancelled Truth Social user, Ortega said on Twitter.

Truth Social said his account was permanently deleted because the account name violated its social community guidelines.

"This is censorship," Ortega tweeted.

Trump removed from almost every major social media platform, including Facebook and Twitter, following his role in the Jan. 6 riot at the U.S. Capitol announced he was creating Truth Social last October as an alternative to the Big Tech companies and to promote free speech.

Thus far, social media platforms popular with right-leaning users, such as GETTR and Parler, have had difficulties attracting a more mainstream user base as they try to expand, a major obstacle to conservatives hoping to end the liberal chokehold on social media.

Conservatives have pointed out that Truth Socials content moderation policies are significantly stricter than Twitter's and are not free speech-oriented.

Unlike Twitter, Truth Social users can get suspended or kicked off the platform for posting content that moderators consider to be false, defamatory, or misleading.

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"It isn't a censorship-free experience at all, its rank hypocrisy to ban the DevinNunesCow account," said Patrick Hedger, executive director of the conservative Taxpayers Protection Alliance.

"I think they should abide by how they advertise themselves as a censorship-free platform or recognize that striking a balance between free speech and palatable consumer content is not easy, as other platforms have realized," Hedger added.

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Truth Social criticized by far-right talk show host for 'censorship' as it surges in popularity - Washington Examiner

Russia: Journalists reporting on Ukraine war face censorship and detentions – European Interest

The International Press Institute (IPI) global network condemns the efforts by Russian authorities to censor independent media reporting on the invasion of Ukraine and the multiple detentions of domestic and international journalists covering anti-war protests across the country on February 24.

IPI condemns efforts to silence reporting on anti-war movement

Hours after the invasion began, Russias government-controlled communications and media regulator, Roskomnadzor, issued an ominousstatementwarning that media outlets were obliged to only publish verified data and information on the conflict from official Russian sources.

The department said that media knowingly disseminating false information could face sanctions under article 13.15 of the Code of Administrative Offenses, which carries a maximum administrative fine of up to 5 million rubles (53,200).

Roskomnadzor stressed that spreading false information on the internet would result in the immediate blocking of such materials under Article. 15.3 of Federal Law No. 149-FZ, a restrictive piece of legislation passed in 2019 which allows extrajudicial blocking of media websites accused of spreading misinformation.

Soon after the warning was given, there were reports in media and on social media that Russian media platforms were being contacted directly by Roskomnadzor and instructed to take down articles or delete certain information or images from published articles.

Among them was the Krasnoyarsk edition of Prospekt Mira, whose editors reported they wereorderedto remove news about the strikes on Ukrainian cities. Roskomnadzor said the report contained false reports about acts of terrorism and inaccurate socially significant information, without providing details. Thenews article entitled Media reports explosions in cities and the capital of Ukraine was taken off the website.

Journalists detained covering anti-war rallies

Later that evening, three correspondents from the Russian service of Radio Free Europe/Radio Liberty weredetainedin Moscow while covering a protest against the war, despite one of them repeatedly identifying himself as a journalist. The trio were taken away from the crowd on Pushkinskaya Square and taken to a nearby police station. They were released without charge shortly after.

There weremultiplereportsof other journalists being detained or facing pressure from security officials, despite being clearly identifiable as members of the press. In St. Petersburg, Interfax correspondentDmitry Gavrilovwas detained at an anti-war rally as he was taking a photograph of a No to War poster. Police refused to release him after she showed his journalistic ID.

In the western city of Pskov, the editor-in-chief of the Pskovskaya Guberniya newspaper,Denis Kamalyagin, and three of his colleagues were detained.Nataliya Vasilyeva, the Moscow correspondent for the British newspaper the Telegraph, reported that she was briefly detained by police in the capital. Many of the professional media workers who attended rallies as citizens rather than in a journalistic role were also detained.

IPI strongly condemns the cynical efforts by Russian authorities to supress and censor independent reporting on Russias invasion of Ukraine, IPI Deputy Director Scott Griffen said. We strongly oppose the attempts by the government and security forces to threaten media outlets into silence with fines or stifle independent journalism which threatens to puncture the Kremlins narrative. The arrest of clearly identifiable journalists who were simply covering a peaceful anti-war demonstration is a worrying sign of the increasing censorship likely to follow.

IPI praised the courage of journalists in Russia who have been resisting state censorship and speaking out in the name of peace. On Thursday, more than 200 Russian journalists, including those from Novaya Gazeta, Ekho Moskvy, Kommersant, Dozhd, Ekho Moskvy, Mediazona and state outlets signed anopen letteropposing what the Kremlin called an special military operation against Ukraine.

In response, Elena Chernenko, a special correspondent from Kommersant who organized an open letter from journalists, wasexpelledfrom the Russian Foreign Ministry pool of journalists and barred from attending Ministry events.

Independent media under attack

Over the past year, as IPI hasdocumented, independent journalism in Russia faced the biggest crackdown in more than a decade, as the authorities moved to solidify control by weaponizing a Soviet-styleforeign agent lawto blacklist independent media outlets and impose crippling fines, forcing advertisers to pull out and starving media financially.

The law requires branded outlets to disclose sources of funding and put a disclaimer in capital letters above every text they publish, warning viewers they are about to read content from a foreign agent. If media do not comply, they face large fines and criminal charges. Almost every single major investigative media outlet in Russia was added to the justice ministrys register, as well as major broadcasters such as Dozhd TV, meaning citizens reading independent reporting on the war will see the foreign agent label.

At the start of the coronavirus pandemic, lawmakers passed new additions to the criminal code, articles 207.1 and 207.2, under which media found to have deliberately spread false information about serious matters of public safety such as COVID-19 would face fines of up to 23,000 and up to five years in prison. The countrys media regulator Roskomnadzor continuously issuedtake down and correction ordersand threatened to block news websites over coverage, while one journalists were placed under criminal investigation after critical articles. International correspondents working from Russia were also refused visa extensions and forced to leave the country.

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IPIs global network expressed support for and solidaritywith our members and journalist colleagues in Ukraine and demanded that journalist safety and the right to cover developments independently and without fear of retaliation be protected.

IPI joined dozens of organisations in calling on the international communityto provide any possible assistance to those who are taking on the brave role of reporting from the war zone that is now Ukraine.

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Russia: Journalists reporting on Ukraine war face censorship and detentions - European Interest

The Censorship Circus – The Wire

By Isaac Stone Fish February 27, 2022Several years ago, a University of Michigan PhD student who had spent years living and researching in China, attended a U.S.-based event commemorating the 25th anniversary of the Tiananmen Square massacre. But she was worried about speaking at the event. She knew that if she criticized Chinese soldiers gunning down unarmed protesters, students could report her to the Chinese authorities, which could jeopardize her research, her access to interview subjects, and even her entire academic career. Even though it bothered her to do so, she kept quiet.A few years later, the student, who asked to remain anonymous, found herself keeping quiet again, on what seemed like a much more trivial matter. In September 2017, she opened Facebook and learned that Chinese customs agents had banned the import of certain soft European cheeses, like Brie and Gorgonzola. The customs agents blamed too much bacteria, but because Chinese companies could legally make the same cheese, European trad

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The Censorship Circus - The Wire

She survived antisemitism in the USSR. She might not survive this Israeli censorship affair – Haaretz

To say she is one of the main protagonists, Svetlana Reingold has been absent from the media storm that erupted over David Reebs Jerusalem painting featuring in the opening exhibition of the expanded and revamped Museum of Israeli Art, Ramat Gan.

To recap: the wording that appears on Reebs 1997 painting Jerusalem of Gold Jerusalem of Shit, alongside a depiction of ultra-Orthodox Jews at the Western Wall, infuriated Ramat Gan Mayor Carmel Shama-Hacohen. He claimed it was racist and antisemitic, and then, following a Facebook poll he conducted among city residents, ordered that the artwork be removed.

In protest, the other artists represented in the exhibition demanded that their own works be removed. When negotiations between the sides failed, the entire exhibition was canceled. In effect, the museum is now shuttered or, as the mayor prefers to say, operating at low intensity.

Reingold was both chief curator of the renovated museum and curator of the crisis-inducing exhibition. And when negotiations between management and the artists broke down, she decided to resign as well.

Until now, she has avoided speaking to the media. But now her resignation has gone into effect, she is opening up about this and previous furors like, for instance, the one that erupted while she was chief curator of the Haifa Museum of Art when a work entitled McJesus, by the Finnish artist Jani Leinonen, was removed in 2019. That work featured an image of a crucified Ronald McDonald. Then, too, the person who ordered the removal of the work was the citys mayor, Einat Kalisch-Rotem.

As soon as I saw the referendum being conducted by the mayor among his Facebook followers, I realized this was not going to end well, recounts Reingold about the latest scandal. It was two days after the opening of the museum, but I never imagined it might end with the entire exhibition being taken down.

It was hard for me to read the posts he put up on Facebook, whose message, in one form or another, was that artists should be grateful to get a place to exhibit in, and they should behave nicely and not insult anyone. I was thinking that this was something I wouldnt be able to work with.

When did you make the final decision to resign?

Once I was informed that theyd be taking down David Reebs work [in January]. Often in such situations, a demand is made from the outside or from social media to resign. For the most part, Ive never considered these sorts of demands because loss of employment is a sort of social death. What are you planning to do now?

Im gathering up my energies for the next challenges that await me. But if I can be candid, I dont have huge expectations about the future that lies ahead.

What do you think will happen to the Ramat Gan museum?

The people at the museum should be thinking of taking corrective action to ensure the independence and freedom of expression of the curators and artists. This crisis should be used to reorganize. Its a crisis that is relevant to all of the museums and municipal galleries in Israel: How can we ensure that this doesnt happen again in some other space?

And how can we make sure of that?

In Britain, for instance, when it comes to governance of art institutions, the arms length principle is in effect where even art that is financially supported by the government never actually serves the government. The decision-makers over art subsidies must always be the same arms length removed as the museum staffers, in order not to repeat the mistakes that Shama-Hacohen made.

Did you ever imagine that the exhibition might provoke this kind of clash? It did include several controversial works.

I didnt think it would happen, though I was wary of such a possibility. But I told myself I couldnt be fearful anymore. By its nature, art tends to hold up mirrors to society, encroaching and asking uncomfortable questions. The beauty of Reebs work is that it challenges the entire discourse on the limits of what is permitted.

So why was it displayed in a storeroom?

I displayed it in such a way that it was, on the one hand, part of the museums collection, and on the other revealed to the viewer. Also, I was interested in provoking debate on the issue of what is found in the central space and what is found behind the curtains and, yes, also to call attention to the fact that theres a political and bureaucratic establishment out there too.

Get the hell out of here, Jew!

Reingold immigrated to Israel in 1990 from the city of Novgorod, near Saint Petersburg. I was among the first immigrants to arrive on a direct flight from the Soviet Union to Israel, she recalls of immigrating alone at age 16, being joined by her parents a few months later. In the Soviet Union, her father served as the city engineer and her mother was an economist. In Israel, her father worked in a factory and her mother as a house cleaner.

In Russia, I was the only Jew in my class, she says. With the breakup of the Soviet Union, a rising wave of antisemitism began. People shouting things like Get the hell out of here, Jew! and Go! Fly to Israel became a matter of routine.

She completed high school at the Ort High School in Maalot, and then began studying art and history at the University of Haifa. I completed my bachelors and masters degrees there, and am now in the middle of my doctorate.

What do you have to say to the mayor, who believed that Reebs work is antisemitic and racist?

As a person who has experienced antisemitism firsthand, I think the antisemitism discourse is not relevant here in Israel. Here, it is the Jewish people in a position of sovereign power that represses and discriminates, not the opposite. The great thing about Reebs work has to do with the fact that hes telling us that in the Jewish state, of all places, by virtue of its religion and its national identity, it is our fate to play the role of the repressor. Before I immigrated to Israel, I truly believed I was coming to Israel to be part of the Jewish culture, which is something I couldnt do in the Soviet Union. It hurts me every time anew to see that in Israel, the wave of Russian immigration of which I am a part is nothing more than a plaything in the hands of political interests.

Do you not think that Reebs work is insulting?

In my opinion, its meant to insult the politicians but absolutely not religious Jews. It critiques the political discourse that cynically uses patriotic slogans and empties the holy symbols of all content. The Western Wall, Jerusalem of Gold and the worshipping Jew are all oft-used terms from the mouths of politicians, who use them to justify every military operation conducted in Israel.

In this context, she says that Reebs work reminds her of the huge banners that used to be hung in the streets of the Soviet Union.

On these posters, there would always be figures of the great men of the Soviet nation: Marx, Engels and Lenin. But someone would always add some curse in Russian. It was a minor addition that ridiculed the idyllic Soviet world. The Russian scholar Mikhail Bakhtin spoke about the carnivalesque world, which is the polar opposite of the official political, consensual world. In this world, laughter and parody represent the ruling ideology: the significance of the carnival is the crossing of familiar lines. The same is true for David Reeb, who placed the language of the street right in front of the idyllic world the politicians are selling to us.

What did you think when you saw social media posts that were opposed to Reebs painting for instance, what was written by rapper and right-wing activist The Shadow?

The main contention was that this artwork triggers an illegitimate discourse. Yet the comments against it that were initiated by the far right and which bordered on violent persecution were seen as being quite legitimate. The Shadow wrote several posts on his Facebook page, which led to thousands of harsh responses personally directed toward me. Truly a dizzying rate of loathing and hostility.

Boycotted by 200 artists

Reingold says art played a big part in her life growing up in the Soviet Union, with frequent visits to the Hermitage Museum with her mother. Following her university studies, she began working at various museums in Haifa. It was 1996, a turbulent period in Israel following the Rabin assassination, and numerous artists were reacting to what was going on. Following a series of minor positions in local museums, in 2011 she became curator of the Man-Katz Museum, and two years later also the Hermann Struck Museum.

Early in her career, she says, she faced the question of whether it was okay to present contemporary art at the Man-Katz Museum. In the 2012 exhibition The Desire for Paris, in addition to artists from the School of Paris I showed three contemporary Israeli artists: David Adika, Yossi Breger and Joseph Dadoune. It provoked some inquiries from management.

Over the years, several curators all female left their jobs at the northern citys museums. Things came to a head in 2015 when the curator of the Haifa Museum of Art, Leah Abir, was dismissed and the Israeli art world decided to boycott Haifas museums. Some 200 artists and curators signed a petition.

Reingold was appointed as acting curator and subsequently became Abirs permanent successor. She was criticized at the time for collaborating with the establishment. However, more artists gradually broke the boycott and she went on to curate several large group shows. These included AnonymX: The End of the Privacy Era, Feminist Sculpture in Israel and Fake News Fake Truth.

There was an accusation that your exhibitions recycle subjects, both in Haifa and Ramat Gan.

In exhibitions that I have curated, I have not been afraid to repeat subjects that have been discussed in the past. To say, for instance, about feminism that the subject has already been exhausted is ridiculous. After all, gender discrimination still exists at all levels of life. In an exhibition I curated at the Haifa Museum of Art, I engaged in feminism in the transnational era, when numerous women are moving from East to West and developing a fluid identity in order to survive.

There has always been political meddling in Haifa. In 2006, then-Mayor Yona Yahav demanded that Dov Or-Ners reproduction of a painting of flowers supposedly done by Hitler when he was an aspiring young artist be removed.

During the time I was curator, from 2015 on, I did not feel any intervention. Once we made a decision on the subject of an exhibition, there was no meddling.

The peak of political interference came in early 2019, shortly after Kalisch-Rotem was elected Haifas mayor. A protest arose among local Christian Arabs against the work McJesus, which was part of the Sacred Goods exhibition curated by Shaked Shamir.

Reingold relates that when Shamir told her, as chief curator, about the Leinonen work, it was obvious it was liable to spark criticism, but I reached the conclusion that I had no right to censor the exhibition. That work was ultimately taken down, but it was the opposite to what happened at the Ramat Gan museum. In Haifa, an audience of Christians argued that their beliefs were harmed; in Ramat Gan, it was the mayor who gave the instruction to take down the work and that is a case of political censorship, pure and simple. In contrast to [Shama-Hacohen], Kalisch-Rotem tried to find a compromise with the leaders of the Christian community, and only when one could not be found was it decided to remove the work.

There have been acts of censorship before, both at the Tel Aviv Museum of Art and the Israel Museum. Why is it more prevalent at municipal museums?

We live in a country where religion is not separated from the state. But censorship can happen everywhere. Even Modiglianis art that was shown in France triggered outrage due to the nudity, and the police came in and dismantled the exhibition. That would not seem logical nowadays, but every work of art has explosive potential. There are countless examples.

In 1962, the exhibition New Reality was mounted in Moscow. [Soviet leader Nikita] Khrushchev visited it; he was enraged when he discovered the extent to which the rules of socialist realism had been violated and he hauled the artists over the coals. And still, all of the works were left on the walls and Khrushchev even paid another visit to the exhibition a while later, spoke with the artists and asked that they explain to him the meaning of the works.

The ethics panel will get back to you

During the Ramat Gan crisis in January, there was actually a moment of optimism when Culture Minister Chili Tropper appointed the chairman of Israels museums council, Yigal Ben Shalom, to mediate between the artists and Shama-Hacohen. Also trying to resolve the problem were Ramat Gan museum chairman and deputy mayor Roi Barzilai, and Reingold herself. She proposed a compromise in which Reebs work be put back up and that a divider be erected so that anyone arriving on the floor on which the work was situated would not be exposed to it immediately.

That did not satisfy Shama-Hacohen, who demanded that the work be hidden in an internal space within the storage room and that it only be accessible to the public on Saturdays.

What did you think of the mayors proposal?

That it was unacceptable. David Reeb thought so too, and that is what the other artists thought. I did agree to a compromise suggested by the artists. That was my obligation as curator of the museum and the exhibition.

The person who did not appreciate Reingolds involvement was Barzilai. In a letter to her, he claimed she had led the artists into a dead end, even though there was an outline for a compromise. In light of your intervention, the attempt to find a compromise which would have made it possible to keep the exhibition open and even to see the work by David Reeb failed. I made it clear to you that you mustnt intervene in the negotiations, but nevertheless you chose to disregard my instructions, time after time.

Conversely, Ben Shalom says there a consensus on the technical aspects of the display was never reached at any point.

An initial outline was agreed by the mayor and artists that anyone who did not want to see the picture would not see it, he says. But there was no decision regarding the method. Once everyone weighed in with his or her proposal, the negotiations failed.

Reingold, he says, was not present during the negotiations but only at consultations, where she expressed an unequivocal position in support of the artists.

Ben Shalom has recently formed an ethics committee that seeks to set clear boundaries for the board of directors, as well as better define the role played by curators. My opinion is unequivocal: curators are the ones who make the decisions, not the body that owns the museum, he says.

The Knesset Education, Culture and Sports Committee has also debated the future of the museums, at the behest of lawmakers Emilie Moatti (Labor) and Mossi Raz (Meretz).

Israel needs to create a mechanism that will protect art from political interference, Reingold concludes. She calls for a law or regulations that would establish the nature of the mediation between the political establishment and the art establishments, and between the management committee and the artistic management staff, in such a way that would protect freedom of expression and provide guidelines for dealing with any harm done to it. Otherwise, there will be no end to this.

Finally, as someone who immigrated to Israel from Russia, whats your opinion on what is happening now in Ukraine?

I think theres a long tradition in Russia of coping with all sorts of dictators coping with and opposition to. It makes me very happy that the people in Russia are going out to protest at demonstrations against Putin and the invasion of Ukraine, and I very much hope the current events will finally remove him from power.

Do you think Israel should get involved?

I think the most urgent thing right now is for Israel to provide Ukraine with an Iron Dome [anti-missile] system. I also very much hope that if there is a need for it, Israel will take in refugees. That is to say, all of the refugees whether theyre Jewish or not.

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She survived antisemitism in the USSR. She might not survive this Israeli censorship affair - Haaretz