Archive for the ‘Chess’ Category

CCL Fall 2021: All The Information – Chess.com

The Collegiate Chess League's third season is set to begin on September 18, 2021, and runs until the finals on November 21.

The first two seasons saw schools from all over the US join and compete, and now we are going global! With 160 teams registered from all across the world, there will be 10 divisions competing for a prize fund of $25,000!

This fall season is poised to be the largest yet. With so many teams playing concurrently, it will be impossible for an official broadcast to cover all the matches. Although an official broadcast will be provided for key matchups, teams are encouraged to stream their own matches. All college chess streamers are invited to join Chess.com's Streamer Program. This is one of many benefits Chess.com is providing to players competing this season.

Below you can find all the information you need to know regarding our third season:

Matches will be broadcast live at twitch.tv/collegiatechesleague with commentary done by the league's commissioner, Joe Lee, with additional guests throughout the season. Playoffs will be on the Chess.com Twitch Channel. Players are also encouraged to stream their own matches and are invited to join Chess.com's streamer program. Be sure to include that you are a CCL player when you apply. Benefits include:

Regular Season

Playoffs

Weekly Arenas

The fall 2021 season will have $25,000 in prize funds! Prizes will be given to the clubs based on their playoff standings.

Division 1

Division 2

Division 3

Division 4

Division 5

Division 6

Division 7

Division 8

Division 9

Additional Prizes:

D1 Group A

D1 Group B

D2 Group A

D2 Group B

D3 Group A

D3 Group B

D4 Group A

D4 Group B

D5 Group A

D5 Group B

D6 Group A

D6 Group B

D7 Group A

D7 Group B

D8 Group A

D8 Group B

D9 Group A

D9 Group B

D10 Group A

D10 Group B

Registration for teams is currently closed for our fall season, but players can join existing teams if their rating does not significantly increase that team's average rating. Interested players need to fill out our registration form. Before you join a team, please talk to your team's captain or send the league's commissioner, Joe Lee, an email at ccl@chess.com. If you don't have a team already registered, be sure to join us in our next season in the spring of 2022. You're also more than welcome to play in our weekly arenas by joining our club. In the meantime, be sure to join our community over on discord!

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CCL Fall 2021: All The Information - Chess.com

Chess has its reasons, of which Reason is well aware – TheArticle

My title this week, Chess has its reasons, of which Reason itself is well aware, is a homage to that great French mathematician and pre-Enlightenment thinker, Blaise Pascal (16231662, his adding machine pictured above). His Penses (a collection of surviving fragments or Thoughts) refer to matters of the heart in similar, but reversed polarity: Le coeur a ses raisons que la raison ne conna t point (The heart has its reasons, of which Reason itself is utterly ignorant).

So, with thanks to Pascals Penses, this week I pose the question: is there any practical reason why we should play chess, or is it just a seductive and addictive waste of time? Of course, committed chess players do feel a compelling need to play the game, but are the grandmasters, and the many thousands of other enthusiastic players who derive such immense pleasure from chess, just simply a band of 21st-century lotus-eaters caught up in an entirely narcissistic undertaking which has no relevance to the proper functioning of society? In other words are we chess players enjoying ourselves with a non-productive activity at the expense of social responsibility? This is an argument which I often hear levelled at chess players (by non-chess players of course) who tend to examine chess in a utilitarian framework (what use is chess?) and criticise chess players along lines such as: why dont they get a proper job of work? The famous Russian chess Grandmaster Yuri Averbakh was once asked by a minor functionary, What is your job? Quick as a flash, Yuri retorted: Chess Grandmaster. Whats yours? Probably some chess enthusiasts at school might have suffered from similar discouragement.

My answer to these questions is naturally that chess and its players can be defended on a variety of levels: the aesthetic; the intellectual and simply as a means of giving pleasure and relaxation to many thousands of people, not just by playing but by enjoying master games with impressive sacrifices or artistic strategies.

However, the point I wish to make, as a stimulus to discussion of the whole problem of the relevance of chess to 21st century life, is rather different from this, and rather more ambitious. I would argue that chess is of positive and absolute social benefit, and that it would be a major step forward in the solution of social problems and unrest in urban civilisations, if chess were not only encouraged, but also added to school sports curricula, like cricket, swimming, hockey, football or rugby in England.

The American thinker, Robert Ardrey (19081980) in his work The Social Contract not to be confused with the book of the same name by the 18th-century apostle of the Enlightenment, the French philosopher Jean Jacques Rousseau (17121778) suggested that in all higher animals, including humans, there are basic inborn needs for three satisfactions: identity, stimulation and security. Ardrey described them in terms of their opposites: anonymity, boredom and anxiety, maintaining that a society or government so designed, as to present its members or citizens with equal opportunity to achieve identity, stimulation and security, will survive, whereas one that fails in this psychological function will, in the long run, be selected out.

Ardrey wrote that, like some monstrous whale devouring plankton by the acre, so the organisation of modern life devours the individual. Specialisation reduces the individual to a needle lost in a bureaucratic and organisational haystack. Classification will place the individual with all beans of equal size.

In support of Ardrey, I challenge any reader who has had a complaint or a query directed to a large organisation, such as a bank, airline or some branch of government, to deny that they have been at some time ignored, or given a circular, quasi-Kafkaesque run-around, leading, via multiple buck-passing, back to the point of origin.

I propose that mind sports, such as chess, bridge and draughts, made available in schools and clubs, can help to solve such problems as erosion of identity. Winning a game does wonders for ones sense of personal identity and victory does tend to cancel out memory of the losses. Likewise stimulation, and where the individual is personally committed, this seems to me a stimulation of a generally higher order than the vicarious variety provided by mass tribal attendance at, for example, a football match. What can be more stimulating than personal involvement in an intellectual struggle, where the result depends entirely on you alone and not on some umpire or referee or touch judge who might rob you of a well-merited victory by a fatuous decision, as so regularly happens in football for example, even with the dreaded VAR.

In chess you can clearly see the outcome of your efforts and, above all, you are personally responsible for the result. In this sense, the Stakhanovite chess promoter, Malcolm Pein, with his charity Chess in Schools and Communities, has performed inspirational miracles in getting chess accepted in mainstream education.

With the problem of increasingly empty time (i.e. a potential stimulation-vacuum) we need an activity that occupies time in a meaningful, stimulating and identity-boosting fashion and that will also act as a counterweight to the often drab and repetitive tasks of mundane social existence. So why not encourage chess in the young? It will do more for them than waste mtheir time.

An article in The Times newspaper of September 7 Chess Mania lures millions of players to get on board helpfully hammered home many of these points. The author Jack Malvern pointed out that chess sets are selling out quickly, as the TV hit Queens Gambit and the pandemic , causing empty time, are together causing demand to surge in dramatic fashion.

Anya Taylor-Joys portrayal of the chess prodigy could have been a short-term boost, but insiders assert that enthusiasm is still growing at alarming speed, while the pandemic has forced people to find new ways to entertain themselves, and thereby driven vast numbers to play and follow chess online. Thus, Chess.com , the gaming platform, according to The Times, has 72 million members worldwide, up from 50 million in December 2020 and a colossal increase from the 20 million of four years ago. Lichess , a free chess gaming service, recorded 5 million games in March 2020, but had shot to 100 million a year later.

The annual Norway Grandmaster Tournament attracted 2.5 million television viewers, in Norway alone. The Times went on to catalogue a further series of plus points in favour of chess, including:

The boxers Lennox Lewis and Mike Tyson, actors Arnold Schwarzenegger, Stephen Fry, Humphrey Bogart and Director Stanley Kubrick were, or are, committed chess fans.

Chess players burn upwards of 6,000 calories per game during tournaments based on breathing rates, increased blood pressure and muscle contractions, according to Robert Sapolsky, a Stanford University researcher (2019).

Learning chess improved reading test scores and reading performance in primary school pupils, a two-year study in the US found in 2011.

Playing chess has the potential to raise a persons IQ scores and strengthen problem-solving skills, according to research by Peter Dauvergne, Professor of International Relations at The University of British Columbia.

Elderly people who engage in mentally challenging games, such as chess and bridge, are two and a half times less likely to develop dementia, a US study found in 2006 (Professor Joe Verghese of the Albert Einstein Institute of New York).

Chess could even enhance the creative part of the brain. The Times article cites a 2017 study in India, saying it helped to give children the ability to think divergently.

From early times, chess had been recognised as a pastime for the nobility, Caliphs, Popes, Emperors and Kings, but during the 18th-century Enlightenment, the game broke through to become a resource for the common man or woman. This democratisation of the game, as prominent chess historian, Richard Eales, has pointed out, led to the rise of a middle class cohort of professional chess players, which gathered momentum during the 19th century.

In the context of the broadening democratisation of chess, an impressive manifestation took place as a vital component of an exhibition in St. Louis last year. This was the 19th Biennial Congress of Chess CollectorsInternational in September 2020, which made this revolution in thought the highlight of Sapere Aude (Dare to Know), a tribute to the Enlightenment. This was organised primarily, against all pandemic odds, by the indefatigable Tom Gallegos, whose views I go on to summarise, quote and endorse. The inspirational centrepiece was known as the Encyclopaedia or the Encyclopdie: dictionnaire raisonn des sciences, des arts et des mtiers (English: Encyclopaedia, or a Systematic Dictionary of the Sciences, Arts, and Crafts)famously and universally known as the Encyclopdie.

Gallegos concedes that the Encyclop die , the prime engine of the Enlightenment, is not a chess book by any means. It is an encyclopaedia, first and foremost, but it contains an important and influential article on chess; and it also contains an illustration of one chess set. Overall, the Encyclop die comprises a unique compilation of books, that came into existence against extreme odds, and thereby helped to revolutionise the world.

A basic wooden chess set, also displayed in the exhibition, and, as noted above, mirrored in the Encyclopaedias illustrations, was once commonplace during the French Enlightenment .It is the kind of set that would probably have been used by thephilosophes and the encyclop distes , precisely those bold writers who helped to shape our modern world.

Gallegos writes: This simple, even humble, wooden chess set is the set with the deepest possible meaning for fans of intellectual history, the one that best symbolises and encapsulates the entire Age of Reason. It is nothing short of a miracle that these books, and this chess set, still survive.

Opposition from the Ancien Rgime, combined with the subsequent storming of the Bastille and the French Revolution, contrived to destroy much important literature and many significant artefacts.

In the Zeitgeist of our current intellectual climate, it can often seem as if culture is celebrity-driven and ephemeral, while the last residue of human reason is composed ofultracrepidarian emotionalism, fuelling browbeating, cancel culture bullying, bluster and otiose knee-jerk knee-taking. Much of this largely emanates from young men, whose prowess at football hasseemingly endowed them with miraculous omniscience, or hysterical teenage fulminations on so-called climate change which relies on pressuring relatively soft touch western societies, but largely ignores direct confrontation with the most prolific consumers of fossil fuels. Lamentably the hysteria has been endorsed by, for example, an overexcited British Prime Minister of mature age , who should know better. It is propped up by hordes of brain-impaired Zombies from The Woking Dead, determined to smash the memories and traditions of western society. A further irritating symptom is illogical unjoined-up thinking from our government, which not only fails to combat illegal immigration and wokery with sufficient gusto, but also raises taxes, hypothecated for the NHS, only to see this organisation immediately announce the appointment of a cohort of Diversity Managers, of doubtful use to patients, rewarded with salaries designed to make even the mouth of Croesus water with anticipation.

It can, therefore, as Tom Gallegos points out, be comforting to turn to the past, and discover an age when surprisingly intelligent people were making huge strides in understanding the world around them and in proselytising sorely needed changes to society, such as more equitable taxation, combined with abolition of automatic aristocratic or church privilege and the autocratic power of the king. At our peril, we assume we must be much more advanced in our thinking than people from two or three centuries ago. We may find out too late that we are wrong; that our greatest problems stem from the fact that we have forgotten or never learned much of what they tried to teach us. To make matters worse, our modern information overload tends to fragment and scatter our thinking, much more than to inform or edify it.

The Enlightenment was mostly concerned with reason, and the role of chess within the Enlightenment was mostly about how to think, not what to think and certainly not what, or how, to feel. The game of chess is a perfect magnet for people who wish to approach problems through the principles of reason and tolerance.

Denis Diderot, Jean Le Rond d Alembert, Voltaire, Jean Jacques Rousseau, and all the other philosophers and encyclopdistes of 18th century France certainly found it to be so. So did George Washington, Benjamin Franklin, Thomas Jefferson, and virtually all the other founding fathers of The United States of America chess players and Enlightenment thinkers, everyone of them. In this context, I strongly recommend a re-read of Daniel Johnsons piece from September 9 which differentiates between the French and American Enlightenments and highlights the dangers of wokery, both for free thought and for freedom of speech.

Gallegos concludes that applying reason to life outside of chess is always going to be hard work, just as chess itself is hard work. We need only whisper the name of, arguably, our games greatest player, Bobby Fischer , to be confronted with the most egregious example of a person who failed to bridge the gap between reason in chess, and reason in life..

Tom Gallegos concludes his peroration in The Temple of Reason with the assertion that Denis Diderot makes a far greater intellectual hero than Bobby Fischer, a verdict with which I wholeheartedly concur.

And here are the chess games for this week. Disillusioned as I was by Fischers dereliction of duty to his millions of fans, by refusing to defend his title, one cannot deny that, as well as being the worst world champion, Fischer was by far the best challenger. A game from 1972 , when, pre-Queens Gambit, chess fever last swept the planet, shows the ridiculous ease with which Fischer could dominate the world s finest.

Fischer finally made his comeback 20 years later, when his resurrection made negligible sporting sense, the championship baton having passed to Anatoly Karpov, Garry Kasparov and Nigel Short. Nevertheless, some isolated games from 1992 still exhibited a glimmer of the ancient flames which had burned with such incandescent force and energy two decades previously.

And finally a game to prove that even Bobby Fischer was not infallible .

Raymond Keenes latest book Fifty Shades of Ray: Chess in the year of the Coronavirus,containing some of his best pieces from TheArticle, is now available from Amazon , and Blackwells .

We are the only publication thats committed to covering every angle. We have an important contribution to make, one thats needed now more than ever, and we need your help to continue publishing throughout the pandemic. So please, make a donation.

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Chess has its reasons, of which Reason is well aware - TheArticle

‘Everyone loses more than they win’: Fencing a chess match for Langhorne teen Vyn Le – Bucks County Courier Times

Rick Woelfel| Correspondent

Fencer Curtis McDowald credits Olympic journey to his two moms

Olympic fencer Curtis McDowald credits his success at reaching the 2021 Summer Olympics in Tokyo to two amazing women, his mom and his 'fencing mom.'

Humankind, USA Today

Fencing is a sport that often doesnt get a lot of attention, except during Olympic years. To Vyn Le, however, it is a passion.

Le views fencing as a chess match; a test of his physical skills and mental acuity against those of his opponent.

A Langhorne resident and a senior at Holy Ghost Prep, Le took his first fencing lesson six years ago (he will turn 17 later this fall) at the Bucks County Academy of Fencing, in Lambertville, N.J., just across the Delaware River from New Hope. While he participated in Tae Kwan Do when he was in grade school, he lacked an affinity for team sports. The individual nature of fencing attracted him.

I think it teaches you a lot, he said, because its definitely an individual sport. If you lose, theres really no one else to blame it on, theres no one else to look at besides yourself. The same thing when you win, too.

"I think that taught me a lot, specifically that the wins are really satisfying and the losses are really hard. I think thats really what attracted me to the sport the most when I started competing.

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Les event of choice is the foil, one of fencings three disciplines (the other two are epee and sabre). Each has different rules and protocols.

Foil features a weapon that has a maximum length of 110 cm (43.3 inches, slightly longer than a baseball bat) and amaximum weight of 500 grams (10.58 ounces) although most are lighter.

A point is scored by making by making a valid touch with the point of the blade on the legal target area, which in foil is the opponents torso and a portion of the bib that is attached to each competitors mask.

A bout takes place on a strip that is 14 meters long and 1.5 meters wide, excluding adjacent safety areas. Bouts are normally contested to 15 points.

Of interest: Childhood spent on road trips: Warrington native will try out for the Olympics

A gifted pianist and an accomplished debater as well an athlete, Le changed clubs over the summer and now trains at the Gutkovskiy Fencing Academy in Fairlawn N.J., roughly 25 miles northwest of New York City. He makes the four-hour round trip two or three days a week for a two-hour class, followed by a private lesson.

He also trains at home in his basement, utilizing a dummy for target practice, and works with a personal trainer to enhance his speed and conditioning. Le utilizes the four-hour round trip to North Jersey to finish the schoolwork he didnt complete earlier in the day.

I have the whole car ride, two hours there, two hours back, he said. Also, Holy Ghost Prep offers a lot of free periods, and I have free periods built into my schedule.

"The moment I get homework, I write it down in my planner, and I immediately get it done, as much as possible during the free period, and whatever time I can get during lunch, during break, its always doinghomework, homework, homework, and studying. Then I come home; a lot of times before practice, Ill take a nap or something. And then, during the car ride, I can study again.

Coaching legend: Quest for 1,000: Holy Ghost's Tony Chapman takes it one game at a time as wins pile up

Les competition schedule keeps him busy most weekends (the bulk of the competitive season runs roughly from fall through the spring). He might be competing in a two or occasionally three-day local or regional tournament within an hour or two of home. On other occasions, he might find himself making a five-to-six hour trip to New England to compete.

I have it easy down here compared to some of the other fencers, he said. Fencers up north have to come down here.

Admittedly, it took Le some time to get comfortable on the strip, both physically and mentally.

I think maybe in the first year I was definitely just getting used to moving around, he said. "Fencing (has) a very hard learning curve. Its very different from other sports. On a very basic level, youre engaging muscles that you would never use or (use) not as much in other sports And, that definitely took a little bit, maybe a year or two just getting used to getting hit and competition and things like that.

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But mentally, I think this is a process thats still going on, getting comfortable on the strip and learning how tocontrol my nerves. I think this is a process that happens with everyone.

Every fencer has doubts in their mind they have to overcome, and I think being mentally tough is one thing, but mentally perfect is something that is very, very difficult and it takes a lot of work to get to that point.

For a fencer, part of the learning curve is understanding that early on, they are going to lose a lot of bouts.

I lose all the time, Le said. "Everyone loses way more than they win. Thats a very common thing in every sport, but especially in fencing. You lose so, so many bouts, and I feel like Im very used to it now. Losing is not a bad thing as long as I can take away something from it, thats a win, as long as I can learn how to counter it the next time.

"So, when I face (a more-experienced opponent) I just think about all the times Ive faced someone like that before; What do I have to do to beat someone whos better than me?'

If I can hit them, then I can beat them. Thats my opinion on it. Its not like theyre untouchable. Itss not that theyre unbeatable. Anybody in fencing can beat anybody, And I know that can be me. I can beat this person. All I have to do is just find their weakness and maybe find the action I am doing well with today.

Watching the recent Olympic Games, Le was impressed by how well the finest fencers in the world execute the sports fundamentals.

They are Olympians, he said. But theyre not really doing anything amazingly special. They have the basics, and theyre not following a different set of rules. Everyone is playing the same game, its just how theyre looking at it, a lot of very simple actions. Theyre constantly their strategies to adapt to their (opponent).

Fencing can truly be a lifetime sport who those who, like Le, have a passion for it. For now, he is thinking about his more immediate future; specifically, fencing in college.

He is considering the University of Pennsylvania, which has a mens intercollegiate program and Brown, which does not. In any case, he is not anticipating putting down his weapon any time in the foreseeable future.

I would love to fence on a team, he said. Definitely, it does influence my decisions quite a bit. Fencing is very difficult nowadays, its mostly just me and my teammates in the club but if Im on a team I think that would be a completely different experience and Id love to be part a of it.

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'Everyone loses more than they win': Fencing a chess match for Langhorne teen Vyn Le - Bucks County Courier Times

Interview: Cate Hayman of CHESS IN CONCERT at 42nd Street Moon Aims to Be an Old-School Diva for Our Times – Broadway World

In exceedingly welcome news, San Francisco's 42nd Street Moon returns to live, in-person performances with its presentation of CHESS in Concert, the 1980's musical with a much-loved score by ABBA's Bjrn Ulvaeus and Benny Andersson and renowned lyricist Tim Rice. It remains the only musical of the modern era to generate multiple, massive hits on the pop charts, including the delightfully seamy dance number "One Night in Bangkok" and the heart-rending ballad "I Know Him So Well." Co-Director Daren A.C. Carollo promises "This production will be unlike any other CHESS in Concert you have ever seen. We used six versions of the script to create 95 minutes of non-stop rock! We have 17 of the strongest voices in the Bay Area and 20 talented musicians who will be jamming through the most "80s" music you have ever heard." Performances of CHESS in Concert run Friday, September 24 through Sunday, September 26. For tickets and additional information, visit 42ndstmoon.org/chess.

Bay Area native Cate Hayman leads the large cast in the central role of Florence, a woman of torn allegiance between East and West. I caught up with Heyman by phone last week while she was between rehearsals. A recent graduate of the prestigious musical theater program at Carnegie-Mellon University, she is definitely a performer to watch. Still in her early 20's, Hayman already has a lot of irons on the fire - including stage, film and TV work, plus a little modeling on the side (as Bells Are Ringing's Ella Peterson would say). Bay Area theater audiences know her for her award-winning performance as Sally Bowles in Cabaret at SF Playhouse and her rapturously-received turn as Diana in Next to Normal at the Victoria Theatre. She is a fascinating person to talk to as most of her cultural references are performers and music that were popular well before she was born, but at the same time there is nothing precocious or world-weary-before-her-time about her. She fairly bubbles over with enthusiasm for the career ahead of her and exhibits a self-effacing sense of humor about any bumps in the road she's encountered. The following conversation has been edited for length and clarity.

You seem to be working everywhere these days. Are you still based in the Bay Area?

Yeah, well - kind of. I actually moved to New York 3 weeks ago, which is funny cause I'm already back! But I'm here to do Chess and then I move officially on the 28th. So I'm kind of based here, this is where my family is, but as of very recently I'm technically "based" out of New York.

Is Chess your first show with 42nd Street Moon?

It's my first show in person. During the pandemic I've done a couple virtual events for them.

How did you originally connect with Moon?

I connected with them years ago actually because my neighbor Pete Sorensen is on the board for 42nd Street Moon. When I was in high school, I think, he was like "You should go in and sing for them, and maybe they'll hire you for summer work." So I went in when I was not castable, I was too young, and I sang for them and they were very sweet. But that's kind of how I got on their radar.

And then the summer of 2019 I did a production at SF Playhouse of Cabaret where I played Sally Bowles, and I don't know if this is how I seriously got on their radar, but I won a couple of awards for that. When COVID hit they started asking me to do virtual things, and then for this they were just like "Do you wanna be Florence?" and I said "Sure!" ... and then I had to send them a tape because the director actually didn't know who I was. [laughs]

Chess is one of those shows with a killer score and a somewhat problematic book, which makes it perfect for a concert presentation. How familiar were you with the show before you were cast in it?

Not at all! I knew the two main Florence songs, "Heaven Help My Heart" and "Someone Else's Story." I sang them a long time ago in my singing lessons, but never really did anything with them. I actually was surprised I still remembered the lyrics, but other than that I barely knew it at all. I didn't know what the story was, that it was written by Bjrn and Benny from ABBA, I didn't know anything. When I was in New York a couple of weeks ago, kind of moving in and sitting on my butt all day, it was great cause it gave me this opportunity to really familiarize myself with it. So for the most part learned all of it while I was in New York and then just came here and now I'm fine-tuning.

Currently, what is your own personal favorite song in the show?

I have to say "Nobody's Side." I love that song. It is so fun!

As a singing actor that song gives you a lot to play with because it really is written as a dramatic scene set to music.

Yeah, totally. Well, all of the songs are like scenes. An amazing thing about Chess is that even though it's written by pop icons, it's almost an opera. In all musicals, the songs are extensions of the drama that's happening in the scenes, but here especially cause there's very little dialog in this production, it feels like every single song is its own plot line, its own very important scene.

I have to ask what it was like playing Diana in Next to Normal. I just can't imagine taking on a role that challenging, both technically and emotionally, not to mention that it was written for an actor at least 20 years older than you were at the time!

Yeah, to this day that was my favorite production I've ever done. The theater company is called The Refuge and it's run by Dan Shaindlin who's a San Mateo local. His son Atticus was in my class at Carnegie Mellon and he was also in Cabaret with me, so we've done a lot of things together. Dan was like "Atticus, I want to start a summer stock company with students in San Francisco." So Atticus just asked some of his friends in our Carnegie Mellon class if they would be interested, like who he thought would be right for the parts, and so the cast was primarily made up of our classmates. And it was so amazing because it was after our freshman year so we were all hungry to perform.

But the role itself was extremely challenging. Vocally, it's quite a trip cause it's rock basically, and so singing a couple hours of like screlty rock is really hard, especially on a young voice. But it was so fun, because it was a cast full of people that I knew already and loved to work with. It was easy to really just take risks and throw my whole self into it, and it was a short rehearsal process so there wasn't too much time to overthink anything. I had the best time!

You're also great at singing jazz standards. [Check out Hayman's rendition of "Hit Me With a Hot Note" here]. That requires such a different vocal technique than singing something like Chess or Next to Normal. How do you manage such a wide range of styles?

Um... good vocal training? [laughs] I don't know! My favorite genre to sing is jazz standards. Like it's easy, it sounds nice, it fits really nicely in my tone, my range, so that's kind of where I feel at home singing. But I also love singing other things, too. I guess I've just been working on my voice long enough where it's still difficult to switch between genres, but it's something you have to do if you want to do this professionally. You can't limit yourself to one type of music. I always have a really great time singing more rock and pop things, especially with a live band. It feels so powerful and exciting to have all these big, loud musicians behind you kind of pushing you forward. So I'm really excited to do this show with an orchestra.

You graduated from Carnegie Mellon in the Spring of 2020 and then - boom! - you were launched into a world where suddenly live theater didn't really exist. What was that like?

It was definitely an adjustment; it was very strange. I went into the pandemic thinking "Oh, this will last a month." So I left all my things in the basement of my old apartment in Pittsburgh, expecting to come home [to California] for a second, and pick them up on my way to New York. And I just picked them up a couple weeks ago - they'd been there for a year and a half. [laughs] So I came home for what I thought would be a month without theater, and that was great cause it was also just basically, even though I was graduated, like my summer vacation.

And then as it kept going, it forced me to kind of take a step back and experiment with finding something else that gave me artistic fulfillment and let me talk to other creative people, which was the thing that I was missing the most. I missed theater, but I missed more than anything being with theater people and working with creatives. So the first semester after I graduated, I was tutoring kids doing Zoom school, and [laughs] I was a very bad Algebra II tutor for some high-schoolers. So I did a couple things and I was just like "This sucks, and COVID still doesn't seem like it's slowing down."

Then come January, I was semi-recruited by a modeling agency in San Francisco. I was a little bit negative about getting into that world, cause I was like "Ugh, modeling is so egotistical and everyone is mean." But as I did it, I realized that it is just rooms of creative people, and it gave me a lot to look forward to. I was really excited to go to jobs because I was talking to stylists and photographers and people who were really passionate about the arts, and some of them were musicians and DJ's that did this as their side job. So once I discovered that, being without live theater became a little easier in a way.

The pandemic has also given me the opportunity to try film and television. I have a manager in LA and he's been sending me in for film and TV stuff. I managed to pick up an indie film [Before It Ends] that shot for a couple weeks in Los Angeles, and then I also was a guest star on the CBS show Evil. I'm on Episode 8, "B is for Brain." That was fun and it shot in New York. So I've just been sending in auditions and trying to fine-tune those skills as well because ideally I want to make a career of doing both live theater and also film and television.

And I also did a production of Songs for a New World at SF Playhouse. It was pre-recorded so we were all lip-synching and had to get tested every day and you know keep six feet apart from each other onstage, so it was bizarre, but I also was able to do that. So even though live theater didn't exist, I still found little pockets in which I could do some creative things, whether it was theater or film or just being with creative people. So I figured it out, but it was definitely an adjustment to begin with.

As somebody who's still early in their performing career, do you have any personal heroes or role models, performers you look at and think, "I want a career like that!"?

Oh, gosh. I'm not sure if there's someone who I'm like "I want that career," but there are definitely performers I idolize and want to be like. All the classic divas, like Ethel Merman, Barbra Streisand, Judy Garland, Liza Minnelli, all of those like old-timey Broadway divas. And in a way I want to have a similar career, cause they all made their impact onstage, but then also did movies. So, yeah, they are what I want to be.

I'm fascinated that your main cultural references are these women whose heydays were long before you were even born. What music did you listen to growing up?

Growing up I listened to a lot of jazz standards. My dad had a Nina Simone CD in his car that I would play whenever I went anywhere with him as a kid. I was obsessed with Nina Simone. I'm obsessed with all of those jazz women - Nina Simone, Ella Fitzgerald, Eydie Gorm. That's kind of the beginning of me being like "I love this kind of music and I love their voices. They're so rich and warm and delicious and I want to sound like that."

Do you have any musical theater dream roles you hope to age into one day?

That is such a loaded question! I want to do so many things. Funny Girl is coming back to Broadway, and I would go crazy to play Fanny Brice. Any role portraying Marilyn Monroe, even though I'm about a foot too tall, I would die to do.

So if that "Smash" musical ever actually happens...?

Oh, yeah, count me in! That's my cuppa tea! And if like when I am actually of an appropriate age to play Diana, if Next to Normal has a revival, I would be so thrilled to be in that. But also, at this point in my career, I will take anything! [laughs]

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Interview: Cate Hayman of CHESS IN CONCERT at 42nd Street Moon Aims to Be an Old-School Diva for Our Times - Broadway World

Herefordshire youngster to play chess against world’s best – Hereford Times

A BUDDING chess star from Herefordshire has won a place at a grand final where he will compete against the world's best child players.

Committed and promising young chess player, Dillan Duke, from Herefordshire, has won a hard fought place in the UK Chess Challenge National Final.

Dillan, aged 14, will be up against 11 other top players in the UK in his age category, fighting for the number one spot.

This national chess event will take place next month at Blenheim Palace, the home of the Duke of Marlborough and the birth place of Sir Winston Churchill.

The competition has grown into the largest children's chess tournament in the world and attracts thousands of entrants every year.

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Dillan has already come through the first three rounds of this competition, which took place online due to coronavirus restrictions.

He was placed second and third in two of the rounds.

The grand finale will be played over the board in rooms at the palace, with the use of live boards where moves are instantly relayed online.

Spectre, the James Bond movie, was partly filmed at the location.

His father Paul Duke said: "Dillan is very much looking forward to the challenge ahead and continues to work hard in preparation.

"When not leaning over a chess board, Dillan enjoys power boating in Devon, sea fishing, surfing and skiing in the Scottish Mountains."

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Herefordshire youngster to play chess against world's best - Hereford Times