Archive for the ‘Censorship’ Category

A teachable moment, but not censorship, at Harvard – The Boston Globe

CRAIG F. WALKER / GLOBE STAFF

The Johnston Gate at Harvard Yard.

An Ivy League course on the consequences of dumb and offensive behavior on the Internet just played out at Harvard. And for at least 10 kids who had already been admitted to the university, the fallout of sharing offensive images among themselves were profound and potentially life-changing.

By now, the story is well known: The teens were part of a larger Facebook group chat where they posted the vile images as Internet memes. When the university discovered the content, it rescinded their admission.

Advertisement

A debate about free speech has ensued, pitting Harvard as the ruthless censor clamping down on kids goofing off. But thats the wrong way to look at the controversy. Like all universities, Harvard has wide discretion in its admissions process. Had the school discovered the memes before the students were accepted at the school, its safe to guess that Harvard would have denied them admission, period, without triggering a free-speech brouhaha. The college admissions process is inherently subjective. There are many considerations, including that of judgment, character, and ethics, and sharing puerile and offensive posts is generally not the path to the Ivy League.

Needless to say, Harvard reserves the right to rescind admission at any time before enrollment, for many reasons, including whether the prospective student engages in behavior that brings into question their honesty, maturity, or moral character. Its tough luck for the admitted applicants, perhaps, that they werent yet officially Harvard students when the images were discovered. If they were, the universitys response might have been different; student-athletes who were recently caught writing offensive, sexually charged lists about classmates were not expelled from the school.

Get Arguable with Jeff Jacoby in your inbox:

Our conservative columnist offers a weekly take on everything from politics to pet peeves.

Its likely the meme-sharing students, who had been admitted to the class of 2021, were trying to impress each other, engaging in the type of silly, provocative one-upmanship that teens gravitate toward. Its not likely that the students, who included the daughter of a major Harvard donor, were going to start committing hate crimes when they arrived in Cambridge. But they did show a marked lack of judgment. Among the posts: a suggestion that child abuse was sexually arousing; sexual jokes about the Holocaust; and an image that poked fun at suicide and Mexicans with a piata.

Did the school miss an opportunity to educate those students about their foolish actions? Perhaps, although the incident remains a teachable moment for the kids nonetheless. And Harvards swift response sends a reassuring message of the importance of principles, civility, and standards for the rest of the university community.

For many young people, memes the wild variety of funny captions over memorable images are a second language.

Censorship, this is not. The students remain free to express themselves with any offensive or provocative memes they choose. And should the students choose to reapply to the college someday, they should be able to write quite an essay about learning lessons the hard way.

See the original post here:
A teachable moment, but not censorship, at Harvard - The Boston Globe

Twitter users, blocked by Trump, cry censorship – CBS46 News – CBS46 News Atlanta

NEW YORK (AP) President Donald Trump may be the nation's tweeter-in-chief, but some Twitter users say he's violating the First Amendment by blocking people from his feed after they posted scornful comments.

Lawyers for two Twitter users sent the White House a letter Tuesday demanding they be un-blocked from the Republican president's @realDonaldTrump account.

"The viewpoint-based blocking of our clients is unconstitutional," wrote attorneys at the Knight First Amendment Institute at Columbia University in New York.

The White House didn't immediately respond to a request for comment.

The tweeters one a liberal activist, the other a cyclist who says he's a registered Republican have posted and retweeted plenty of complaints and jokes about Trump.

They say they found themselves blocked after replying to a couple of his recent tweets. The activist, Holly O'Reilly, posted a video of Pope Francis casting a sidelong look at Trump and suggested this was "how the whole world sees you." The cyclist, Joe Papp, responded to the president's weekly address by asking why he hadn't attended a rally by supporters and adding, with a hashtag, "fakeleader."

Blocking people on Twitter means they can't easily see or reply to the blocker's tweets.

Although Trump started @realDonaldTrump as a private citizen and Twitter isn't government-run, the Knight institute lawyers argue that he's made it a government-designated public forum by using it to discuss policies and engage with citizens. Indeed, White House press secretary Sean Spicer said Tuesday that Trump's tweets are "considered official statements by the president."

The institute's executive director, Jameel Jaffer, compares Trump's Twitter account to a politician renting a privately-owned hall and inviting the public to a meeting.

"The crucial question is whether a government official has opened up some space, whether public or private, for expressive activity, and there's no question that Trump has done that here," Jaffer said. "The consequence of that is that he can't exclude people based solely on his disagreement with them."

The users weren't told why they were blocked. Their lawyers maintain that the connection between their criticisms and the cutoff was plain.

Still, there's scant law on free speech and social media blocking, legal scholars note.

"This is an emerging issue," says Helen Norton, a University of Colorado Law School professor who specializes in First Amendment law.

Morgan Weiland, an affiliate scholar with Stanford Law School's Center for Internet and Society, says the blocked tweeters' complaint could air key questions if it ends up in court. Does the public forum concept apply in privately run social media? Does it matter if an account is a politician's personal account, not an official one?

San Francisco-based Twitter Inc. declined to comment. The tweeters aren't raising complaints about the company.

___

Associated Press writer Jill Colvin contributed from Washington.

More here:
Twitter users, blocked by Trump, cry censorship - CBS46 News - CBS46 News Atlanta

Twitter users, blocked by President Trump, cry censorship – wreg.com


wreg.com
Twitter users, blocked by President Trump, cry censorship
wreg.com
NEW YORK (AP) President Donald Trump may be the nation's tweeter-in-chief, but some Twitter users say he's violating the First Amendment by blocking people from his feed after they posted scornful comments. Lawyers for two Twitter users sent the ...

and more »

Read more:
Twitter users, blocked by President Trump, cry censorship - wreg.com

Steptoe Cyberlaw Podcast: Globalizing Censorship – Lawfare (blog)

Episode 168 features the Tinkers-to-Evers-to-Chance of global censorship, as Filipino contractors earning minimum wage delete posts in order to satisfy US tech companies who are trying to satisfy European governments. In addition to Maury Shenk, our panel of interlocutors includesDavid Sanger, Chief Washington Correspondent forThe New York Times, andKaren Eltis, Professor of Law at the University of Ottawa. Even if you think that reducingIslamic extremist proselytizingonline is a good idea, I conclude, thats not likely to be where the debate over online content ends up. Indeed, even today, controls onhate speechare aimed more at tweets that sound like President Trump than at extremist recruiting. Bottom line: no matter how you slice it, the first amendment is in deep trouble.

In other news, I criticize the right half of the blogosphere for not reading the FISA court decision they cite to show thatPresident Obamawasspying illegallyat the end of his term. Glenn Reynolds, Im talking about you!

The EU, in a bow to diplomatic reality, will not bother trying to improve theSafe Harbor dealit got from President Obama. Instead, it will try to get President Trump to honor President Obamas privacy promises. Good luck with that, guys!

Wikimedias lawsuit over NSA surveillancehas been revived by the court of appeals, and I find myself unable to criticize the ruling. If standing means anything, it seems as though Wikimedia ought to have standing to sue over surveillance; whether Wikimedia should be wasting our contributions on such a misconceived cause is a different question.

Chinas cybersecurity law has mostly taken effect.Maury explains how little we know about what it means.

Finally, David Sanger, in his characteristic broad-gauge fashion, is able to illuminate a host of cyber statecraft topics: whether the North Koreans are getting better at stopping cyberattacks on their rocket program; how good a job did Macron really did in responding to Russian doxing attempt; and what North Korean hackers are up to in Thailand.

As always, the Cyberlaw Podcast welcomes feedback.Send an email to[emailprotected]or leave a message at +1 202 862 5785.

Download the 168th Episode (mp3).

Subscribe to the Cyberlaw Podcast here. We are also oniTunes,Pocket Casts, andGoogle Play(available for Android and Google Chrome)!

The views expressed in this podcast are those of the speakers and do not reflect the opinions of the firm.

Link:
Steptoe Cyberlaw Podcast: Globalizing Censorship - Lawfare (blog)

‘To circumvent censorship,’ theater project launches series of shared short plays on Palestine – Mondoweiss

Ismail Khalidi (l) and David Zellnik at the NY launch of Break the Wall theater project, June 5, 2017, photo by Phil Weiss

Heres some joyous news that seems very much in the spirit of the week the recognition of the 50th anniversary of the permanent Israeli occupation.

Last night the playwrights David Zellnik and Ismail Khalidi announced the launch of a theater project to create and produce works that challenge the dominant cultural narrative about Palestine. They did so in the Lark, a theater space on 42nd Street in New York, to an ebullient standing-room crowd of about 100 people. Ten of the short works were performed to spirited celebration; and the message of the evening was entirely positive: We are being shut out of the mainstream and we will take matters in hand, and we will be heard.

The playwrights said in a joint statement at the start:

We had both written plays about Israel and Palestine that were deemed too political, biased, leftwing, angry, anti Israel, and even anti-Semitic.Artistic directors said they would lose half their boards if they produced our shows and to be fair they probably would.

So inspired by the content and dissemination of Caryl Churchills great play, Seven Jewish Children, which she has shared with the world post-Gaza

We decided to take matters into our own hands, to circumvent censorship.

Here is the website for Break the Wall, with 13 plays so far, to be performed anywhere by anyone, in classrooms, in theaters and on the streets. Khalidi and Zellnik hope to have 25 by the end of the year, and another 25 by the end of the Nakba anniversary year, next year. They have simple requirements:

To address the issue of Palestine Israel in such a way that illuminates the actual power balance of the conflict and avoids the mainstream medias search for balance. togive witness and urgency to the ongoing human rights disaster of the occupation and apartheid.

And they ask that the plays be inspired/linked to an actual event.

A handful of skilled diverse players (Id name a couple but that would be unfair to the others) then presented ten of the works, humorous, lacerating, experimental, and yes, too, uplifting. Israeli soldiers peopled the stage, so did Palestinian mothers and, silently, Hitler. The American attitude of progressive-except-Palestine was lampooned. Happily, the writers Naomi Wallace, Noelle Ghoussaini, Betty Shemiah, Laura Maria Censabella, Kia Corthron, Stan Richardson, Yussef El Guindi, and Khalidi and Zellnik, too, would all rather laugh and observe than preach.

The mood was one of a page being turned: that the 50th anniversary of occupation has given strength and undeniability to the leftwing criticism of the occupation. An audience of consciously political people is demanding that the matter be addressed by American culture; and we are sure to influence the mainstream.

The program last night included a fine statement by Alisa Solomon addressing the transformative power of the works:

The political suspension of disbelief that governs so much of US discourse on Israel and Palestine has sought for decades to make the occupation invisible and the Nakba unutterable. For nearly 40 years, plays that have dared to tell Palestinian stories or challenge standard Zionist narratives have been shut out of major venues and sometimes silenced altogether, from Joe Papp reneging on a plan to present El Hakawati at the Public Theater in the late 1980s to the panicked backing away from the play My Name Is Rachel Corrie at New York Theatre Workshop some 10 years ago (a reaction from which the theater admirably learned and made amends).

Break the Wall seizes on theaters rare power in myriad forms, from street plays to family dramas, abstract experiments, raucous comedies, you name it to ignite radical empathy, to shake us out of complacencies, to kindle our political commitment and creativity. Its not just a good idea. Its a necessary one.

More here:
'To circumvent censorship,' theater project launches series of shared short plays on Palestine - Mondoweiss