Archive for the ‘Culture Wars’ Category

Don’t use religion to pit us against each other – St. Albans Messenger

One of the moments that resonated with me during the Vice Presidential debate was when Sen. Harris pointed out that both she and Joe Biden are people of faith. The Vice President's remarks, like comments I hear all of the time as a Democratic politician, suggest that faith, especially Christianity, is somehow incompatible with my politics.

I was raised Catholic, and for the last several years have been a member of a United Methodist congregation that is part of the Reconciling Ministries Network. In my religion we learn to treat others as we want to be treated, to serve others with humility and to take care of our neighbors (even when they don't look like us).

The culture wars, especially the reductive way that our debates about the government's role in reproductive healthcare decisions play out, have obscured the fact that there are people of many faiths serving the public as Democrats and Republicans. I've never thought it was politically advantageous to talk much about my faith, but I sure find a lot of strength, fellowship and wisdom worshipping, singing and taking my daughter to St. Paul's.

I was once asked by a neighbor who is a conservative Christian, surprised to see me playing music with the church band in the park, "How can you be Christian and be a Democrat?" My response was "I don't see how you could be anything else." This election shouldn't be about reducing people, with all of their complexity or the issues, with all of the nuances we should be able to explore, to tight little labels that set "us" against "them".

Rep. Mike McCarthy

St. Albans

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Don't use religion to pit us against each other - St. Albans Messenger

A Modest Proposal to Prevent Sabotage by the Trump Regime – Common Dreams

For complex historical reasons, Federal employees dont get much love.

Republicans already had begun their war on expertise nearly 90 years ago, when they condemned the New Deal for being run by distant bureaucrats. Joseph McCarthy made a career accusing those bureaucrats of being Soviet spies. George Wallace demagogued that they were pointy-headed intellectuals who couldnt park a bicycle straight.

This calumny has reached a peak with Trump. Federal employees are either denizens of the Swamp or agents of the Deep State conspiring with George Soros against Real Murrica. Republicans have now reached the point where they think they can demolish the federal government, fulfilling Grover Norquists dream of making it small enough to drown in the bathtub.

Yet somehow Republican officials also believe their voting base will continue to get their Social Security checks delivered, their Medicare claims processed, and their doublewides promptly repaired by FEMA after theyre knocked off their cinder blocks by a hurricane or tornado. Magically, it seems, the work will get done without anyone to do it.

An honest, dedicated, professional, and apolitical civil service is a necessary adjunct to competent and humane governance. What happens when its rejected is evidenced by the number of COVID deaths in the United States that might have been avoided if not for the Trump regimes sabotage of previous CDC guidance and denigration and the muzzling of government health experts.

History is a reliable guide to this contention. The German civil service of the 1920s, a hangover from Imperial Germany, was generally hostile to Weimar democracy. That's why it happily complied with Hitlers orders to fire Jewish employees and coordinate (gleichschalten) its policies with those of the Nazi Party. Administrators, statisticians, and employees of the state railway cheerfully scheduled the delivery of human cargoes to the death camps. They became willing desk murderers.

The French civil service, riven by culture wars since the Dreyfus Affair, on the whole submitted readily to the demands of the German occupation, rounding up Jews and dissidents. Its avatar might be Maurice Papon, a career police bureaucrat whose opportunistic infamy did not end with the deportation of Jews to their deaths, but extended to torture and massacre during the Algerian War of the fifties and sixties.

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The Danish civil service, by contrast, generally retained its human decency and upheld national solidarity with the citizens it served. A higher percentage of resident Jews survived the war than in any other country the Germans occupied, partly because the civil service, in collaboration with the Danish people, helped them escape to Sweden.

We can count on a near-certainty that Trump will attempt, both before and after the election, to maintain a death-grip on power by foul means. It may come as an effort to use federal law enforcement to interfere with election preparations, balloting, and vote-counting. We have seen indications of this already.

If a loss at the polls is plainly evident, he may try to sabotage the machinery of federal agencies, destroy or alter documents to hide evidence of criminality, or retaliate against persons in or out of government. He may even use compliant armed agencies like ICE (which lately seems to believe it works for Trump, rather than the country), or mercenary groups such as those run by Erik Prince to launch an insurrection as prelude to a declaration of martial law.

Accordingly, Joe Biden must make a major speech directly addressed to all federal employees, including the military and those employed by U.S. corporations like the Postal Service. It must make these points:

Therefore, Biden must there make the following clear in no uncertain terms: We know exactly what you in the Trump regime are capable of; we will not be caught by surprise or react timidly. Those who keep true faith with the Constitution and the laws of the United States have nothing to fear; those who abuse their authority will receive swift and certain removal, punishment, and disgrace.

And that includes you, Donald Trump. President Ford may have had other ideas about the criminal acts of his predecessor. I assure the American people my administration will uphold the words engraved on the Supreme Court building: equal justice under law.

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A Modest Proposal to Prevent Sabotage by the Trump Regime - Common Dreams

With Right-Wing Extremism on the Rise, the Albertinum Museum Has Become an Epicenter of Germanys New Culture Wars – artnet News

On a recent visit to the Albertinum museum in Dresden, the guestbook was flipped open to an entry that read: You have three rooms dedicated to Gerhard Richter Take some more works out of the depot!!

Such emphatic demands from the public are common occurrences here. In the six years since its newest director, Hilke Wagner, arrived, the guestbook has been filled with weekly criticism (and occasional praise), while the museum fields further feedback via phone calls, emails, and in community meetings.

Richterwho has a dubious reputation in his birth city both for defecting to West Germany from what was then a part of the German Democratic Republic, as well as for his abstract paintings, a frequently snubbed art form in the former Eastis one recurring subject.But the public has an even longer list of grievances about what should and shouldnt be on view.

The museums criticshave also been casting doubt on whether Wagner, who is a West German,has been programming East German art appropriately, or whether she is suited for her role at all. Among the museums more vocal challengers is the far-right Alternative for Deutschland party (AfD), which has honed in on culture as a key battleground in the former Eastern states, a region that is seeing a resurgence of far-right extremism. In Dresden last November, the city declared a Nazi emergencyand the Albertinum has become a cultural flashpoint.

Performance zu Ehren von Erika Hoffmann und ihrer Sammlung am 31.08., 01.09. und 02.09.2018 in Albertinum und Kupferstichkabinett von Staatliche Kunstsammlungen Dresden. Photo: Oliver Killig.

The museum serves in many ways as Dresdens memory bank, reminding residents of the citys complicated and painful history.The East German riverside city was once a glimmering pre-war cultural capital, and in many ways it still is: Its state collections boast a formidable holding of art, ranging from antiquity to modern and contemporary masterpieces. Once a former treasure trove of Saxonian kings, it fell under Nazi party control in the mid 1930s, before being badly damaged during World War II, alongside the entirety of Dresden, a pain that still resonates with many who live there.

Much of the collection was recovered in the postwar years, and the museum was a vital player in establishing and presenting East German artistic canonswith the Albertinum fashioning itself as a documenta of the East, as Wagner puts it, throughout the 1960s to 1990s. Today, Wagner and her team are trying to forge a way forward while keeping those aspects of its past alive. This includes presenting a more pluralistic view of East German art history than some traditionalists might like.

General Secretary of the Socialist Unity Party of Germany, Erich Honecker, with civil rights activist Angela Davis in East Berlin in 1973. The Albertinum will open a show focused on the legacy of Angela Davis in East Germany on October 10 called 1 Million Roses for Angela Davis. Photo by Giehr/picture alliance via Getty Images.

This week, the museum opens a major group show, on October 10, which explores the political and symbolic power of the Black Power activist and philosopher Angela Davis, who was a hero in East Germany and embraced by the Communist nation. The show, 1 Million Roses for Angela Davis, seeks to revise what Davis represents to both East German and German identity on the whole.

We do notwant to completely shock people or drive them away, says the shows curator, Kathleen Reinhardt, but rather take something that is here and that people hold dear, and then look at it more closely, contextualize it, and then unfold it in a different way. Reinhardt, who is from the former East, is working with archival material as as well as commissions and works by contemporary artists including Arthur Jafa, Slavs and Tatars, and Senga Nengudi that address themes in Daviss work.

The Albertinum frequently pairs its permanent collection with contemporary works: A bright painting by Kehinde Wiley stands out in a hall of stately pre-modern portraits. Elsewhere, Paris-based Kapwani Kiwangas draped fabric sculptures draw on the pastel palettes in German painter Max Slevogts exoticized 1914 portraits of his travels in British-occupied Egypt.

Another recent exhibition, The Medea Insurrection. Radical Women Artists Behind the Iron Curtain, which closed in 2019, spotlighted work by female artists that went beyond the bounds of state-supported art in the Eastern Bloc at the time, including figures like Geta Brtescu, Magdalena Abakanowicz, and others who did not fit neatly into the canon of Soviet-era art, which officially championed figurative realism.

Arriving here in Dresden, I had been fascinated by the variety of East German art that was still to be discovered, Wagner said, referencing performance, film, or abstract works that were not championed during the German Democratic Republic (GDR). But this, I learned, was not the kind of GDR art people wanted to see.

Kapwani Kiwanga Oriental Studies (2019) on view at the Albertinum around 1914 paintings by Max Slevogt. Courtesy the Albertinum.

Soon after Wagner joined the museum, in 2014, she began receiving threats and hate mail in increasingly strong wording. People had the feeling that I, as a Western German, was attempting to explain to them what good East German art wasthey felt that was an arrogant gesture, she says.That same year, outside the museum walls, the anti-immigration group Pegida began their weekly anti-immigrant, anti-refugee demonstrations near the museum.

Not long after, the AfD became more vocal in its criticism of the museums new program.In 2017, the political party submitted an official request for the museum to count the number of East German works of art it had on view. (The museum complied with the ensuing government mandate and found that, in fact, there was actually more East German artworksthree times morethan the party had thought.)

People who are fighting for Eastern German art are not always right-wing thinkersit is merely a strategy that the AfD is using to get to the East German people, Wagner says.

To try to work through some of the publics concerns, the museum held a community forum in 2018 and 2019 titledWe Need to Talk.The series was intense and heated.

Panel discussion on how to handle East German art in the museum, a part of the talk series We Need to Talk. Courtesy Albertinum.

First, the Western Germans stormed out shouting, and then the Eastern Germans stormed out and smashed the door behind them, Wagner recalls. But, on the whole, she found the project constructive. We didnt necessarily reach a point of agreement, but we cleared up misconceptions, she says. We learned a lot from each other.

The public feedback made clear that anarrative of suffering is often what qualifies art as East German, Reinhardt saysworks that seem to say that people suffered under socialism. They did not want the museum to challenge any simplistic victim narrative with additional nuance and context, Wagner adds.

So the museum strove to find novel solutions: When the public asked for paintings that showed the Dresden bombings, it complied, but paired them with anti-war works by Maria Lassnig and Marlene Dumas.

Supporters of the anti-Islam PEGIDA movement (Patriotic Europeans against the Islamisation of the Occident) demonstrating in front of the Albertinum museum in Dresden during a visit by Angela Merkel. Photo: Sebastian Kahnert/dpa/AFP/Germany OUT.

Most former East German citizens will recall the state-sponsored Free Angela Davis postcards, petitions, and marches, which demanded the activists freedom after she was jailed in New York in 1972 on terrorism charges. Shortly after her release, Davis visited East Germany, where she was received as a revolutionary hero, greeted by 50,000 cheering citizens.

The show 1 Million Roses for Angela Davis,which will open at the Albertinums Kunsthalle im Lipsiusbau, examines the unlikely role that the leftist cultural icon plays in todays divided Germany. It considers the principles she stood for and their push and pull against East German identity today. Even as Dresden has emerged as a cradle for the resurgent far-right, Davis has remained an admired figure.

People here on the extreme right would not dare to attack Davis, because she is a hero, so a really strange and highly complex situation occurs in terms of the mechanisms of appropriation and racism, says Reinhardt, who is curating the show. Alongside the exhibition, which draws a line between the rise of socialism after the war to the Black Lives Matter movement in 2020, the museum will also host workshops and events focused on racism.

Socialist Unity Party of Germany first secretary Erich Honecker shakes hands with civil rights activist Angela Davis in 1972 in East Berlin. Photo: German Federal Archive (Deutsches Bundesarchiv).

The exhibition, which includes archival material from the Davis campaign in East Germany as well as new commissions by contemporary international artists, aimsto destabilize a history of socialist glory, Reinhardt says.

The Other was only welcomed as external, special, foreign, as a guest in this uncritical white imaginary that shapedand still shapesEast Germany, and maybe German identity as a whole, says Reinhardt.

These themes dovetail with other initiatives at the museum, including an ongoing effort to diversify the works in its collection. Despite the museums well-established prestige and curatorial might, Wagner has been struggling to find affordable East German art, a category that is rapidly increasing in price.

Exhibition view of 1 Million Roses for Angela Davis. Courtesy the Albertinum.

Its terrible becauselarge international institutions are now acquiring East German art, and we are out of the race, Wagner says. We are not talking about a single Expressionist work of art that is worth millions. With $300,000 or $400,000, we could acquire quite a lot of works that would diversify the collection.

But foundations, at least for the time being, do not seem particularly interested in taking up the cause and aiding the museums collecting efforts. We have to preservefor the next generations a more multi-perspective view of the arts from the former country, Wagner says, referring to the GDR. As of now, the collectionhas a large concentration of official art from the period, but that excludes many female or dissident artists.

Despite the challenges Wagner faces, she says shes encouraged about the direction of the museum and the potential for learning within its walls.

For East Germans, art was always something really existential, she says. It still reverberates today. Here in Dresden, you can really reach all kinds of social communities, attitudes, and generations with art, she adds. This is a really big chance for us.

1 Million Roses for Angela Davis is on view from October 10, 2020 until January 24. 2021.

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With Right-Wing Extremism on the Rise, the Albertinum Museum Has Become an Epicenter of Germanys New Culture Wars - artnet News

The American ‘way of life’ is unsustainable for so many. Is it time to build radical forms of community? – America Magazine

I spent the early months of the coronavirus pandemic feeling desperately claustrophobic. Quarantined in a one-bedroom apartment in New York, I would sometimes imagine my fire escape was a creaky porch in the woods somewhere as I sat outside in the early evenings, listening to my neighbors cheer and bang pots for the essential workers carrying the city on their backs. Life felt stuck: no way to plan, nowhere to go, nothing to build toward. The calendar had been emptied of weddings and dinners and reunions; the comforting rhythms of weeks and seasons disappeared. I found myself alternately plotting wild adventures and pining for a quiet, communal life.

A professor of mine used to call this kind of musing Jesuit daydreaming, his description of the rich Ignatian tradition of spiritual discernment. I should pay attention to daydreams, he said, because they can be more revealing than I might first assume. In this case, I think he is right: My pandemic mind loop was tracing the problem I have come to see as one of the great dilemmas of modern life.

In my work as a religion journalist, I often offer a mental image to explain the importance of the beat to secular colleagues and readers. While not everyone describes themselves as having faith or even feeling spiritual, everyone has those searching moments in the middle of the night, covers pulled up high as they are lying in bed wondering how to have a good life. More often than not, peoples descriptions of what a good life looks like depend on a single factor: the strength of the community around them. As a reporter, it is my job to follow along as individuals and communities try to figure out who they want to be and how they want to live.

Over the past eight months, however, the path toward a good life has become obscured for many Americans. As I sat inside my apartment daydreaming about the future, dozens of people on my street were getting sick, losing family members or navigating the anxiety of being immunocompromised during a public-health crisis. Many Americans, especially in New York, have spent their last eight months mostly alone, and mostly at home, sometimes unable even to wave hello to loved ones from a distance.

The unemployment rate in New York City this summer reached 20 percent; many beloved businesses will likely never come back after the shutdown. The basic ingredients of a good lifedecent health, the warmth of family and friends, economic stabilityare now out of reach for far more people in our country than at the start of 2020.

But the pandemic has also revealed the extent to which a good life felt elusive for countless Americans far before any of us had heard of Covid-19. This is not just a matter of money or resources. In my reporting, I constantly find evidence that Americans feel isolated and unmoored from their communities, unsure of their place in the world.

I am thinking of a Black Southern Baptisttrained pastor who could not stomach taking his kids to church within his denomination anymore because of his fellow church members reluctance to talk about racism. A longtime staffer at a major American archdiocese who feels daily rage at the Catholic Churchs inability to address the clergy sexual-abuse crisis. A young woman fired from her job at a conservative Christian advocacy organization because she spoke out against President Trump. A Catholic professor who bitterly wishes the Democratic Party had room for his pro-life views. These are all examples from the world of religion and politics, but they speak to a deep and expansive truth: In many parts of American life, people feel the institutions that were supposed to guide their lives have failed, and that there is no space for people like them.

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The result is a widespread sense of mutual mistrust. Last year, the Pew Research Center found that fewer than one in five Americans say they can trust the government. Nearly two-thirds of Americans have a hard time telling the truth from lies when elected officials speak, and even more believe the government unnecessarily withholds important information from the public.

I have encountered plenty of mistrust in the course of reporting stories. People believe they know my politics, suspect me of bias and assume I will be hostile to religion because of where I work. Religious leaders may be the most distrusted group of all. As one influential Catholic businessman in Boston told me a couple of years ago, following the sexual-abuse scandal, I go to Mass about three or four days a week. Im not into Vatican politics. Im not into Vatican museums. Im not into people who wear red slippers and fancy robes. I bought into this as a kid, because of the life of Christ. So Im in. But Im not drinking any Kool-Aid.

This year I have been reporting on the way political and spiritual alienation plays out in northeastern Pennsylvania, a historically Catholic area important in national politics. The mayor of Scranton pointed out to me that people in the city and region were devastated by the 2018 grand jury report that detailed dozens of instances of child sexual abuse in their diocese. Taken together with the Penn State sexual-abuse scandal and widespread corruption among public officials in the area, she said, local residents had effectively lost their government, their football team and their church. Versions of this story are playing out across the country, leaving Americans feeling unsure of who they are and who they can trust.

And we certainly do not trust one another. Our lives as Americans are increasingly sorted by partisan identity, in ways that are frankly shocking. Researchers have found that Republicans and Democrats drive different kinds of cars, watch different television shows and listen to different music. We tend to live next to neighbors who share our political beliefs and often pick our friends and communities based on shared convictions.

Surveys show that a significant minority of Americans basically never encounter people with different worldviews from their own and would be unhappy if their son or daughter were to marry someone from the opposite political party. This sense of tribalism is exacerbated by political officials who intentionally sow division, seeing chaos and animosity as a political strength rather than a collective weakness. As President Trump said on the grounds of the White House during this years Republican National Convention, apparently referring to Democrats, liberals or just people who do not support him: Were here, and theyre not.

I am offering this litany not as general doomsaying, but to paint a backdrop showing why it is that some Americans might feel unsure of how to build a good life at this distinctive moment in our history. In pandemic times, we spend our days literally isolating from one another, shut away and alone. In spirit and identity, however, Americans were already isolated, feeling sold out by their leaders and dissatisfied with the implicit contract of American life.

My Jesuit professors did not just teach me to daydream. They hammered home how important it is to be a man or woman for others, that this is the point of education and a simple guideline for how to live out our lives. In my travels through American communities, the most joyful and peaceful people I have met are doing just that. Their lives are entwined with the lives of others, and they happily embrace their obligations to their community. But as a broader culture, I think we have lost our knack for building this kind of civic utopia. It is hard to be a man or woman for others in a culture that is dominated by us versus them.

As a journalist, I see it as my job to be a kind of guide, or perhaps a mapmaker. I plot landmark moments and trace the direction of currents, showing readers places and people they would otherwise never encounter. I think the widespread sense of mutual suspicion and total isolation in our country is the most urgent, big-picture story of religion and politics right now. In my reporting, I see two major kinds of reactions to this kind of cultural frustration. One is an attempt to repair America. And the other is an attempt to build something new.

Much of what I cover in the world of religion and politics falls into the realm of the culture wars: efforts to win over our culture and shape our politics with a specific vision of the good life. I routinely interview political organizers, writers, legal advocates and politically active clergy persons from the left and the right who describe an existential battle for the soul of America, to borrow a phrase from former Vice President Joe Biden.

When I speak to pro-life activists who have dedicated their lives to ending abortion, they describe this years presidential election, and the Supreme Court appointments associated with it, as generation-defining events. They speak of abortion as being evil and are horrified by the rhetoric and convictions of their opponents.

Or take the progressive Black pastors who have staged protests at state capitols across the South over lack of access to health care and cuts to social safety-net programs, calling these life-or-death policy decisions that define who we are as a nation. One such set of protests, led by the Rev. William Barber in North Carolina, was explicitly framed as a fight over morality in public life. In the view of these activists, there is no morally or biblically sound argument for government policies that leave poor and working-class Americans struggling to make it.

Perhaps most powerfully, the massive protests we have seen unfolding across America this year are a cry to change the status quo of racism and police violence toward Black people in this country. I have watched as religious group after religious group contends with its own history of racism and bigotry, at times participating in those marches for cultural change. I met an octogenarian sister of the Immaculate Heart of Mary in Scranton who described the backlash to a giant Black Lives Matter poster erected on the campus of Marywood University, the college her congregation oversees. In her mind, there is no question that the sisters should be joining this kind of movement for racial equality.

These struggles over what it means to be Americanour greatest sins, the lives we value, our political idealsare critically important. To many, these fights are a matter of survival. They may be exhausting. And for good reasons, they may exacerbate Americans sense that there are people on their side, championing the right values, and people on the other side, pushing for a country they do not recognize or believe in. These fights are necessary.

And yet, I cannot seem to get rid of my sneaking suspicion that these abstract debates over who we are as a nation of 330 million people do not actually get us very far in our search for the good life. So much of Americas cultural attentionon social media, in the news, in pop cultureis directed toward life at a grand, almost unfathomable scale. I am personally responsible for helping create this sense that life only matters at the national level, and so are my colleagues at large in the media. We report on trends sweeping the nation, on the latest drama surrounding the president, on the hashtags trending on Facebook and Twitter. Two things are true at once. These national political debates matter. And they may actively make it harder to be a human with a sense of fellowship, personal direction and a meaningful life.

That is why I have been following a sort of countercultural movement that seems to be blossoming now in America. People are seeking to build vibrant alternatives to the mainstream, versions of the good life that are idealistic, intense and built around the mutual dependence only possible in small communities. The people I am interested in have often gone through some sort of personal awakeningperhaps they discovered faith or became dissatisfied with the 9-to-5 monotony of workaday life. They are religious converts, hard-core environmentalists, skeptics of consumer capitalism. And they are willing to radically alter the way they live in search of the good life.

There are small networks of Black schools, community gardens and food-distribution centers that fashion themselves after the work of Marcus Garvey, the 19th-century thinker and activist who argued that freedom for Black people can only be won through self-reliance and independence from existing, white-dominated institutions. Or, to consider something radically different, there is St. Marys, Kan., a little Catholic town almost exactly in the middle of the country, where parishioners of the Society of St. Pius X (a priestly order that is considered canonically irregular by the Vatican) have built a community where they can worship, play, work and teach their children surrounded by people who share their theological convictions. The priests celebrate Mass in Latin, the families have tons of babies, and the life cycle of the town runs on a Catholic liturgical calendar.

Vibrant, largely young communities like St. Marys, whose members see themselves as stewards of true faith and tradition against the secularization and liberalization of American society, have been the subject of much discussion in elite, conservative circles. An unexpected theater hit in 2019, Heroes of the Fourth Turning, centered on a fictional Catholic college in Wyoming whose students and faculty had created a mini utopia of conservative values. Notably, Rod Dreher chronicled these kinds of communities in his 2017 book The Benedict Option, in which he called on Christians to gird themselves for a long period of cultural marginalization. Mr. Dreher imagines and observes people building their own schools, developing rich prayer practices and, above all, insulating themselves from the toxic influences of secular American culture. Much of his book focuses on the expansion of L.G.B.T. rights and acceptance in America, purporting to show why conservatives should anticipate cultural rejection in the years to come. In Mr. Drehers telling, at least, one motivation for opting out is fear. He is convinced that mainstream America no longer celebrates, or perhaps even tolerates, people who share his beliefs.

But I think this focus on conservative retrenchment misses the richness of this countercultural moment. American life is not possible, or does not work, for so many peopleit is either unattainable, unaffordable or uninspiring. The choice to live differently does not have to be motivated by terror or anxiety. It can also be driven by a search for broader horizons.

American history is littered with examples of utopian projects, built out of religious zeal or an idealistic vision for the common good. Members of the mid-19th century Oneida community in upstate New York believed Jesus had already returned and that sinless perfection was possible in present-day times. A little closer to the mainstream, Dorothy Day and Peter Maurin founded Catholic Worker houses out of a desire to model Catholic social teachings: living in community, forfeiting personal wealth, offering hospitality to the poor. People in these communities believed that to live well, you have to give up nearly everything: your privacy, your claim to personal property, your assumptions about the structure of life. They had a vision for what was true and righteous, and they were willing to radically transform their lives to obtain it.

Perhaps, if people were left alone to build their little ideal communities, there would be less fodder for the culture wars. No side would need to defeat the other in a battle for the soul of America. We could each define the soul of America as we wish. And yet, the challenge is in doing this without losing a kind of civic vocabulary, an ability to empathically imagine the life and perspective of our neighbors. No matter how much we may fantasize about a world perfectly crafted to reflect our beliefs, surrounded by people who share our taste and convictions, the truth is that America works only if starkly different people are willing to vote in the same precincts, to respect each others rights and traditions, and to remain civil at city council meetings. We are caught between the demands of nationhood that lock us into dangerous cycles of conflict and the search for a small, good life that may tempt us to neglect our duties to engage as citizens.

We are living through a period of crisis in American life, in which it is no longer obvious that Americans share a sense of stewardship over our democracy. Our disunity is evident in the biggest news stories of the day. Crowds of protesters faced off against police night after night in cities listed off like war zones on the front page: Portland, Kenosha, Minneapolis. Culture-war fights bloom over the smallest impositions on our daily lives, like wearing a mask to diminish the spread of Covid-19. And our collective anger over politics has spiked dangerously. While polling is a rough and unrefined tool for understanding how Americans are feeling and thinking, the numbers are stark. A New York Times survey from early this summer found that voters are mostly feeling scared, anxious and exhausted about the state of affairs in our country. A CNN poll in August found that nearly 80 percent of Americans say they are angry about how things are going in this country, including more than half who say they are very angry. Previous CNN surveys asking the same question never found levels of American anger anywhere near this high.

It will be months, years even, before we fully understand the way American communal life has been affected by Covid-19. No in-person gatherings for months on end. Donations drying up as families struggle with unemployment or salary cuts in this economic drought. People moving away from cities in an attempt to find more affordable housing or to care for sick parents or siblings.

The biggest megachurches and richest organizations will be fine. It is the fledgling communities that will founder: the small churches with bi-vocational pastors, the vibrant grassroots groups that do not own a building or have much by way of savings, the communities of women religious whose numbers have literally been cut in half because of Covid-19 deaths. Zoom is no replacement for praying together in person, hands joined as voices rise together in hymns. New babies deserve to be feted with communal meal trains and passed from person to person in the back of a social hall. Mourning demands long hours of sitting together in quiet, a parade of neighbors showing up with aluminum trays of rosewater sweets. This quotidian form of togetherness is not to be taken for granted. It is one more painful thing to lose in our pandemic times.

This year will be remembered for many thingsCovid-19, mass protests, the presidential election. But the theme lingering behind it all will be communal breaking, the further fracturing of an already isolated and angry nation. Community seems like a long-lost indulgence. Any kind of collective gathering feels like a precious treat that might be taken away at any moment. Pain, struggle and anxiety are the language of this year. When I ask my neighbors how they are doing, they mostly say, Hanging in there. It is a strange time to be thinking about radical new forms of community, to be questioning our assumptions about how we need to live in order to live well. But maybe that is a small gift in an otherwise lost year. Perhaps pandemic times will give us the freedom to question everything, and to commence new experiments in living.

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The American 'way of life' is unsustainable for so many. Is it time to build radical forms of community? - America Magazine

The federal budget reveals an ideology that is set to kill any recovery just as it is getting started | Greg Jericho – The Guardian

As expected the budget was political and ideological and full of spin, but what its forecasts highlight is how it is also rather ineffective.

Budgets are incredibly detailed and packed with small statements and information that can either be minor and unimportant or massive in scale and import and yet just as easy to miss.

I spent most of my time on Tuesday looking at the tax cuts and economic predictions and by the time I looked up I had little sense of anything else that had occurred.

It means I missed aspects such as despite the arts agencies receiving a Covid payment the portfolio budget statements show that the National Gallery is getting a 12% funding cut, the National Museum 9%, and the Australian National Audit Office which investigated the sports rorts a 12% cut.

(The War Memorial meanwhile is getting an extra $16m and will increase staff by 12 gotta love culture wars.)

More ideology was present by absence the absence of an extension of the jobseeker bonus payments, or any mention of climate change other than in a footnote relating to diplomacy.

The budget papers are of course utterly riddled with spin.

For example 2017-18 was used as the base year for tax cuts which meant all figures included last years cuts. But nowhere was any table showing next years situation when the $1,080 low and middle income tax offset is removed.

Next year workers on between $45,000 and $90,000 will actually be getting a $1,080 tax rise. Enjoy!

For all the hope of a 'V shaped' recovery, by mid 2022, we will still be in a worse position than we were during the GFC

The budget also contained multiple assumptions which even the Treasury department seemed embarrassed to make.

For example it notes that while a vaccine is assumed to be available from the end of 2021, it will take some time for complete global coverage. It will also take some time for the damage to household and business balance sheets and labour markets to be repaired.

The very next sentence is there is substantial uncertainty around the path to recovery.

Aint that the truth.

The government also assumes that 2021-22 will see a big boom off the back of massive consumer spending and the housing construction.

This boom and low population growth means the budget predicts that GDP per capita will grow faster in 2021-22 than it has since the 1960s.

In 2023-24 company tax revenue apparently will jump from $67.2bn to $92.5bn making it responsible for 57% of that years total tax revenue increase. Not bad for a tax that only accounts for around 20% of all tax gathered.

But it looks nice on the page and is set to occur after the next election so lets not pretend there is any need to be realistic.

The budget also reveals just how committed the government remains to the idea that the private sector will save us.

Yes, they will spend a mass of money this year and the next, but it is not really to stimulate the economy.

Despite spending much more than occurred during the GFC, public sector demand is expected to grow by much less than it did then.

The government is spending money but its lack of real growth in investment (on, say, social housing or renewable energy) means it is not really delivering as much bang for its buck as occurred during the GFC.

In 2021-22 the budget predicts public sector demand will grow just 2.5% the lowest since 2014-15, while somewhat laughably it assumes the private sector will grow by 7% faster than occurred even during the mining boom or the 1990s recovery.

And yet all this recovery is not for much.

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Just one sentence in the budget papers reveals how slow the recovery really will be.

It states the employment to population ratio is expected to remain around 1 percentage points below its March 2020 level in the June quarter 2022

To give that some context, the GFC saw the employment to population ratio fall 1.35% points.

For all the hope of a V shaped recovery, by mid 2022, we will still be in a worse position than we were during the GFC.

And yet at that point the government will be massively reducing government spending and relying on the private sector as though things are going well!

This is not a budget that reveals a government which has changed its spots. Rather it is one that reveals its ideology is set to kill any recovery just as it is getting started.

Link:
The federal budget reveals an ideology that is set to kill any recovery just as it is getting started | Greg Jericho - The Guardian