Archive for the ‘Censorship’ Category

Yuliett Torres Wore A Shorts That She Challenged Censorship – Sunriseread

With out shyness! Yuliett Torres wore a brief so quick that she challenged censorship It leaves you breathless! Yuliett Torres is targeted on her private model as an teacher.

Yuliett Torres has been in comparison with Kim Kardashian herself for the very tight outfits she makes use of and the rearguard that simulates that of the socialite.

Though the Mexican mannequin doesnt have a lot qualification when making her publications, with clothes that train every part and trigger sensation.

Yuliett shocked her greater than 4.eight million followers just a few days in the past with a postcard the place she poses in a blue gown that appears a measurement much less and boasts a neckline that stands out with a gap and the shirt that has been unbuttoned.

However Torres drove netizens loopy with a summer time outfit the place she wears a brief so quick that it solely covers half of her rear. She accomplished the look with a sleeveless shirt.

The publication already exceeds 149 thousand likes and in it the health teacher wrote: these sunny days that by no means finish and their followers agree.

You might also like.

See the original post here:
Yuliett Torres Wore A Shorts That She Challenged Censorship - Sunriseread

Censorship Was Just One of the Aichi Triennales Problems. Now, a Candid Government Report Reflects on What Went Wrong – artnet News

A government-appointed review board has harshly criticized the organizers of the 2019 Aichi Triennale, which made headlines around the world for temporarily closing an exhibition that was itself themed around the issue of censorship. The closure came after an outcry regarding a sculpture in the show by Kim Seo-kyung and Kim Eun-sung that spotlighted the history of comfort women in Japan during WWII.

A six-person review panel, led by Toshio Yamanashi, director of the National Museum of Art, in Osaka, found that while the removal of the sculpture was the right way to deal with threats over the artwork, there were numerous faults with the way the exhibition was organized, reports the Japan Times. The exhibition was ultimately reopened after a legal challenge and a pledge by some artists to remove or alter their works in protest. The Triennale took place August 1 to October 14 in Nagoya and nearby cities.

The authors of the report have called for a thorough examination and revision of procedures for organizing the Triennale. Aichis governor, Hideaki Omura, who headed the Triennales steering committee, said, as quoted in the Japan Times, that we will sincerely accept the proposals, and work toward the next triennale by gaining local residents understanding. The panel also found fault in the curation of the censorship-themed exhibition, pointing out that while the concept initially was to show works that had been censored in public museums, it also included new works that had never fallen victim to suppression.

Artistic director and journalist Daisuke Tsuda, says the report, was given considerable power, but, the authors maintain, there was no system of checks and balances in place. The report also saw insufficient communication between Tsuda and the curators and other administrators.

The report did not, on the other hand, find fault with the handling of the highly controversial artwork.

Kim Seo-kyung and Kim Eun-sungs Statue of Peace (2011), a life-size sculpture of a seated woman, depicts the so-called comfort women, who were in fact forced into sexual slavery to the occupying Japanese military before and during World War II. The curators said in a statement at the time that the works removal would constitute the worst censorship incident in Japans postwar period.

The sculpture was included in the show After Freedom of Expression? which was part of the Triennale and took place at the Aichi Prefecture Museum of Art in the city of Nagoya. The exhibition was closed in the wake of menacing messages, including one that promised to burn the museum down. The review panel deemed the closure of the show unavoidable. In the panels view, this did not comprise an unwarranted restriction on freedom of expression.

Artnet reached out to Toshio Yamanashi and Daisuke Tsuda but did not receive an immediate reply.

The issue of sexual slavery has been a flash point for years. The government has in the past issued apologies, but in 2007, prime minister Shinzo Abe denied that there was any evidence that the Japanese had enslaved women, only to later say he would not reconsider previous apologies by previous officials. Nagoya Mayor Takashi Kawamura has objected to the presence of the artwork in the Triennale, since it constitutes an ackowledgement that Japan had indeed forced the women into sexual slavery.

See the rest here:
Censorship Was Just One of the Aichi Triennales Problems. Now, a Candid Government Report Reflects on What Went Wrong - artnet News

The Lefts urge to censor what we read and think – MyNorthwest.com

(Photo by Spencer Platt/Getty Images)

In a revealing letter to The Ethicist column in the New York Times Magazine, a Bay Area renter asked for moral guidance on handling his landlord. He described the man as a nice guy providing a below-market rental, but the correspondent felt uncomfortable when he saw a Christian magazine in his landlords mail, with cover stories that suggest LGBTQ rights are undermining religious freedom and others about the dangers of educating children about gender diversity.

While acknowledging that destroying his landlords mail would violate the law, the perplexed tenant asked: Is it more ethical to give him this magazine, and perpetuate hate and inequality, or to occasionally just lose this piece of mail once a month?

This inquiry shows the lefts powerful urge to censor what neighbors read, or think. It also displays the breathtaking arrogance and intolerance that lead more and more Americans to fear and resent the strident left with its toxic role in the culture.

View original post here:
The Lefts urge to censor what we read and think - MyNorthwest.com

Will new claims of censorship threaten TikToks presence in Europe? – 150sec

Technology

Make your day. TikToks slogan conveys the idea of another playful company to add to the list of social media giants. The reality, though, is much darker.

Initially released as Musical.ly a platform that allowed users to upload videos of themselves miming to songs the company was later acquired by Chinese ByteDance, who then launched TikTok. Rather than focusing on music videos, the app is now a place where users can create, share, and watch any kind of short videos on a continuous loop.

According to GlobalWebIndex, TikToks target demographic is primarily Gen Z and Millennials between 16 and 24 years old. In November 2019, it hit an impressive 1.5 billion downloads worldwide, placing the app third in the list of most-downloaded non-gaming apps, after Whatsapp and Facebook Messenger.

Operating on such a huge scale, TikTok has come under harsh scrutiny from governments and the press about its transparency and content regulation. With its headquarters in Beijing, questions about TikToks ethics came to fruition long before the company expanded into Europe in September 2017. Bytedance has repeatedly had to defend itself from allegations of propagandist aims and preventing mentions of Tiananmen Square. With an already-tarnished reputation in countries like Indonesia, Bangladesh and India, can the app survive fresh accusations of censorship in a relatively new European market?

Of the 500 million active TikTok users, 150 million are located in China and use the Chinese version of the app (called Douyin). Other Asian countries like Japan, Vietnam, and Thailand have an equally high engagement.

A November 2018 breakdown of TikToks European markets noted that Germany was the top country for users with 4.1 million active, followed closely by France with 4 million, where views averaged a total of 6.5 billion and 5 billion respectively. In both countries TikTok users open the app around 8 times a day.

As of October 2019, Germanys user base has more than doubled with 8.8 million users and is now the 10th country in the world with the biggest TikTok following.

Indonesia was one of the first countries to block TikTok after videos on the platform were deemed blasphemous and pornographic. As a result, TikTok was removed from all app download stores for a week, beginning July 2018. Only once TikTok agreed to clear all negative content, apply additional restrictions for 14 to 18-year-olds, and set up a team of censors in Indonesia to sanitize content, was the app reinstated in the country.

Later, in February 2019, after declaring a war on pornography, Bangladesh followed suit and also shut down TikTok. Currently, the app remains unavailable in the country.

More recently, in April this year, India joined the list of countries hitting back at TikTok. Accusations of content featuring child pornography, accidental suicides and killings, as well as dangerous trends like jumping in front of cars surfaced. Other issues included spreading fake news and cyberbullying. For two weeks, new downloads of the app were banned across all of India, costing TikTok $500,000 in revenue each day. Following an appeal from TikToks parent company Bytedance, Madras High Court reversed its decision after one week.

In November 2019, German digital rights blog Netzpolitik gained access to TikToks moderation rules. The site noted that, although guidelines were extremely loose, TikToks strategy, however, is clear: certain content is given the widest possible reach, while others are systematically suppressed.

Netzpolitik also discovered that unwanted content on TikTok is divided into four categories: deletion, visible to self, not for feed, and not recommended. General videos that do not fall into these categories can still be marked risk and be blocked by location. TikTok claims the moderation is to ensure content complies with different country laws.

The strategy, however, is clear: certain content is given the widest possible reach, while others are systematically suppressed.

An unnamed source from TikTok also told Netzpolitik that protests are generally not welcome on the app. Since its parent company Bytedance is Chinese, the recent troubles in Hong Kong, for example, have little if any exposure on the platform.

Only a month later, Netzpolitik broke another story about TikToks use of censorship. This time, a leaked document revealed how TikTok made videos of people with disabilities less visible. The app also hid videos of overweight people and people identifying as LGBTQ by grouping them on special user lists, deemed higher risk.

The justification? TikTok claimed the action was to protect vulnerable users and those susceptible to harassment or cyberbullying based on their physical or mental condition. These special user lists were curated by a team of moderators who were assigned to make their judgements based on 15-second video uploads.

The controversial measure meant that videos of users with disabilities or perceived disabilities were only shown in the country where they were uploaded. In Germany, this shrunk a potential audience of 500 million to 8.8 million.

TikTok claims the special user lists were never intended to be a long-term solution and have since changed them. The platform has also emphatically denied censoring politicized content. Nonetheless, its moderation guidelines and Bytedances likely pressure to further Chinese foreign policy still compromise the platform.

By systematically disadvantaging unfavorable content, TikTok has fueled suspicions of censorship and its broader political goals. While TikToks growth does not appear to be slowing down, it remains uncertain whether the skepticism will have a lasting impact on its user base.

Go here to read the rest:
Will new claims of censorship threaten TikToks presence in Europe? - 150sec

Jason Derulo’s "Cats" Costars Revealed It Wasn’t Just His Bulge That Had To Be Removed – BuzzFeed News

BuzzFeed News is sorry to report Jason Derulo wasnt the only one who had to have his genital bulge digitally removed from the psychedelic live-action adaptation of Andrew Lloyd Webers musical Cats.

His Cats costars Francesca Hayward (Victoria), Laurie Davidson (Mr. Mistoffelees), and Robbie Fairchild (Munkustrap) shed some much-needed light on the pressing situation during an interview on Friday with BuzzFeed News morning show AM to DM.

Everyone was gone! Nobody had a bulge!" revealed Fairchild.

The conversation around Jason Derulos genitalia has been one of the more bizarre news items to come out of an already bizarre movie.

Derulos dick, if anyone needs a refresher, has been having a hard time lately. First, it was censored by Instagram and then, apparently, by the movie. The Instagram controversy occurred after he posted a thirst trap which was subsequently removed by the platform because of its policy regarding aroused genitalia, but he argued he was only semi-aroused.

During a subsequent appearance on Andy Cohens radio show, Derulo, who plays Rum Tum Tugger in Cats, boasted proudly that producers of the movie "CGId the dick out" because it was so big.

But Fairchild said it wasn't just Derulo's package that had to be erased. "Its Cats!" he said. "If ours were gone, his should be gone!"

When told during his AM to DM interview that the Derulo penis censorship in Cats had been a "huge topic" of conversation in the BuzzFeed office, Davidson joked, "Huge topic? That's up for debate."

Cats is based on T.S. Eliots Old Possums Book of Practical Cats. It follows a group of cats called the Jellicle cats as they perform songs until one cat, named Old Deuteronomy (played by Dame Judi Dench in the movie) picks one of them to go to kitty-cat heaven.

Hayward confessed to BuzzFeed News that shes never seen the original musical performed live. I had a video and I just used to watch that all the time when I was, like, 8 years old, and I would always be Victoria, she said. Hayward is now the principal ballerina at the Royal Ballet and has had roles in major productions like The Nutcracker and Sleeping Beauty.

The cast members told BuzzFeed News that they had to go to three months of cat school to prepare for the role. We played a lot of games to get into the mindset and physicality of cats, Davidson said.

Hayward said that soon it became normal to see their costars as cats, adding that it would be weird to see them without the CGI setup, like dots on their faces, outside of filming.

Cats came out Friday, but the purr around it started months ago when the first trailer released and everyone was collectively shocked to see cat versions of A-listers like Dame Judi Dench, Sir Ian McKellen, Taylor Swift, and Jennifer Hudson.

The reviews of the movie have been roughly the same.

But Fairchild said he feels the musical itself has always been polarizing."

Read more from the original source:
Jason Derulo's "Cats" Costars Revealed It Wasn't Just His Bulge That Had To Be Removed - BuzzFeed News