Archive for the ‘Culture Wars’ Category

Conservatives shouldn’t back off of the ‘culture wars’ – MyNorthwest.com

Sen. Bernie Sanders. (AP)

I understand that people want to keep their jobs and want to keep their friends. But I want to talk about Conservatives backing off from the culture wars.

The left is trying to create a majority victim status. When the majority of people are victims of straight, white men, what happens in society? Everyone is aligned behind victimhood and the left builds a political majority around an inaccurate grievance.

The left never compromises on these issues. Intersectionalism means you need to be behind and support the left and all their agendas.

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Conservatives need to speak up and take action with the culture wars or these things are only going to progress and become more common. If you want to see more of people like Bernie Sanders continuing to make demands against Christianity, continue to hide your beliefs.

If we dont speak up, were going to see an erosion of our own rights and its not just limited to the social issues. Every time we back off on the social issues, because of intersectionality, were empowering the left on collectivism, on higher taxes, on government health care; because all their ideas are locked together.

As always, please listen to the full audio clip for complete context.

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Conservatives shouldn't back off of the 'culture wars' - MyNorthwest.com

Forget culture wars, the election was about power, cash and opportunity – The Guardian

Protester wearing a caricature head of Theresa May, London, the day after the general election. Photograph: ImagesLive vi/REX/Shutterstock

Bliss was it in that dawn to be alive, wrote Wordsworth, but to be young was very heaven! OK, maybe thats going a little too far, especially if you didnt get a wink of sleep on Thursday night. But still. If you were aged 18-24 and you voted, then you probably felt pretty pleased with yourself on Friday morning. Younger voters, it seems, were the key to Jeremy Corbyn feeling like he has won when he has lost. Cue talk of the personality cult surrounding Labours sainted leader, of social media memes shared by tech-savvy digital natives and the revenge of young remainers angry that their future had been stolen from them while they werent looking (and in many cases, if theyre honest, not voting) in the EU referendum last summer.

But maybe something more fundamental more Marxist even is going on. Perhaps the apparent novelty of all the above risks distracting us from a rather more material explanation for what happened on Thursday and therefore for how politics will play out from now on.

Maybe we have grown so used to asserting that politics these days is all about culture rather than cash, about open v closed rather than state v market, that weve underestimated just how much the economy will continue to play a role, particularly when its largesse (or otherwise) is so unevenly distributed between classes and demographics. Weve seen the evidence for that inequality of opportunity, of earning power and of ownership some of us with our own eyes, some of us in the pages of this very newspaper. But this election, especially after seven years of austerity falling disproportionately on the young and the just about managing, may turn out to be a tipping point, something that takes us back to the future.

In the wake of the global financial crisis, much ink was spilled in trying to explain why the right rather than the left seemed to benefit electorally when careless capitalism was so clearly to blame. Certainly, one factor was the reputation of the former (more rhetorical than real, it has to be said) for balancing the books.

Keynes may have been correct to argue that the worst thing to do in the teeth of slowdown is to stop borrowing and spending. But convincing most of us that the nations economy is not the same as our households is a famously hard sell, hence the infuriatingly persuasive power of the repeated accusation that Labour had maxed out the nations credit card. But that was a long time ago, an emergency, whether imagined or real, that had to be dealt with, not an agreement on the part of voters to year after year of manifest underfunding of core public services.

Some on the right were clearly hoping that, after a while, this would become the new normal, accepted as an inevitable part of our daily lives, helping to keep taxes low and encouraging more and more of us to opt out into the private sector. But it turns out that, in Britain, at least, our sense of what the state can and should provide still runs pretty deep. As a result, just as has happened towards the end of every other period of Conservative government since the Second World War, a counter-reaction has begun to set in that anyone wanting to understand politics going forward has to understand. What is initially swallowed as good housekeeping eventually comes to seem like an ideological attempt to arrest the growth of the welfare state or even to shrink it, producing healthcare and education systems that increasingly, manifestly and tangibly fail to meet rising demand and expectations.

Previously, this pattern played out over a longer period of time: 13 years between 1951 and 1964; 18 between 1979 and 1997. But the current correction has kicked in after just seven. First, because of the speed and scale of the retrenchment attempted by the Conservatives after 2010. Second, because that retrenchment has been going on (in marked contrast to the 1950s and 1980s) while growth, particularly real wage growth, has been anaemic to non-existent. And, third, especially (but not exclusively) for younger people, housing has become less and less affordable, employment less and less secure and personal debt an ever-growing, sometimes gnawing worry.

But there is one more, essentially political, reason for the process being short-circuited this time around. Its not just because Theresa May chose to call the election three years earlier than she needed to. Its that her predecessor, David Cameron, came to power posing as a new kind of Conservative, creating expectations by no means all of which he had any genuine commitment to fulfilling. For well-heeled, well-educated voters, those expectations revolved mainly around promises of a more social-liberal, cosmopolitan stance that would consolidate, even extend, the achievements of the Blair era on gay rights, gender and ethnic equality, justice, civil liberties and Europe.

With the signal exception of the last, as well as on immigration, those promises were basically met. But then along came Theresa May and the detoxification process looked as if it were not only stalling but being thrown into reverse.

Far more important, but far more frequently forgotten, were the expectations that Camerons Conservatism was all about embracing rather than rejecting the idea of the fabled centre ground, a claim neatly symbolised by his first setpiece party conference speech as Tory leader. Tony Blair, he cried, once explained his priority in three words: education, education, education. I can do it in three letters NHS.

Allowing those words to ring more and more hollow, bleating about ringfencing and record amounts of money while peoples lived experience of increased waiting times and the rest told them something very different was going on, was something the Conservatives should never have allowed to happen. But they did, slipping back into presenting the essential choice in British politics as, to quote Maurice Saatchi, efficient but cruel Tories v caring but incompetent Labour.

That depressingly reductive war cry worked in 2015 but only just. Which was why many genuinely centrist Conservatives, even those who rather regretted Camerons self-imposed passing last year, fooled themselves into thinking that a couple of speeches, one in Birmingham and one on the steps of Downing Street, meant Theresa May (she was the future once!) was going to be canny enough to press the reset button.

Brexit might mean Brexit, they reasoned, control might be brought back but so, too, would the message that the Conservatives genuinely believed in high-quality, well-funded public services. But a mixture of ideology and complacency bolstered by the belief that Corbyn would be even easier to beat than Miliband, that banging on about Europe and immigration would win back Ukip voters, and that the Lib Dems were all but dead seems to have put paid to the emergence of a genuinely post-Thatcherite Conservative party.

This suits Labour as its currently configured. Denouncing the same old Tories is the political equivalent of painting by numbers on Britains left. It neither requires nor generates any new thinking, especially when the weakness of other progressive parties the Lib Dems, the Greens and, to a lesser extent, the SNP gives Labour a virtual monopoly on outrage.

Meanwhile, its laudable, but hardly revolutionary, desire to show that it stands for the many not the few encourages Labour to adopt something-for-everyone policies focused on fairness rather than developing the kind of productive, high-skill social market economy likely to generate the wealth and security, and to pay for the public services, which most voters understandably crave.

All this means that we are confronted with the prospect of Britains two biggest parties being incapable of securing a parliamentary majority even for the second-best solutions they stand for. This might not be so bad if the electoral system and political geography that helps produce that situation did not also mean that the parties on their flanks lack the mainstream views and/or the Westminster seats to resolve it in a manner consonant with the peaceful coexistence in Northern Ireland and the have-our-cake-and-eat-it Brexit that the majority of voters seem to want.

Politics now and in the future will revolve around interests as well as around identity, but it is badly blocked. After Corbyns victory of sorts and Mays equally equivocal defeat, talk of a new centre party has melted like snow in spring. That could be a pity: it might still turn out to be just what Britain needs to clear that blockage.

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Forget culture wars, the election was about power, cash and opportunity - The Guardian

Culture Wars: Fox News Blogger Places Upstate NY School District … – WAMC

One the area's largest school districts in Clifton Park has been making national headlines in the culture wars.

In late May, a Shenendehowa student's art project themed "The Expressive Faces of the President," depicting President Donald Trump, was taken down after profanities appeared on the piece and a Fox News blogger received photographs of the exhibit. The student-artist who created the piece had left markers along with a sign inviting others to add to it, the intent being that the graffiti would augment the artwork. When principal Don Flynt showed up for a scheduled student art show he saw the graffiti and ordered the exhibit taken down, telling Spectrum News: "I was immediately offended by it and took it down, confiscated it."

But some photographs and comments found their way online. Shenendehowa public information officer Kelly DeFeciani says social media kept the story alive, and come Monday Shen was on Fox News. "National media, I think they have people out there looking for things like that, because it is a shocking picture. But what the story doesn't tell is that it was put up there as a piece of art, just the pictures, kids wrote graffiti on it, the principal saw it and took it down immediately that part of the story doesn't get told on social media."

Fox News blogger Todd Starnes, whose Facebook page claimed he was "online" and "typically replies within minutes" to messages, did not answer one from WAMC. Flynt hadn't had much luck reaching Starnes either: "I am concerned that Fox News did not speak to me, even though I reached out to the person who wrote the article."

Some Shen parents reacted angrily to the national story. "We're getting all kinds of hate mail and just nasty things said from all over the country, and they're commenting on profanity that students did with profanity we need everybody to be good role models for our students."

Also in May, two rooms at Shen were appropriated so Muslim students could pray during Ramadan to fulfill religious obligations during school hours. DeFeciani says don't call them "prayer rooms." "The reason why it's two is that we have two school buildings. We have a 9th grade building and a 10-12 building. So it's just a place that kids can go for privacy if they have religious obligations that they need to do during the school day. The fact that it's being called a prayer room is just not accurate. There's nothing in there that's religious, it's not using a classroom space, none of that. It's simply just a place for privacy, and the reason that it came about for Ramadan is because they need to pray every day at a certain time, they have to be on their knees in a certain direction. I mean there's a whole religious obligation, it's not just prayer. They can't do it in the classroom. You know they talk about the separation of church and state, but we've always had to accommodate students' right to prayer, we have kids that pray at our flagpole every morning in a prayer group."

Shenendehowa, in southern Saratoga County, is attended by nearly 10,000 students. Being that large, observers say, will result in headlines from time to time.

In December 2014, the Shenendehowa school board approved a measure 4-2 to allow students on a case-by-case basis to use the bathroom and locker room facilities that reflect the gender they identify with.

In October 2015, a student there started a petition after he claimed school officials told him he could not go to prom in drag.

And in November 2016, alleged racially inflammatory language prompted officials to send a letter to parents asking their help in creating a safe and inclusive environment for all students.

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Culture Wars: Fox News Blogger Places Upstate NY School District ... - WAMC

Welcome To The Culture Wars, Minor League Baseball – Dealbreaker

The Ogden Raptors have put forth a serious test of the idea that there is no such thing as bad publicity with the fiasco this week that was the announcement and near-immediate withdrawal of Hourglass Appreciation Night.

The minor league promotion in Utah was not going to be a tribute to vintage timepieces, but rather to shapely ladies, in the best way possible to salute women in 2017, by thoroughly objectifying them.

The Raptors promised real thoroughbreds in the form of 18 hourglass-shaped color commentators in the broadcast booth, a different stunner each half-inning. The plan included live-streaming video of the gorgeous women whose curves rival those of any stud pitching prospect! Fans also would get to pose for pictures with the lovely ladies.

Now, the good part. On Tuesday, the Raptors said that none of this was real. The Ogden Raptors regret that an unauthorized press release was disseminated over the weekend announcing a promotion that was not approved or scheduled by club ownership or management. This promotion will not take place and steps have been put in place to ensure this will not happen again.

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Everyone loves a good mystery, so who might have been responsible for this egregious error? Well, the Raptors website lists 10 positions in the front office, including the assistant groundskeeper, and one of which is Team 86 as director of security. There arent a lot of suspects here, and while the promotion might not have been approved or scheduled by club ownership or management, that sounds a lot like a technicality.

Remember, this is a team that takes groundskeeping seriously enough that 20% of its front office listings are groundskeeping-related. So, now know that it was just last year that Ogden was pretty much forced by the Pioneer League to stop having the infield raked by Drag Queens men in dresses dragging the dirt, get it?

How forced? Salt Lake Citys KUTV reported that Raptors managements response to the man who complained about the Drag Queens read: I had just written a long diatribe in response to your complaint but I deleted it all. Do not respond to this email as we will no longer talk about the matter.

The Raptors also made clear in their press release canceling Hourglass Night that the team would not be taking calls or answering questions on the matter.

So, you may be wondering, how is this series of events anything but terrible for the Ogden Raptors?

Well, Ogden is in Weber County, Utah, a place that went for Donald Trump by 20 points last November, and a theme that you might find among the MAGA hat crowd is that they do not particularly enjoy it when told that the way they enjoy themselves is wrong, be it living out college party fantasies of driving poor people to the morgue, putting up monuments to the Confederacy or treating women as nothing more than sexual playthings at a baseball game.

Here are some comments posted to the teams announcement on Facebook that there would be no Hourglass Night

Mike Simmons: We love our Ogden raptors. The owner puts on such a great event each and every game. Its sad that people are easily offended and cry babys out there. Cant wait for my raptor baseball.

Scott Coleman: Who cares. We are not offended

Jared T. Legge: The only thing you have to apologize for is for all the snowflakes ruining a good promotion.

The comments werent exclusively like this, but you get the idea there are lots of people out there who see the disgrace in this story being the fact that the Raptors were forced by snowflakes to cancel a good promotion, rather than it being, well, the incredibly obvious disgrace of considering this a good promotion in the first place. Had this not been such a busy week, you couldve easily seen Fox News getting in on this with a shout about political correctness and all the rest.

In the universe where the Raptors are the aggrieved party in this story, which somehow also is the universe we live in, people hearing about the Raptors for the first time might be inclined to show their support. They might want to buy something. Say, a cap.

Well, good news, the Ogden Raptors have those folks covered.

Because of course they do.

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Welcome To The Culture Wars, Minor League Baseball - Dealbreaker

Grayson Perry: Populism, Brexit and the UK’s culture wars – CNN.com – CNN

It may have taken him 20 years to break into the public consciousness (his household name status confirmed by attending his 2003 Turner Prize win in a crinoline party frock), but ever since he's been the closest thing Britain has to a truly public artist in the mold of Dali or Warhol.

"Oh god yeah, I'm definitely a populist artist", he proudly declared. "I make art for as wide an audience as possible. I'm interested in increasing the amount of people that come through the doors here."

"The title of the show came about because it made me laugh really," he says. "The art world struggles with popularity and populism, which has been brewing over the last few years as a current political force."

What do these terms mean to him? Surely he -- a fine artist in a dress -- has little in common with the likes of Farage and Trump?

"Populism is the version of popular that other people don't like," he says. "It's used as an insult. It's like, 'When loads of people like me, it's popular. But when loads of people like you, it's populism.'"

Time will tell how just how popular the show turns out to be, but it's already generating considerable interest. Sitting next to Serpentine director and cultural sultan Hans Ulrich Obrist in front of a throng of press, Perry seems very much the celebrity.

Yet his work itself is deeply rooted in the everyday, depicting themes and subjects that wouldn't usually make it into a major art show in a big city, such as the Brexit voters whose photos form the basis of the show's centerpiece: two ceramic vases named "Matching Pair."

"I call this part of the exhibition the mantelshelf of Britain," Perry says, surveying his creations. "One vase reflects the likes, the emotions, the interests of the Leave voter, and the other the Remain voters. I asked them over social media to send me their photographs of things they liked about Britain and portraits, their favorite brands, figures from history and our popular imagination who stand for what they believe in."

However for Perry, it's the connections between the two vases, rather than the differences, that ring true.

"Interestingly, they've come out quite similar because they both chose blue as the dominant color, as well as many similar images as well ... I haven't labeled them, but you can work out which one's which on closer examination. I think that reflects the layered identity we have as British people," he says. "Brexit isn't necessarily in the foreground. We've got many more identity issues when it comes to Brexit."

When it comes to the bitter rifts of generation, location, race and gender that Brexit did it's best to deepen, Perry is optimistic that they can be patched up -- in the long-term at least.

"I think in the heat around the referendum we saw this sort of new version of culture wars that happened in Britain. But I think it is not necessarily the headline of our identity -- and it will subside. It is just around the Brexit debate and the fallout from that and then into the election," he says.

"Brexit is still a hugely important issue, but I think as long as we address the underlying ... grievances that motivated people around the debate, then hopefully the poison will be lanced."

The show opens on the eve of the general election, a schedule clash that seems to suit his mirror-holding sense of chaos. How does he feel, hosting a major exhibition about British culture, on the eve of the most polarized election since the '80s?

"I love opening my show on the eve of a general election. It's perfect timing," he cackles, before getting serious again. "Some of the issues involved in the election are in my show, and it creates a febrile atmosphere where people are interested in the state of the nation, and that's something I've been interested in for a very long time."

"Also there is that difficult lull between going to vote and the results coming in, a perfect time to come to the opening," he adds, surely only half-joking.

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Grayson Perry: Populism, Brexit and the UK's culture wars - CNN.com - CNN