Archive for the ‘Culture Wars’ Category

Gettysburg of the Culture War – breitbart.com

SIGN UP FOR OUR NEWSLETTER

On Wednesdays broadcast of CNNs New Day, journalist, author, and CNN Commentator Carl Bernstein stated that the 2016 presidential election election is really the Gettysburg of the culture wars of the last 30 years, and presumptive Democratic presidential nominee former Secretary of State Hillary Clintons email conduct is indefensible. It was reckless. She has lied about it.

SIGN UP FOR OUR NEWSLETTER

Bernstein said, [T]his election is really the Gettysburg of the culture wars of the last 30 years, and whoever wins this election, the culture wars are going to move, or be decided in a definitive way.

He further stated,that while Trumps lying is pathological, in many regards, this convention has been surprisingly effective in terms of fighting that war, including the kids, the way that the Trump people want it fought. Bernstein also criticized Dr. Ben Carsons statement regarding Hillary Clintons admiration of Saul Alinsky and his books dedication to Lucifer as ridiculous, and could ruin the partys message.

After the discussion turned to Clintons email conduct, Bernstein said, What she did is indefensible. It was reckless. She has lied about it. And that is why, especially after Comey, she is now baked in this perception among too many people in this country for her comfort, as a liar, as distrusted, and so we now havean election between these two people who are disdained by most Americans. Weve never had a situation like this before. And thats why were in this scorched earth civil war, Gettysburg, whatever the analogy is. Were in a place weve never been before, but what happens at the end of it is going to change our country irrevocably.

Bernstein added that Trumphas a record of fraudulent dealings. He wont release his taxes, unheard of for a presidential candidate, and the terrible thing is, Hillary Clinton cant effectively go after him on his taxes, because she wont release her damn speeches that she was paid for in the Goldman Sachs instances. It is a terrible bind she is. Her people know this election is up for grabs. some of them are horrified. And what theyre horrified at, particularly old friends and supporters of Hillary Clinton who believe in her, is that she has made it possible, perhaps, for Donald Trump to become the president of the United States.

Follow Ian Hanchett on Twitter @IanHanchett

More here:
Gettysburg of the Culture War - breitbart.com

New Cardinals Signal a Shift Away from the U.S. Culture Wars

The popes decision to make two American archbishops cardinals is a message to other U.S. prelates that the church needs leaders less concerned with culture war issues and who are instead focused on building bridges and making the church a more welcoming place.

In a move that will further shake up how the American hierarchy operates, Pope Francis on Sunday announced the creation of new 17 new cardinals, including three American bishops: Archbishop Blase Cupich of Chicago, Archbishop Joseph Tobin of Indianapolis and Bishop Kevin Farrell, the former bishop of Dallas who was appointed by the pope to lead a new Vatican department on family life earlier this year.

The impact on how the church operates in the United States could be immense.

Archbishop Cupich is a key Francis ally on proposed reforms that supporters say could make the church more welcoming to disaffected Catholics. Archbishop Tobins openness toward expanded opportunities for women in the church and his support for resettling Syrian refugees, even over objections from G.O.P. vice presidential hopeful Gov. Mike Pence, put him squarely in line with the popes agenda.

Elevating Archbishop Cupich to a cardinal was largely seen as a matter of when, not if.

Pope Francis, after all, handpicked the Chicago archbishop in 2014, passing over the slate of candidates prepared for him by advisors. The pick to lead one of the U.S. churchs most storied and influential archdioceses caught some church leaders off guard. Before taking the helm in Chicago, Archbishop Cupich led the small dioceses of Spokane, Wash., and Rapid City, S.D.

But since his installation, Archbishop Cupich has emerged as a key Francis ally in the United States. He was present in Rome at the second part of the Vatican meeting of bishops about family life, where he urged delegates to consider ways to makes Catholics living in irregular family situations feel more welcome in the church, including the possibility of divorced and remarried Catholics being able to receive communion.

On the domestic front, Archbishop Cupich has publicly urged his brother bishops to spend more time on issues such as immigration reform and workers rights. At the meeting of the U.S. Conference of Catholic Bishops last year, for example, the archbishop took to the floor to ask that immigration be included on the bodys list of key priorities that guide their work. His suggestion was rejected.

Whereas Archbishop Cupichs appointment was expected, the nod to Archbishop Tobin comes as something of a surprise.

Indianapolis is certainly not an archdiocese used to housing a cardinal, but Pope Francis was aware of how Archbishop Tobin managed the controversial oversight of Catholic sisters in the United States ordered by Pope Benedict XVI in 2012.

Prior to his assignment in Indianapolis, the archbishop had served in Rome in the Vatican department overseeing religious life. He angered church hardliners in the United States and Rome for urging greater restraint when it came to investigating U.S. sisters over doctrinal concerns.

The archbishop was later praised by women religious for his sensitivity and compassion in listening to their concerns and he was credited with helping to wrap up the investigation two years earlier than anticipated, with as little fall out as possible for either side.

Just this week, Archbishop Tobin expressed support for the idea of women serving as deacons in the Catholic Church, and with it the possibility that they could preach at Mass.

According to the National Catholic Reporter, the archbishop said he was hopeful about the possibility during a question and answer session at a Catholic conference for women.

I'm praying Pope Francis can make good on his promise to find more incisive and visible roles for women in the church, Tobin said, according to N.C.R.

On the political front, Archbishop Tobin made headlines late last year when he clashed with Gov. Mike Pence, now Donald Trumps running mate. Pence had joined many other governors across the nation in announcing that Syrian refugees would not be welcome in his state, citing concerns about terrorism.

The Catholic Charities agency in Indianapolis had been working to resettle a Syrian family for several months at the time of the announcement, and Pence asked that they put plans on hold. After a meeting between the two men, Archbishop Tobin announced that he would direct the agency to move forward with the resettlement regardless.

Bishop Farrells elevation to cardinal will have less of an impact on how the church operates in the United States, but the move means he is suddenly the top American working in Rome.

The Irish-born bishop spent much of his career working in Washington, D.C., before being named leader of the church in Dallas in 2007. In recent years, the social media-savvy bishop blogged frequently about the need for greater gun control laws, especially after the violence that erupted this summer in which five police officers were shot dead during otherwise peaceful protests over the killing of unarmed African American men at the hand of police officers.

Just as notable in the popes announcement are three omissions: Archbishop Charles Chaput of Philadelphia, Archbishop William Lori of Baltimore and Archbishop Jose Gomez of Los Angeles. The three archdioceses are traditionally led by cardinals, but Francis has shown that geography alone is no longer the most important component when it comes to bestowing the honor.

Archbishop Chaput has resisted some of the popes efforts at reform, writing that opening up communion to divorced and remarried Catholics is a no go, despite the popes seeming to endorse the possibility. And Archbishop Lori has been vocal on one the nations most heated culture war issues, serving on the frontlines of the churchs battles with the Obama administration over contraception as head of the U.S.C.C.B.s religious liberty committee.

Passing over Archbishop Gomez, who was ordained a priest as a member of Opus Dei, comes as a surprise. He was seen as a possible pick in this round in part because of his Hispanic heritage, the fastest growing demographic the U.S. church, and his frequent appeals for public policy more favorable to undocumented immigrants are in line with the pope.

The omissions mean that three of the nations largest archdioceses would not be represented in a papal conclave were one to be held in the near future.

When they are made cardinals at a Vatican ceremony coinciding with the end of the Year of Mercy, Archbishops Cupich and Tobin will become two of the most powerful Catholic voices in the United States. Practically speaking, that means they will be asked to spend more time away from their archdioceses in Rome helping the pope govern the universal church and, when the time comes, electing a new pope.

The main effect at home will be their increased influence. Their words and agendas will carry significantly more weight with their brother bishops and perhaps even with everyday Catholics. When a cardinal speaks, certain Catholics listen. But how they exert that influence will be key to the amount of impact they can have on the church here. American prelates will recognize that they are the kinds of leaders the pope wants.

The picks show Francis wants the church in America to be more focused on issues like immigration, the role of women in the church and the need to bypass traditional centers of power in order to find leaders who smell of the sheep, as the pope has put it.

The moves are further cues to American bishops about how the pope wants the church to be run. The big question now is whether the two new American cardinals will be able to use their papal nod of approval to steer a new course for the U.S. church.

Michael OLoughlin is the national correspondent for America and author of The Tweetable Pope: A Spiritual Revolution in 140 Characters. Follow him on Twitter at @mikeoloughlin.

Read more:
New Cardinals Signal a Shift Away from the U.S. Culture Wars

Culture war – Wikipedia

Culture war refers to a conflict between traditionalist or conservative values and progressive or liberal values. Beginning in the 1990s, culture wars have influenced the debate over public school history and science curricula in the United States, along with many other issues.

The expression culture war entered the vocabulary of United States politics with the publication of Culture Wars: The Struggle to Define America by James Davison Hunter in 1991. Hunter perceived a dramatic realignment and polarization that had transformed United States politics and culture, including the issues of abortion, federal and state gun laws, global warming, immigration, separation of church and state, privacy, recreational drug use, homosexuality, and censorship.

In Canada, culture war refers to differing values between Western versus Eastern Canada, urban versus rural Canada, as well as conservatism versus liberalism.[1]

The phrase "culture war" represents a loan translation (calque) from the German Kulturkampf. The German word Kulturkampf (culture struggle), refers to the clash between cultural and religious groups in the campaign from 1871 to 1878 under Chancellor Otto von Bismarck of the German Empire against the influence of the Roman Catholic Church.[2]

In American usage the term culture war may imply a conflict between those values considered traditionalist or conservative and those considered progressive or liberal. It originated in the 1920s when urban and rural American values came into clear conflict.[3] This followed several decades of immigration to the States by people who earlier European immigrants considered "alien". It was also a result of the cultural shifts and modernizing trends of the Roaring 20s, culminating in the presidential campaign of Al Smith[4] in 1928. However, James Davison Hunter's 1991 book Culture Wars: The Struggle to Define America redefined the "culture war" in the United States of America. Hunter traces the concept to the 1960s.[5] The perceived focus of the American culture war and its definition have taken various forms since then.[6]

James Davison Hunter, a sociologist at the University of Virginia, introduced the expression again in his 1991 publication, Culture Wars: The Struggle to Define America. Hunter described what he saw as a dramatic realignment and polarization that had transformed American politics and culture.

He argued that on an increasing number of "hot-button" defining issuesabortion, gun politics, separation of church and state, privacy, recreational drug use, homosexuality, censorshipthere existed two definable polarities. Furthermore, not only were there a number of divisive issues, but society had divided along essentially the same lines on these issues, so as to constitute two warring groups, defined primarily not by nominal religion, ethnicity, social class, or even political affiliation, but rather by ideological world-views.

Hunter characterized this polarity as stemming from opposite impulses, toward what he referred to as Progressivism and as Orthodoxy. Others have adopted the dichotomy with varying labels. For example, Fox News commentator Bill O'Reilly emphasizes differences between "Secular-Progressives" and "Traditionalists".

In 1990, commentator Pat Buchanan mounted a campaign for the Republican nomination for President against incumbent George H. W. Bush in 1992. He received a prime-time speech-slot at the 1992 Republican National Convention, to give his speech on the culture war.[7] He argued: "There is a religious war going on in our country for the soul of America. It is a cultural war, as critical to the kind of nation we will one day be as was the Cold War itself."[8] In addition to criticizing environmentalists and feminism, he portrayed public morality as a defining issue:

The agenda [Bill] Clinton and [Hillary] Clinton would impose on Americaabortion on demand, a litmus test for the Supreme Court, homosexual rights, discrimination against religious schools, women in combat unitsthat's change, all right. But it is not the kind of change America wants. It is not the kind of change America needs. And it is not the kind of change we can tolerate in a nation that we still call God's country.[8]

A month later, Buchanan characterized the conflict as about power over society's definition of right and wrong. He named abortion, sexual orientation and popular culture as major frontsand mentioned other controversies, including clashes over the Confederate Flag, Christmas and taxpayer-funded art. He also said that the negative attention his "culture war" speech received was itself evidence of America's polarization.[9]

The Culture war had significant impact on national politics in the 1990s.[6] The rhetoric of the Christian Coalition of America may have weakened president George H.W. Bush's chances for reelection in 1992 and helped his successor, Bill Clinton, win reelection in 1996.[10] On the other hand, the rhetoric of conservative cultural warriors helped Republicans gain control of Congress in 1994.[11]

The culture wars influenced the debate over public-school history curricula in the United States in the 1990s. In particular, debates over the development of national educational standards in 1994 revolved around whether the study of American history should be a "celebratory" or "critical" undertaking and involved such prominent public figures as Lynne Cheney, Rush Limbaugh, and historian Gary Nash.[12][13]

The liberal tide that marked the 1990s briefly died down in the early 2000s, with the 9/11 attacks changing priorities towards more social cohesion, but resurfaced once the Iraq War began. Peter Beinart in January 2009 said that the election of Barack Obama as President could be the beginning of the end for the American culture war. He wrote:

When it comes to culture, Obama doesn't have a public agenda; he has a public anti-agenda. He wants to remove culture from the political debate. He wants to cut our three-sided political game back down to two... Barack Obama was more successful than John Kerry in reaching out to moderate white evangelicals in part because he struck them as more authentically Christian. That's the foundation on which Obama now seeks to build. He seems to think there are large numbers of conservative white Protestants and Catholics who will look beyond culture when they enter the voting booth as long as he and other Democrats don't ram cultural liberalism down their throats.[14]

In response, author and writer Rod Dreher stated that the rhetoric of a culture war disguises the fact that American society truly is deeply divided on some moral issues, which is not an artificial creation of political parties seeking to drum up support. He wrote that the economic positions of the Democratic Party are generally popular enough that, if it chose to drop polarizing social issues, it would become a majority party in ongoing control. He describes the culture war as "inevitable".[15] Columnist Ross Douthat, then with The Atlantic, wrote that he had "a lot to agree with" Beinart, but depicted Obama and his supporters as apparently striving at "winning" the culture wars for their side rather than coming to some kind of compromise.[16]

In a February 2009 column in The New York Times, William Saletan stated that a holistic mix of left-wing and right-wing ideas would come out of the culture war. He wrote: "morality has to be practical, and that practicality requires morals". He concluded that conservatives should embrace family planning as a way to reduce abortion and government assistance while liberals should embrace personal responsibility, which means that unprotected sex is criticized "bluntly". He also advocated same-sex marriage as a way to lead LGBT Americans to an "ethic of mutual support and sacrifice" involving stricter personal responsibility.[17]

"Culture war" (or "culture wars") in Canada describes the polarization between the different values of Canadians. This can be West versus East, rural versus urban, or traditional values versus progressive values.[18] "Culture war" is a relatively new phrase in Canadian political commentary. It can still be used to describe historical events in Canada, such as the Rebellions of 1837, Western Alienation, Quebec sovereignty movement, and any Aboriginal conflicts in Canada, but is more relevant to current events such as the Caledonia conflict with Natives and the increasing hostility between conservative and liberal Canadians. Controversy erupted in 2010 when pollster Frank Graves suggested that the Liberal Party launch a "culture war" against the Conservative Party. "I told them that they should invoke a culture war. Cosmopolitanism versus parochialism, secularism versus moralism, Obama versus Palin, tolerance versus racism and homophobia, democracy versus autocracy. If the cranky old men in Alberta don't like it, too bad. Go south and vote for Palin."[19] The culture wars has also been used to describe the Harper government's attitude towards the arts community. Andrew Coyne termed this negative policy towards the arts community as 'class warfare'.[20] Its use has increased considerably recently on account of prorogation rallies, abortion, and the gun registry.[21]

Interpretations of Aboriginal history became part of the wider political debate sometimes called the 'culture wars' during the tenure of the Coalition government from 19962007, with the Prime Minister of Australia John Howard publicly championing the views of some of those associated with Quadrant.[22] This debate extended into a controversy over the way history was presented in the National Museum of Australia and in high school history curricula.[23][24] It also migrated into the general Australian media, with regular opinion pieces being published in major broadsheets such as The Australian, The Sydney Morning Herald and The Age. Marcia Langton has referred to much of this wider debate as 'war porn'[25] and an 'intellectual dead end'[26]

Two Australian Prime Ministers, Paul Keating and John Howard, were major participants in the "wars". According to the analysis for the Australian Parliamentary Library of Dr Mark McKenna,[27]Paul Keating (19911996) was believed by John Howard (19962007) to portray Australia pre-Whitlam in an unduly negative light; while Keating sought to distance the modern Labor movement from its historical support for the Monarchy and the White Australia policy by arguing that it was the Conservative Australian Parties who had been barriers to national progress and excessively loyal to the British Empire. He accused Britain of having abandoned Australia during World War II. Keating was a staunch advocate of a symbolic apology to indigenous people for the misdeeds of past governments, and outlined his view of the origins and potential solutions to contemporary Aboriginal disadvantage in his Redfern Park Speech (drafted with the assistance of historian Don Watson). In 1999, following the release of the 1998 Bringing Them Home Report, Howard passed a Parliamentary Motion of Reconciliation describing treatment of Aborigines as the "most blemished chapter" in Australian history, but he did not make a Parliamentary apology.[28] Howard argued that an apology was inappropriate as it would imply "intergeneration guilt" and said that "practical" measures were a better response to contemporary Aboriginal disadvantage. Keating has argued for the eradication of remaining symbols linked to British origins: including deference for ANZAC Day, the Australian Flag and the Monarchy in Australia, while Howard was a supporter of these institutions. Unlike fellow Labor leaders and contemporaries, Bob Hawke and Kim Beazley, Keating never traveled to Gallipoli for ANZAC Day ceremonies. In 2008 he described those who gathered there as "misguided".[29]

In 2006, John Howard said in a speech to mark the 50th anniversary of Quadrant that "Political Correctness" was dead in Australia but: "we should not underestimate the degree to which the soft-left still holds sway, even dominance, especially in Australia's universities"; and in 2006, Sydney Morning Herald Political Editor Peter Hartcher reported that Opposition foreign affairs spokesman Kevin Rudd was entering the philosophical debate by arguing in response that "John Howard, is guilty of perpetrating 'a fraud' in his so-called culture wars... designed not to make real change but to mask the damage inflicted by the Government's economic policies".[30]

The defeat of the Howard government in the Australian Federal election of 2007, and its replacement by the Rudd Labor government has altered the dynamic of the debate. Rudd made an official apology to the Stolen Generation[31] with bi-partisan support.[32] Like Keating, Rudd supports an Australian Republic, but in contrast to Keating, Rudd has declared support for the Australian flag and supports the commemoration of ANZAC Day and expressed admiration for Liberal Party founder Robert Menzies.[33][34]

Since the change of government, and the passage, with support from all parties, of a Parliamentary apology to indigenous Australians, Professor of Australian Studies Richard Nile has argued: "the culture and history wars are over and with them should also go the adversarial nature of intellectual debate",[35] a view contested by others, including conservative commentator Janet Albrechtsen.[36] An intention to reengage in the history wars has been indicated by the Federal Opposition's Christopher Pyne.[37]

See more here:
Culture war - Wikipedia

Culture war – RationalWiki

Trump supporters are a grim reminder that millions of voters view the government as a hammer that can be wielded to smash opposing values or groups and force their beliefs on others. Educating the electorate about libertarian ideas misses the fact that they have no real incentive to learn; most dont care about the relationship between man and state and likely never will, as long as the state continues to provide the stability they have come to expect. Jason Farrell[1]

In the United States and Canada, "culture wars" (or, occasionally Kulturkampf,[2] lit. "culture struggle") is the term used to refer to the political discourse surrounding issues that are ostensibly rooted in tightly held values, but generally excluding issues that are informed by values associated with business, commerce, and the accumulation of wealth and power. Although the issues of the culture war are guided by emotionally charged values, some may still have significant economic impact.

The term became popular in reference to U.S. politics after Patrick Buchanan made it the theme of his speech in the 1992 Republican convention, although the endless debates over social issues of secularization vs. religious conservatism go back much earlier in the U.S. For example, the German word Kulturkampf dates from the late 1800s.

Most of these battles are over things like gay rights, abortion, feminism, pornography, the sexual revolution, drugs, multiculturalism, the role of religion in American society, school prayer, and the teaching of evolution. Other battles come and go depending on what moral panic is currently in vogue. These debates have been going on for decades long before Pat Buchanan popularized the current term for them. During the 1960s and 1970s the culture wars were often framed as a "generation gap" between rebellious youth and their more conventional parents and included debates over long hair, rock music, conscription, and the hippie movement. During the early 20th century it took the form of endless debates over alcohol prohibition, fundamentalism versus modernism in religion, a perceived threat to American cultural hegemony from Roman Catholic immigrants, Bolsheviks, and labor radicals, birth control, Germanophobia during World War I, and the old standby, evolution, which seems to be a constant.

Social issues associated with the culture war are often employed by those who are not actually vested in the culture war those who hold the pursuit of wealth and power as their primary value. They use the culture war as a means to get people to act against their own economic self-interest and to distract voters' attention. An example would be a candidate who opposes raising the minimum wage, but instead emphasizes race or immigration issues to court the support of minimum wage workers, who may feel strongly about those issues. Another example would be a candidate who wants to raise taxes. She may avoid discussing higher taxes and instead talk about gun rights or freedom of religion in order to gain support from those who may otherwise oppose the candidate's position on raising taxes. The reciprocal is also the case those whose causes are part of the culture war may recruit support from power-players to form a symbiotic relationship.

Most political observers will tell you they are sick of these wars, yet they will never give up their own side.

The truth is that the culture wars threaten every individual's ideals at the deepest levels, making them intensely personal. Even though the wars are often just over symbols, they strike so deep that we feel the need to respond, in a way pocketbook issues just can't. Furthermore, despite frivolous issues like the War on Christmas being lumped onto the broad label of culture wars some fronts are literally a matter of life and death for the people involved.

Also, the idea of there being separate political spheres for economic and cultural political conflict tends to result from the limited perceptions of members of more privileged groups. For example, when considering issues such as the receipt of spousal benefits by same-sex couples, the economic and social aspects are intertwined indivisibly, as these issues concern the disparate economic statuses held by members of different social demographics. Indeed, these intersections between economic, social, and cultural issues are why the term "socioeconomic" has seen widespread use by political commentators and policymakers.

Original post:
Culture war - RationalWiki

Culture Wars

Monday 30 December 2013

Despite attempts by the centre-left to rebrand British values towards those held by what would eventually be described as the metropolitan elite, part of Britain yearned for old certainties, while a number of men relished the clear-cut masculinity displayed in nostalgia for the Second World War, and novels about the SAS (one wonders if that was true for some women, too).

It takes courage to ask different questions, or accept that evidence may lead us into new paths and new ways of thinking. Times Anvil is a book that offers important insights into the processes that have shaped the history of England, and the processes that shape our own approach to the past.

Sunday 29 December 2013

As the varied and sometimes disturbing contents of this selection hints, there was more to Klees work than met the eye. He didnt simply want to be some kind of amusing illustrator. Rather, he envisaged his work to be a reflection of transcendence and we can see him almost striving to get beyond the outward and visible to the inward the essence of existence in his Static-Dynamic Gradation (1923) and Steps (1929).

Saturday 28 December 2013

Unapologetic contains a fascinating prcis of the story of that Hamlet-like figure Christ, and perhaps a less interesting apologia concerning the conservative politics of the Christian church, but it is Spuffords examination of mercy that is key, since it opens up the philosophical area relating to truth, human values, and our sense of the infinite.

Perhaps the only lesson we can draw from the differing ideals summoned-up in these portraits - and the conflict which would destroy or change those ideals - is that neither presumption nor despair have a place in historical expectation. Human beings - either singly or socially - cannot exist without beliefs, and hopes for their fulfilment, but as to their outcomes; at the risk of suggesting a clich, they must expect only the unexpected. But then, it is the best clichs that are true - usually.

Looking at whats on offer here, its easy to side with those who felt that, at the Momart fire - when, in 2004, a number of famous YBA works were destroyed by a conflagration whilst in storage - those artists got what they deserved for producing meretricious, attention-seeking work with which they could fool the public and make a lot of money whilst doing so. But the option of a simplistic put-down - attractive though it may be - is to be resisted in favour of a deeper analysis

Saturday 21 December 2013

All fans of a sport are able to appreciate incredible athletic feats or truly classy displays of sportsmanship. Simply put, sports have a way of bringing people together. In a day in age when settling cultural differences is of utmost importance, turning more towards sports is a reasonably viable way to bring the world closer together.

1980s New Romantic clubbing was notoriously hierarchical: would you let yourself in, dear? was the question every clubber feared as he or she awaited admittance, at the whim of a mirror-wielding club host, to their chosen place of pleasure.

One thing, probably not intended by Webb, stands out from examining whats on offer: the way in which fashion had, by the eighties, succumbed to what some might see as Modernisms two defining principles; sod the public, and will this go down well with my peers?.

Thursday 19 December 2013

Scenes that should feel dangerous come across as funny or even harmless. This isnt to take away from Hiddleston. He is a hugely talented actor, who can imprison the audience with just one confessional glace. But I never felt him roar. This is largely down to the still atmosphere that engulfs Coriolanus.

Monday 16 December 2013

Eli (Rebecca Benson, in a mature and beautifully balanced performance), the vampire girl who is central to our blood-red romance, hovers between reality and fantasy. She looks fairly normal but sounds weirdly airy. It is as if her voice has no heat in it. She has an elastic way of moving shimmering up and scaling climbing frames and trees - that gives her a feral and magical quality.

Saturday 14 December 2013

There is a modest beauty to this classy production that forces us to take Richard seriously. This allows Tennant to push his interpretation as far as it will go and make his Richard as silly and petty and small as he dares.

Thursday 5 December 2013

If Im being generous, I could say its charming that these shops agreed to take part. But it is also rather odd to be paraded around shops throughout the production, just at the height of the Christmas shopping season. Commercialism and theatricality nestle side by side in an uncomfortable fashion.

Theres a vague weariness that clings to this show. It feels like Grandage is falling back on his greatest tricks so as to avoid offending this new, larger and richer, audience. Christopher Orams set encapsulates this elegant poise, which is just a whisker away from stagnancy. The

See the rest here:
Culture Wars