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Connecticut Lawmakers Demand Censorship after pressure by Kaitlin Roig and Donna Soto - Sandy Hook
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By: HOOKEDOnTheHoax

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Connecticut Lawmakers Demand Censorship after pressure by Kaitlin Roig and Donna Soto - Sandy Hook - Video

A recent story by Caixin Magazine about a Chinese government crackdown on two public relations firms brought a couple of things to light: that the government no longer has a monopoly on media censorshipand that its actually a really good business.

Up until this past July, when the government threw 100 employees in jail, the companies in question were profiting handsomely from the post deletion business, the service of making unflattering things printed online simply go away.

According to the report by Caixin, which is one of Chinas best-regarded business magazines, these PR firms had developed a few different ways of doing this. One was to befriend search engine administrators who could tweak search results so that a keyword would fail to generate resultsmeaning, all the articles in which the keyword appeared simply wouldnt show up. But the best way to censor negative news about their clients was to buy off the reporters bosses. PR firms regularly bribed news editors to take down articles that they or their colleagues had commissioned in the first place.

And as this business turned out to be quite lucrativeone nervous government official paid the PR firm Yage Times 500,000 yuan ($80,400) for a single deletion projectthese PR firms had begun branching out. Their new line of business, reported Caixin, assigned employees to troll websites looking for negative news and, once they found some, to contact the relevant companies, citizens or government officials and conveniently offer them their services. But when finding articles proved to be just too much work, these firms started generating the bad press themselves, essentially turning the already crooked post-deletion industry into one of straight-up blackmail.

While it is unclear why the government launched the July crackdown,Caixin indicated that local government officials had been availing themselves of post-deletion services, which could possibly have something to do with it given the recent crackdown on corruption. An unnamed employee from Yage Times told the magazine that an estimated 60% of the companys profits came from government officials in small cities, as well as from police officers.

Theyll have no recourse now that the government has stamped out these types of servicesfor a time, at least. But as long as the government requires online media companies to enforce its elaborate censorship dragnet, this PR model is bound to surface again.

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Chinese government crackdown shows that its control over censorship is wearing thin

Chinese filmmakers must fight censorship even if it means removing their name from their own work, one-time banned Chinese director Lou Ye told AFP in an interview ahead of this month's Asian Film Awards in which his crime thriller "Mystery" has been nominated in six categories.

Banned in 2006 from filming in China for five years, Lou's latest picture tackles the subject of a new breed of wealthy and middle income men in post-socialist China for whom taking a mistress is the norm, in a practice that harks back to imperial China.

With nominations including best film, best director and best actress for Hao Lei's portrayal of a betrayed wife, "Mystery" begins with a violent death and tells the story of one man's double life.

"The film is about a very small group of people. It is about what happens between two women, the double life that this man leads, but through this I get to talk about things that happen in wider society," he said in Paris where the film was shown as part of a China programme at the city's Forum des Images in February.

"What is important to me is the way in which we see that all the protagonists are linked to the death of this young girl, the way that no-one can say this has nothing to do with me," he said.

According to Lou, having a mistress is now commonplace in China for anyone with sufficient means.

"Currently we see this way of life in particular among people who have money," he said adding that it was seen as a status symbol for men while a woman acting in the same way would be stigmatised.

The film is his second since the end of the ban imposed after he took his love story "Summer Palace", set around the taboo subject of the 1989 pro-democracy Tiananmen Square protests, to Cannes without official approval.

Lou responded by continuing to work, filming his next feature "Spring Fever" in secret using a handheld camera as well as "Love and Bruises" which came out after the ban expired.

Although now able to film in China again, Lou remains the subject of unwanted attention from censors.

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