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An officer standing guard at a police scene is asked to lay a floral tribute.

An awful crime has been committed.

The street has been teeming with forensics teams for hours in the wake of the tragedy.

Evidence markers sit in precise spots as crime scene investigation officers quietly go about their work.

As night falls, a Manchester community is coming to terms with what has happened.

Yards from people's front doors, a man was attacked. Locals say he was a 'nice guy'.

A murder inquiry was launched after the 39-year-old died in hospital.

Around six hours after the assault, he passed away.

Now Whitstable Road in Moston is a crime scene.

Emergency crews arrived on the estate shortly before 4.50am this morning (February 18).

The victim was rushed to hospital in a critical condition.

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He suffered stab wounds to his arm and chest, Greater Manchester Police said.

Despite the best efforts of medical staff, he died shortly after 11am.

Three men arrested on suspicion of attempted murder following the early hours stabbing have been released. No further action will be taken against them.

A 21-year-old man is currently being questioned under caution on suspicion of affray.

The victim is understood to have family in the area.

His loved ones have been informed and are being supported by specialist officers. He hasn't yet been named.

Police have ramped up patrols in the area, but detectives believe the stabbing is an isolated incident.

Officers remained at the scene of the stabbing as darkness fell on Thursday evening.

A cordon remains in place and officers are expected to remain in the area for another day at least.

Thomas Yaw, who was working at the local mini market on Teddington Road, said of the victim: "He was a regular customer, in here all the time.

"He was a nice guy, we never had any problem with him.

"He used to chat when he came in. He was a nice man.

"Its horrible.

"The first thing I saw was police when I came into the shop."

One neighbour told the Manchester Evening News said: "Its shocking.

I didn't hear anything overnight, but this morning the police were all here.

Residents reported seeing a helicopter circling the area at around 5.30am.

Another neighbour said his mum heard the helicopter overhead in the early hours.

"I was asleep but when I woke up I saw all this," they added.

"The police have been here all day."

Investigators from Greater Manchester Police (GMP)'s Major Incident Team are appealing to the public for any information.

Detective Inspector Gareth Davies said the victim was stabbed a number of times after leaving an address on Whitstable Road.

"This is a devastating incident and our thoughts immediately lie with the man's family and ensuring that they get all the answers possible as to what has tragically happened here.

"Our investigation is in its infancy and there are several lines of enquiry we are pursuing to begin to ascertain the circumstances of this incident but it is vital we hear from any members of the public with information - a man has lost his life and if you know something I implore you to get in touch.

"What we do know is that the victim had left an address on Whitstable Road and was found a short time later to have been stabbed a number of times - injuries which have proved to be fatal.

"We are keen to speak to anyone who lives around the area and who may have even the slightest bit of information that may support us with our investigation."

Anyone with information should call 0161 856 2450 quoting incident 331 of 18/02/2021.

Details can be passed anonymously to the independent charity Crimestoppers on 0800 555 111.

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As night fell, the police work continued - and a community was coming to terms with an awful crime - Manchester Evening News

Kay Brookshire/Special to The Oak Ridger| Oakridger

When Scott Jamison is teaching children about crime scene investigation or sharing his telecommunications skills at the Childrens Museum of Oak Ridge, he arrives with a smile that shows his selflessness and generosity.

Jamison recently received the Museums annual Friend of the Child Award for volunteering his business and telecommunications skills, as well as his teaching skills, when the staff seeks his help.

When Scott walks in the door, frequently responding to urgent pleas for help, there is only one desire and that is to make things work, said Ronnie Bogard, the former Museum board member who presented the award to Jamison.

The award is presented in memory of Selma Shapiro, Bogards mother and the Museums executive director for its first 31 years. With her vision and resourcefulness, Shapiro built the Museum from a its single-room beginnings to fill a former school building.

The award was established to honor an individual who has contributed in a big way to the success of the Museum.

Scott exemplifies dedication to the Museum, Bogard said in presenting the award. He served on the board from 2009-2015, continues as an Advisory Board member, and perhaps most importantly, he supports the telecommunications needs of the Museum.

He makes us feel that we are the most important customer and friend that he has. He has used his talents as a businessman to help prepare a business plan and advise us as needed, Bogard added. Last but not least, Scott is a teacher, and what could be more fitting for our Museum than someone who gives of his time to teach our classes.

Jamison owns Access America, a local and long distance telephone service and internet service company started by his father 38 years ago in Oak Ridge. With a PhD degree from University of Tennessee in genetics, Jamison did molecular biology research in Cincinnati before returning in 1995 to join the family business.

He donates his time to work on phone, internet and alarm systems at the Childrens Museum. Most recently, he served as a technical consultant as the Museums Gala, a major fund-raising event, went virtual for the first time because of the COVID-19 pandemic. He has helped with the Gala a number of years, last year building a database that helped Museum staff with completing sales for those who bought Gala auction items.

Jamison uses his genetics background in teaching a week-long Imagination Station Summer Camp called CSI Bodies.

The Museum operates with an incredibly small and dedicated staff. That makes it a pleasure to volunteer here, Jamison said. I enjoy helping out. There are always people here donating their time all kinds of people giving time. They are the unsung heroes of the Childrens Museum.

Bogard recalled that her mother had a passion for impacting the lives of children and families through the Museum, and she had a vision that the Museum would focus on intergenerational learning.

She wanted families to know the full history of Oak Ridge; she wanted children to be exposed to a broad range of cultures; and she wanted to showcase the arts, often through local artists, Bogard said. She knew that learning should go beyond the classroom, and she wanted the Museum to teach our children how to think beyond themselves and to have fun while doing so.

Shapiro understood the necessity of having volunteers augment a small but talented staff.

She grew those connections, Bogard said, making each one of them feel special, while bringing their expertise and associations into the circle of dedication that surrounds and lifts up this Museum.

In honor of the Friend of the Child Award, and in memory of Selma Shapiro, the Shapiro family presented a $1,000 gift to the Childrens Museum.

The Childrens Museum, at 461 West Outer Drive in Oak Ridge, is open from 10 a.m. until 4 p.m. Tuesdays, Thursdays and Saturdays, and from 1 until 4 p.m. Sundays. Museum admission is $8 for adults, $7 for seniors ages 62 and older, and $6 for children ages 3 through 18. Admission is discounted by $1 in each category while some exhibits are temporarily closed. Admission is free for children under three and museum members.

For more information, see the Childrens Museum website at http://childrensmuseumofoakridge.org/ or call (865) 482-1074.

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Museum honors Jamison with Friend of the Child Award - Oak Ridger

Crime scene investigation work is being undertaken at a sealed off property on Dore Road, Dore, after a gun was fired at the house last night.

The alarm was raised at around 7pm when a window was damaged in the gun attack.

Nobody at the property was injured.

This morning the driveway of the detached property is taped off and under police guard.

Dore Road is one of the most exclusive postcodes in Sheffield.

South Yorkshire Police said: Detectives are investigating after shots were fired towards a property in Dore, Sheffield, yesterday evening.

Shortly after 7pm, its believed two shots were fired at a house on Dore Road, causing damage to a window.

Nobody was injured in the incident and a police cordon remains in place while officers carry out enquiries.

Call 101 and quote incident 854 of February 18.

In these confusing and worrying times, local journalism is more vital than ever. Thanks to everyone who helps us ask the questions that matter by taking out a digital subscription or buying a paper. We stand together. Nancy Fielder, editor.

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Video shows CSI team at scene of shooting on exclusive Dore Road in Sheffield - The Star

While I was teaching, one of my students asked if I had seen Cybergeddon, a film distributed by Yahoo! in 2012. I had not, so I decided it would be fun for VERT to watch the film and review it, since my hobby is writing film reviews for RotundReviews.

Cybergeddon is not talked about as much as it should be given some of the background around it. It should be noted that while well reference it as a film, it was originally distributed as a web series comprised of nine episodes and then later merged into a film. The film was distributed by Yahoo! and sponsored by Norton, which provided actual virus code to add to the films realism. The film was produced with a budget of $6M, which is pretty much the same budget that Donnie Darko is estimated to have had a decade earlier.

The series was created by Anthony E. Zuiker, best known as the creator of CSI: Crime Scene Investigation. He won the Pioneer prize at the 2013 International Digital Emmy Awards for his then-groundbreaking work connecting Silicon Valley and Hollywood with this film. It wasnt just big names behind the scenes; the film had some big name stars, as well. Missy Peregrym was the films lead and has starred in series such as Reaper, Rookie Blue and FBI. Peregrym won a Streamy Award for her work in Cybergeddon. The series also featured Manny Montana, a well-known television actor who has appeared in Graceland, Good Girls and Conviction.

In Cybergeddon, an FBI Agent (Peregrym) is framed for a crime as revenge for her investigations and must team up with a hacker in order to clear her name and prevent a major crime. The film is a rather well-paced thriller that holds your attention. (Read more...)

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VERT at the Movies: Cybergeddon - Security Boulevard

Sifting Clarice Starling through the CBS crimetime filter means we should know what to expect from "Clarice," the network's new take on the FBI agent made famous by "The Silence of the Lambs."

Three decades have passed since Jonathan Demme's multiple Oscar-winning film first hit theaters, and in thewake of its success the fear and fascination that movie's cannibalistic antagonist struck in people gave rise to an entire subgenre of pop culture freakery.

We know CBS's contribution to this. Entire drama franchises around lurid murders and the dedicated, complex men and women who solve them inform the look and execution of TV procedural to this day."CSI: Crime Scene Investigation" kicked its popularity into high gear, leading to the eventual arrival of "Criminal Minds" and its endless parade of women in cages, freezers, boxes, hidden sheds, what have you.

Some may remember that inaugural "CSI" star William Petersen played Thomas Harris' FBI profiler Will Graham in Michael Mann's 1986 "Red Dragon" adaptation "Manhunter." Once we add that to the equation the status of "Clarice" stands as something of an ouroboros both in popular culture and for CBS, cycling back to the start of it all.

Would the procedurals evocative of the CBS brand look as they do if Demme's film hadn't been such a runaway hit? We can't know the answer to that question. We do know that close-ups on nibbled waterlogged corpses are no great shakes these days, and we encounter them in the premiere of "Clarice" . . . but not before flashbacks showing Buffalo Bill sewing what is supposed to be the lotioned skin of his victims. My brains registers these recurring images as, what, latex maybe?

Don't mistake my meaning here these are all disgusting sights, but we've seen them time and again on this network and elsewhere. Placing a new take on Clarice Starling (courtesy of Australian actor Rebecca Breeds) doesn't make the imagery or the violence it illustrates any fresher, or illuminate anything we don't already think we know about the young FBI agent herself.

Nevertheless series creator Alex Kurtzman and Jenny Lumet try their damndest to flesh out what we know about Clarice by digging into the lasting effects of the trauma she must have sustained while contending with the rank misogyny within the Bureau that a woman like Agent Starling would have to overcome. This aspect of the drama could give it some meat, if the series can persuade viewers to get past what "Clarice" isn't, or what it's missing.

The answer to both can be captured in a word that's also a passionately adored TV title: "Hannibal."

You will not hear Dr. Lecter's name uttered in "Clarice," nor will you see him. Welcome the world of rights issues: MGM, which produces "Clarice," only has the rights to characters and storylines created for "The Silence of the Lambs." The DeLaurentiisCompany, which produced Bryan Fuller's "Hannibal" series, owns the rights to the character of Hannibal Lecter.

So although Dr. Lecter wriggled inside of Clarice's psyche and at this point in the story has escaped and is seeking out his next accompaniment to favas beans and a nice chianti, Clarice is haunted more by the image of Bill and the clouds of death's-head hawkmoths infesting her brain.

The closest the three episodes flirt with referencing the famous connoisseur of human organs is when the therapist (Shawn Doyle) assigned to evaluate her fitness to serve impatiently accuses her of deflecting for a full year, "which is understandable, given your last therapist was an inmate in the Baltimore Hospital for the Criminally Insane and, you know, ate his patients."

"You let that relationship be intimate," he says later, asking, "How do you carry that? How do you carry his rage? . . . I'll put it another way. What do you do with all your rage?" Sustained efforts to answer these questions could eventually make"Clarice" interesting. But the three episodes provided for review mainly reveal a losing struggle against the past not merely the character's but that of the franchise.

"Clarice" picks up a year after the events of "Silence of the Lambs," and the writers drop reminders throughout the script that this is indeed a period piece, mainly in the form of Clarice being designated famous by way of 1993-era tabloids.

Because of this she's taken refuge in the FBI's Behavioral Sciences Unit and would have happily remained nestled in its anonymity if not for the intercession of Ruth Martin (Jayne Atkinson), who is now a politically ambitious attorney general.

Martin, the senator whose daughter Catherine (Marnee Carpenter) Clarice saved from that infamous hole in Buffalo Bill's basement, believes the young agent has a fresh perspective on a pair of homicides involving female (naturally) victims found stabbed to death and covered in bite marks. Clarice does develop a theory, just not one that her fellow agents expect or appreciate.

If not for the quotidian feel of "Clarice" the undercurrent of animosity Clarice faces on the violent crimes task force to which she's assigned could have given the audience something to dig into. But even that feels network typical her new boss Paul Krendler (Michael Cudlitz) can't stand that she's intelligent, capable and a young woman who rose in after being plucked from Quantico, while her fellow agents (played by Nick Sandow, Kal Penn and Lucca De Oliveira) begrudge the awe she inspires in the public despite only having worked one case.

Even the therapist behaves more like an enemy than a support, but this may be for any number of reasons . . . sexist resentment? Maybe he wants to eat her. Who can say. But his posturing takes up less mental bandwidth than a viewer's internal struggle to refrain from comparing Breeds to Jodie Foster, or the very everyday "Clarice" to the artistically adventurous, visually intoxicating, seductive and disturbing "Hannibal."

Everything about "Clarice" wrestles between the desire to evoke its direct predecessor and stand apart from it. Breeds cranks out a fine performancethat doesn't feel original to her, and that might not be entirely her fault since she's swimming in the wake of a giant standard bearer for a franchise that's been hit and miss.

The part she's taken up is a hit though, and that means one can't help thinking the Appalachian accent rolling around in her mouth sounds like something between Foster's and Julianne Moore's from the terrible 2001 version of "Hannibal." (Fortunately for "Clarice" (and Special Agent Krendler) that's set sometime down the road. )

A number of the parts that make the whole of "Clarice" feel like this is because this show is designed as a commonplace sequel to an extraordinary film. This only serves to make, say, the gray filter plunging the scenes into shadowlook pancake flat or to rob familiar characters such as Cudlitz's Krendler of possible depth and expansion.

At the same time Devyn Tyler picks up the role of Clarice's Quantico friend Ardelia Mapp (played by Kasi Lemmons in "Silence") and seems to have a good time with it, adding glimmers of levity into the bleakness. Both of these characters and actors could grow into something more than we've seen from them so far, mostly because we don't know much about them.

But we know Clarice, or at least we think we do; so does Breed, whose efforts keep us from writing off "Clarice" entirely. Kurtzman and Lumet also chose to diverge from any serial killer of the week expectations by throwing us off that assumption straightaway, and putting it aside entirely in the second episode to have Agent Starling face off with a cult.

Turning away from past associations would be a fine choice for this character and the continuation of this franchise if it were airing anywhere else. Here it restricts a uniquely charismatic figure by placing her inside of a standard procedural, which is a shame becauseClarice Starling isn't your average agent. In this show, on this network, she might as well be.

"Clarice" premieres Thursday, Feb.11 at 10 p.m. on CBS.

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"Clarice" takes the extraordinary "Silence of the Lambs" agent and makes her network-ordinary - Salon