Archive for the ‘Censorship’ Category

The New Censorship Wars – Progressive.org – Progressive.org

In mid-April, Florida rejected fifty-four math books for classroom use, claiming they made reference to critical race theory and other prohibited topics.

What is novel for people to understand is that this is being organized and perpetrated at a level weve not seen before.

It seems that some publishers attempted to slap a coat of paint on an old house built on the foundation of Common Core and indoctrinating concepts like race essentialism, especially, bizarrely, for elementary school students, asserted Floridas Republican Governor Ron DeSantis. The rejected textbooks were not named and no examples of how they managed to run afoul of state educational standards were given.

The episode, which brought national ridicule to DeSantis and Floridas increasingly right-wing politics, is just one of a rapidly growing number of censorship actions being taken by local and state officials across the country.

PEN America, a nonprofit that works to defend freedom of expression, reported that during a recent nine-month period there were 1,586 instances of books being banned, involving 1,145 unique titles. According to the report, these bannings took place in eighty-six school districts in twenty-six states, representing 2,899 schools with a combined enrollment of more than two million students.

What is novel for people to understand is that this is being organized and perpetrated at a level weve not seen before, Jonathan Friedman, director of free expression and education at PEN America, tells The Progressive. Its part of a movement adjacent to politics but very much part of an effort to gin-up outrage over books in schools in an election year.

Whether the books deal with race, sex, or gender, Friedman notes, the same lines or images are being used to remove those books, and [they] are being targeted across state lines.

Right-wing censorship efforts are focusing on classic works such as Harper Lees To Kill A Mockingbird, John Steinbecks Of Mice and Men, and Art Spieglmans Maus, and Ruby BridgessRuby Bridges Goes to School. Many others deal with LGBTQ+ and gender identity issues, including Maia Kobabes Gender Queer, and Justin Richardsons And Tango Makes Three. The New York Times Pulitzer Prize-winning 1619 Project has also come under widespread critical attack because of its alleged reliance on critical race theory, as have books by anti-racism writers and activists Ta-Nehisi Coates and Ibram X. Kendi. Even Toni Morrissons classic book Beloved has been pulled from the shelves.

Most distressing, according to PEN America , is that it is not just the number of books removed that is disturbing, but the processesor lack thereofthrough which such removals are being carried out. Two-fifths of the bans are tied to orders from state officials or elected lawmakers to investigate or remove books in schools, while nearly all (98 percent) of the 1,586 instances of banned books identified by PEN America involved departures of best practice guidelines designed toprotect students First Amendment rights.

Nadine Strossen, former president of the American Civil Liberties Union (ACLU) who now teaches at New York Law School, tells The Progressive that many of these actions likely violate the 1982 U.S. Supreme Court ruling that governs expression in schools and libraries.

Our Constitution does not permit the official suppression of ideas, the court ruled in that case, Board of Education, Island Trees Union Free School District v. Pico. Local school boards may not remove books from school library shelves simply because they dislike the ideas contained in those booksand seek by their removal to prescribe what shall be orthodox in politics, nationalism, religion, or other matters of opinion.

Texas, with 712 instances of book censorship, is the number-one state in which these bans have occurred, followed by Pennsylvania and Florida with 456 and 204, respectively.

Last December, Representative Matt Krause, Republican of Texas, sent every school district in the state a list of 850 books he believes should be removed from libraries for allegedly containing material that might make students feel discomfort, guilt, anguish, or any other form of psychological distress because of their race or sex.

Strossen sees this as evidence of a coordinated campaign: They are armed with a playbook and say, heres what you can do to challenge decisions that are being made about the curriculum, about library books, she says. And they get people, usually a relatively small number or percentage of the community, who are disproportionately active.

Strossen notes that Jerry Falwells Moral Majority was one of the groups that played this role in the 1980s. Todays book censorship campaign is being promoted by groups including Moms for Liberty, No Left Turn in Education, and Parents Defending Education.

Censorship battles have long been a feature of U.S. political life.

In the late nineteenth century, Anthony Comstocks anti-obscenity campaign culminated with the U.S. Congress adopting the 1873 Comstock Act, the federal laws that banned illicit materials distributed through the mail. In the 1910s, near the end of his life, Comstock claimed that he had destroyed 3,984,063 photographs and 160 tons of obscene literature. These laws would remain in force until the 1950s.

The 1920s were marked not only by the Palmer Raids and the deportation of anarchists, but also by the banning in New York of James Joyces Ulysses, and D.H. Lawrences Lady Chatterleys Lover, and of Sinclair Lewiss Elmer Gantry in Boston, among other titles. It also saw Catholic leaders promote state censorship bills in an effort to clean up Hollywood movies.

In the post-World War II era, the United States has faced two perceived enemies: communism and obscenity. The U.S. Congress, both the Senate and House, led the nations battle against sin, sex, and subversion. Federal efforts against alleged immorality involved pocket-book pulp fiction as well as comic books, Bettie Page photos, and depictions of homosexuality. It was an era that saw schools host comic book burnings.

In 1979, Jerry Falwell founded the Moral Majority, which joined the American Family Association and Morality in Media (a.k.a. the National Center on Sexual Exploitation) in a campaign against obscenity in books and other media. Among the books banned during the 1980s were F. Scott FitzgeraldsThe Great Gatsby, Alice WalkersThe Color Purple, and John Steinbecks Of Mice and Men. In addition, the FBI initiated a program of library surveillance to check on the identities of people examining potentially controversial materials.

There were also campaigns to block exhibitions of artistic works by Robert Mapplethorpe and Andres Serrano (i.e. his work Piss Christ) as well as the theatrical screening of Martin Scorseses The Last Temptation of Christ.

Todays censorship wars are part of the larger culture wars driven by white evangelical Christians. Members of this group, in large part members of the Republican activist base, are waging an apparently coordinated campaign against reproductive choice, LGBTQ+ rights, and the teaching of what is falsely labeled critical race theory.

Whats key right now is engagement, PEN Americas Friedman says, when asked what people can do to resist this censorship wave. It comes down to affirming a simple message: We dont believe in banning books. We believe in freedom of speech. We believe in freedom of access to information. How this is regulated in schools needs to reflect those principles.

This is a very simple, non-partisan message, he adds. Its not a message about left or right or LBGTQ+ or race, but rather a fundamental belief that we shouldnt be banning books in this country.

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The New Censorship Wars - Progressive.org - Progressive.org

Library opens digital collection to teens, young adults nationwide to combat censorship – KIRO Seattle

The Brooklyn Public Library is challenging censorship and book bans head-on by opening its collection to readers nationwide.

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The BPL launched a new initiative called Books UnBanned, library officials announced earlier this month.

Teens and young adults, no matter where they live in the U.S., can apply for a free eCard from the Brooklyn Public Library to access its collection of e-books.

Normally, an eCard comes with a $50 charge for out-of-state applicants. That fee will be waived. Several books will be available with no holds or wait times for cardholders.

We cannot sit idly by while books rejected by a few are removed from the library shelves for all. Books UnBanned will act as an antidote to censorship, offering teens and young adults across the country unlimited access to our extensive collection of ebooks and audiobooks, including those which may be banned in their home libraries, Linda Johnson, library president and CEO, said in a news release.

The digital library card will be good for one year and allow users to access 350,000 e-books, 200,00 audiobooks and more than 100 databases.

It will also allow users to connect with peers to help fight censorship, discover book recommendations and defend the freedom to read.

To apply for the eCard, email the library at BooksUnbanned@bklynlibrary.org or visit its teen-run Instagram account.

Several school districts around the country have been reevaluating book selections in their school libraries and removing books they deem inappropriate for students. Books that tackle racial and LGBTQ topics are frequently the ones being pulled, The Washington Post reported.

PEN America said earlier this month that there had been 1,586 book bans in schools over the past nine months. PEN America is a nonprofit that advocates freedom of expression.

The American Library Association said that there had been 1,597 book titles challenged or removed in 2021, the Post reported.

Recently, the Florida Citizens Alliance published its Porn in Schools Report, which included 58 books that the group said had inappropriate content, USA Today reported.

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Library opens digital collection to teens, young adults nationwide to combat censorship - KIRO Seattle

How Chinas Response to COVID-19 Set the Stage for a Worldwide Wave of Censorship – The New Yorker

Chen Qiushi was born in Chinas remote, frigid north near the countrys border with Russia. An only child, he loved to tell stories and jokes to his family and classmates and dreamed of being an actor or a television journalist. But his mother objected, and Chen got a law degree from a local university and moved to Beijing, where he later took a job at a prestigious legal firm.

In off-hours, Chen continued to pursue his passion for performing. He dabbled in standup comedy at local bars and did voice acting. He became a contestant on I Am a Speaker, a talent show for orators modelled on The Voice. In his final performance, he expounded on the importance of free speech. A country can only grow stronger when it is accompanied by critics, Chen said. Only freedom of expression and the freedom of press can protect a country from descending into a place where the weak are preyed upon by the strong.

Chen won second place and used his newfound fame to build a large social-media following. In 2018, he uploaded more than four hundred short videos that provided basic tutorials on Chinese law on Douyin, a platform similar to TikTok, but only available for users in China. He gained more than 1.5 million followers, making him the most popular legal personality on the entire platform.

In the next year, Chen began providing independent journalism to his followers on social-media. In the summer of 2019, he travelled to Hong Kong to report firsthand on the pro-democracy street protests that had erupted in the city. Why am I in Hong Kong? Chen asked, in a video posted on August 17th. Because a lot is happening in Hong Kong right now.

Chen interviewed protesters and spoke with those who supported the police. He waded into simmering controversies, such as the use of violence by some demonstrators. He acknowledged that journalism was a hobby of sorts, but said that he still had an obligation to be present when and where news unfolded. He also pledged to be objective. I wont express my opinion carelessly, Chen promised. I wont say whom I support or whom I disagree with. Everyone has their own subjective prejudice. I wish to leave behind my own prejudice and treat everything with neutrality as much as I can . . . because I am not satisfied with public opinion and the media environment in China, I decided to come to Hong Kong and become the media myself.

Alarmed by the reach of Chens social-media posts, Chinese officials pressured Chens law firm to get him to leave Hong Kong. The firm told Chen that, if he did not return to Beijing immediately, he would be in grave danger. Four days after he posted his first video from Hong Kong, Chen flew home to Beijing. All of his public Chinese social-media accounts, including Weibo, WeChat, and Douyin, no longer worked. When he tried to open a new Douyin account a few weeks later, the account was deleted as soon as his face appeared in a video. He posted messages on his YouTube and Twitter, which are banned in China. After Chinese police interrogated Chen and demanded to know what he thought of the Hong Kong protests, he expressed frustration. No one cares about the truthall they care about is my stance, Chen complained in a YouTube video. This is the problem we face right now. It seems that truth does not matter at all.

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Six months later, on January 23, 2020, the city of Wuhan went into lockdown. The next day, Chen boarded the last train from Beijing to Wuhan. When disaster happens, if you dont rush to the front lines as soon as possible, what kind of journalist are you? he asked in a video he posted outside the train station. Chen seemed to believe that informing the public and insuring access to independent reporting was the key to fighting the disease. As long as information travels faster than the virus, we can win this battle, Chen said, in the video. Although I was blocked on the Internet in China for reporting on the events in Hong Kong, I still have a Twitter and a YouTube account. In the next few days, I invite you to find me through these channels. Id be happy to help get the voice of the people of Wuhan to the outside world. Chen apparently believed he could use his skills as an orator and his charisma as a performer to build an audience online, even if it was primarily on YouTube and Twitter and not the Chinese social-media platforms from which he was banned.

Over the next ten days in Wuhan, Chen visited emergency rooms and supermarkets, talked to doctors, nurses, and city residents, and uploaded daily video reports. On January 25th, the beginning of the Chinese New Year, Chen donned improvised personal protective gear, including swimming goggles, and filmed a busy scene outside a local emergency room. The next day, he visited the shuttered Wuhan wet market, where a seafood seller, Wei Guixian, was reportedly the first person to have fallen ill from the virus. Chen described the market as a colorful place that sold foxes, monkeys, and pangolins, and said local rich people do have a habit of eating wild animals to boost their health.

As Chen reported from the city, Chinese officials systematically covered up the outbreak. The National Health Commission ordered institutions not to publish any information related to the unknown disease. Chen feared that such censorship was facilitating the spread of the virus and believed that his daily video reports informed the public. He facilitated donations of supplies and distributed food to hospital workers. He shared with viewers an encouraging note from his parents, who urged him to keep reporting but also to stay safe. He also implicitly criticized the countrys leadership after President Xi Jinping initially did not travel to Wuhan. I dont care where Xi Jinping is, Chen noted, addressing the citys residents. But I, Chen Qiushi, am here.

On March 10, 2020, nearly three months after the presumed first case, the President finally visited Wuhan. He praised the peoples war against the coronavirus, and brought along journalists from state-controlled media outlets. Through its global propaganda network, China told its pandemic narrative to the world. It used crude measuresa video, distributed by the state-run news agency Xinhua, featuring the Statue of Liberty failing to defend the U.S. from the virusand more sophisticated strategies, such as generating media coverage of the Chinese government delivering aid in places such as Pakistan and Italy.

Part of the governments argument is that its system of strict information control has allowed it to suppress misinformation and rumors, while providing the population with reliable health information and protocols to stay safe. A global survey released in June 2020 found that sixty per cent of respondents believed that China had responded effectively to the pandemic, while only a third felt that the U.S. had done so. The Chinese government used its near-total control over domestic news mediaas well as social mediato manage public perceptions of its coronavirus policies and to build popular support for its actions. It blocked or took down online posts that cast doubt on the governments response and, in some cases, arrested and prosecuted dissenters. Taking advantage of deteriorating relations with the Trump Administration, it expelled more than a dozen U.S. foreign correspondents, some of whom were asking uncomfortable questions about Wuhan.

China provided a playbook for information repression that spread around the world alongside the virus. Citing COVID, authoritarian governments in Russia, Iran, Nicaragua, and eighty other nations, according to Human Rights Watch, enacted new restrictions on free speech and political expression that were falsely described as public-health measures. In at least ten countries, protests against the government were also banned or interrupted. Information on the virus that did not come from the government was criminalized as fake news or propaganda.

Authoritarian regimes called the censorship necessary and much of it temporary, but, in reality, the pandemic amplified or accelerated a shift toward authoritarianism that, according to the U.S.-based pro-democracy organization Freedom House, had been under way for fourteen years. At least ninety-one countries that the group monitored restricted news media in response to the virus outbreak in the first months of 2020, including sixty-seven per cent of the states that the nonprofit classifies as not free.

These crackdowns were often fuelled by domestic political considerations, Freedom House found, including a desire to hide the extent of the outbreak from citizens and conceal government incompetence. The repression was facilitated by the narrative, created and spread by China, that authoritarian governments were better equipped to respond to the pandemic, in part, because of their ability to control and manage information. This was in sharp contrast, China argued, to the deficiencies in the democratic world, particularly in the United States, which was mired in division and misinformation and struggled to muster an effective public-health response. Today, as the most recent wave of the pandemic recedes, a post-COVID global political order is emerging where autocracies appear strengthened and democracies seem divided.

During his time in Wuhan, Chen visited the construction site of Huoshenshan Hospital, an enormous emergency medical facility that the Chinese government built, from scratch, in ten days. The hospital was both a response to the overwhelming demand for patient care, and a carefully calibrated propaganda effort intended to highlight the ability of the Chinese government to mobilize state resources and reorganize society in an emergency. During a car ride back with several Wuhan residents, Chen observed empty streets as he searched for a place to eat.

As his time in Wuhan wore on, Chen became increasingly agitated. He uploaded a twenty-seven-minute monologue in which he decried shortages of testing kits and hospital beds, described the exhaustion of doctors and construction workers, and reported that taxi-drivers in the city had figured out that a contagious disease was spreading weeks before the authorities made a public announcement. Despite the governments attempt to control the flow of information, they knew to avoid the Huanan market. Chen described the growing mayhem at hospitals, the lines, the patients being treated in parking lots and waiting rooms, and the body of a dead patient sitting in a wheelchair.

Several days after Chens arrival, someone from the Bureau of Justice called Chen and asked where he was staying in Wuhan. Authorities summoned Chens parents and asked them to pressure Chen to leave Wuhan. I want him to return home more than you do, Chen said his mother retorted. A week later, Chen told his parents he was planning to visit a temporary hospital. After being unable to reach Chen for twelve hours, his friends, following an agreed-upon protocol, logged into his accounts and changed his passwords. Though there has been no official confirmation, they suspected that he had been detained by Chinese authorities and was being secretly imprisoned.

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How Chinas Response to COVID-19 Set the Stage for a Worldwide Wave of Censorship - The New Yorker

How Russian censorship is impacting this Iowa family – Local 5 – weareiowa.com

A Russian-born Iowa native speaks about her family and friends' difficulties of getting access to information.

WEST DES MOINES, Iowa Last month, the Russian government passed stricter social media laws due to backlash from the war in Ukraine. Any speech opposing the government can result in five to 15 years in prison. U.S. leaders believe it's Russia's attempt to crack down on what they see as "fake news."

Dr. Anastasia Williams works at the University of Iowa. Before becoming a resident of the Hawkeye state, she was born and raised in Russia. That's where many of her family and friends still live.

Watching the Russian government's new laws affect them is traumatic for her.

"We are watching ourselves and what we say trying to sometimes euphemisms, just to talk about things," Williams said.

Being careful while talking over the phone isn't the only worry for Williams'. Her close friend is currently facing prosecution in Russia, for trying to spread anti-war sentiments.

"She went to a local store and she replaced the price tags with little stickers containing information about the war and numbers of people. And just a little snippet slogan, like stop the war or something like that," Williams said.

She's now facing up to five to 15 years in prison. Williams' mother supported her friend during her court hearings due to them being limited access to attending these hearings and the rules are strict.

"She was the only person who was able to pass her water and my friend Aleksandr didn't have a chance to drink of water for more than 48 hours at all. It's like very, you know, they're kind of types of torture, right, of not providing a person any food or water," Williams said.

Williams explains here in the U.S. it can be hard for us to understand where people in Russia stand on whether or not they support the war. She believes many Russians are finding it difficult to support anything at all

"They're so limited in what they can access. Now, even Facebook and Instagram are considered to be extremists in Russia. So, people just feel so limited in what they can do and what information they give they can get," Williams said.

According to Williams, Russian residents are still allowed to travel internationally but, Russia will deactivate the travelers' visas and credit cards, denying them access to their funds.

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Elon Musk and censorship on Twitter | Columns | stardem.com – The Star Democrat

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Elon Musk and censorship on Twitter | Columns | stardem.com - The Star Democrat