Archive for the ‘Culture Wars’ Category

Snowflake Mountain: Netflix reality show braves the culture wars – The Guardian

The bones of the new Netflix series Snowflake Mountain are as old as time. Its a reality show about adversity, where a gang of ill-equipped people are dragged out into the wilderness and forced to fend for themselves. Its SAS: Who Dares Wins. Its Im a Celebrity. Its The Island with Bear Grylls, or Eden, or Naked and Afraid, or quite possibly that terrible-sounding new Squid Game competition. Youve seen versions of it before, and you will continue to see versions of it until the end of time.

So how does Snowflake Mountain attempt to differentiate itself from the pack? Well, this is 2022 so, with an inevitability thudding enough to pulverise your bones, it has chosen to hurl itself two-footed into the culture wars.

Its called Snowflake Mountain, for crying out loud. This is where we are as a civilisation now. A series about pampered and over-emotional young people some of whom have the temerity to take selfies, or live with their parents, or own laptops being dragged out into the middle of nowhere seemingly against their will, and all for the benefit of a paying audience tacitly egged on to scream NOT SO WOKE NOW, ARE YOU? at their screens whenever one of them reacts badly to their surroundings. In terms of utter dystopia, it isnt quite The Running Man, but it isnt all that far off either.

As with most shows of this ilk, the bulk of the heavy lifting is done in the first couple of episodes. Thats where we meet the contestants at their most insufferable. Some are would-be influencers, others are would-be party girls. One in particular is introduced with a clip of his mother literally placing a golden crown on his head. As they come to realise what the show asks of them, the contestants universally begin to whine, and this whining grows in volume and intensity until the moment where and this is a real part of the show all their suitcases get gratuitously exploded in front of them.

This sequence is Snowflake Mountain in microcosm. The exploders are Joel Graves and Matt Tate, two men who spent some time in the military and now scream things like Mother nature is the queen of tough love! at anyone who doesnt happen to share their calloused, thousand-yard-stare worldviews. As the ostensible mentors in the show, its their job to force the contestants through extended bouts of suffering, while constantly reminding them that its all for their own good.

Of course, none of it is real. As the series wears on, you quickly come to realise that neither the snowflakes nor the mentors are quite as two-dimensional as they seem. The contestants quickly adapt to their new situation, and the mentors become reliable shoulders to cry on. They climb a mountain together. They look after some chickens together. They have what basically amounts to group therapy sessions together, even. Its all very evolved. The problem is, this stuff is hidden behind an exhausting sheen of red state/blue state division.

Which raises the question: who, exactly, is Snowflake Mountain for? It isnt for wet-handed liberals, wholl understandably find themselves being riled up by the way the show caricatures and patronises Gen Z. And it isnt for the conservative Fox News chuckleheads either, because theyll invariably find themselves repulsed by the scenes where the contestants are encouraged to care for living things and explore their feelings. And it isnt for anyone else, because theyll just see the words Snowflake Mountain on a Netflix submenu and realise that their lives are too short to get involved with this sort of deliberately manipulative dreck.

And this is a shame. Because, had it been treated with even a modicum less kneejerk, kids-these-days, God-help-us-if-theres-a-war grouchiness, Snowflake Mountain would be far more enjoyable to watch. The kids on the show wouldnt have been boiled down to their worst characteristics, the mentors wouldnt have had to present themselves with so much insincere intolerance, and we would have got a show whose primary goal wasnt to simply earn a day and a half of outraged engagement from the worst percentile on Twitter.

But here we are. And if the Netflix algorithm declares Snowflake Mountain to be a hit, were going to have even more rubbish like this shoved down our throats forever. If you tolerate Snowflake Mountain, Libtard Island will be next.

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Snowflake Mountain: Netflix reality show braves the culture wars - The Guardian

The Greens’ new voters didn’t ask for these disastrous trans and flag culture wars – Crikey

Greens' new voters didn't ask for the disastrous trans and flag culture wars Get Access Code.

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The half a million new supporters will be devastated that the party is pushing elite issues when it should be standing for the many, not the few.

Federally the Greens are screwing up, a mere four weeks after sweeping to a triumph at the election. But their party leadership knows this. The Victorian branch stoush over the election of convenor Linda Gale, and the question of trans issues, was the start. Now leader Adam Bandt's refusal to stand next to the Australian flag has given them the quinella.

A party that gained about half a million new voters based on a campaign that tied global climate issues to local inequality, such as the housing crisis, has reverted to ridiculous culture wars. Many people beyond their core voter base will be dismayed that they have snapped into that sort of stuff immediately.

Their dismay will be shared by the leadership, which would have wanted neither controversy.

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Guy Rundle

Correspondent-at-large

Guy Rundle is correspondent-at-large for Crikey. He is also an associate editor at Arena Quarterly and contributes to a variety of publications in Australia and the United Kingdom.

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The Greens' new voters didn't ask for these disastrous trans and flag culture wars - Crikey

Bonus Episode: A Conversation with Stephen Prothero on Culture Wars Now That ‘Roe’ Is Gone – ChristianityToday.com

On this special episode of The Russell Moore Show, author and professor Stephen Prothero discusses the overturn of Roe v. Wade and what it may mean for the United States.

Moore and Prothero talk about potential implications for other legislation like Obergefell. They consider the potential effects of the Roe v. Wade overturn on Americas culture wars. Listeners may appreciate their conversation on talking about abortion with someone who holds a different opinion, and what it may look like to have a reasoned, productive dialogue on the subject.

The Russell Moore Show is a production of Christianity Today Chief Creative Officer: Erik Petrik Executive Producer and Host: Russell Moore Director of Podcasts: Mike Cosper Production Assistance: CoreMedia Coordinator: Beth Grabenkort Producer and Audio Mixing: Kevin Duthu Associate Producer: Abby Perry Theme Song: Dusty Delta Day by Lennon Hutton

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Bonus Episode: A Conversation with Stephen Prothero on Culture Wars Now That 'Roe' Is Gone - ChristianityToday.com

Stalin’s archaeology push in Tamil Nadu is the stuff of culture wars. Experts have a warning – ThePrint

A year ago, rice husks and soil samples scraped from the insides of an urn at an ancient burial site in southern Tamil Nadus Sivagalai, travelledover15,000 km to a carbon dating lab in Miami, Florida. Weeks later, the Tamil Nadu State Department of ArchaeologyTNSDAreceived an email: the paddy in the urn had been traced back to 1155 BCE.

In early September, four months after Dravida Munnetra Kazhagam party chief M.K. Stalin assumed office as Chief Minister of Tamil Nadu, he stood in the state assembly to announce these findings. The samples confirmed that a civilisation flourished on the banks of the Thamirabarani river 3200 years ago, he said.

The Stalin-led DMK governments big push for archaeological work has reignited conversations around Tamil pride and antiquity. This coincides, and very often clashes, with the larger political shift underway in India of aBharatiya Janata Partygovernment led by its strong focus on Hindutva, its emphasis on Hindi, its harking back to the countrys Vedic past, and its attempt to build a narrative that the Saraswati river gave birth to Indian civilisation.

In the larger ideological fight over where, geographically, Indias first civilisation took root, things were heating up. In his address, chief minister Stalin dramatically upped the stakes, committing to send Tamil archaeologists to the shores of Egypt and Oman to find missing pieces of the Tamil civilisation puzzle via ancient trade relations. They were being sent to Thailand, Malaysia, Indonesia and Vietnam, too.

Also Read: After the most important archaeology findings in Keeladi, now come the drawings

Within India, archaeologists from Tamil Nadu are headed to Andhra Pradesh, Odisha, Karnataka and Kerala. In search of the cultural roots of Tamils, we will travel across the world. It is the duty of this government to scientifically prove that the history of the Indian subcontinent is written from the Tamil landscape, Stalinsaid.

Within Tamil Nadu, archaeologists have been at work in seven sites this yearfour existing sites in Keeladi, Manalur, Konthagai and Sivagalai, and three new locations in Vembakkottai (Virudhunagar district), Thulukkarpatti (Tirunelveli district), and Perumbalai (Dharmapuri district) where thedigging began in February. Plans to find the potentially submerged Pandyan port city of Korkai have stalled due to rough seas.

However, some fear that serious archaeological work that takes patience andrigourwill get entangled with ethnic pride and political assertion.

A source in the TNSDA, speaking to ThePrint, saidthe governmentcouldexercise restraint in how it announces the findings. Its like look at us, we are going beyond the shores to discover things. This is a celebration of the work, but what is the result? he said.

Referring to the pathbreaking findings at Keeladi, a site near Madurai, where Tamili, a variant of the Brahmi script was found dating back to the 6thcentury BCE, a hundred years before previously thought, he said: If I have established that people began writing 2600 years ago, that is certainly a matter of pride. But that doesnt necessarily mean everything began from here. That attitude is dangerous, it feeds into a sort of hierarchy on which race is superior.

On 9 May this year, Stalin stood up in the state assembly once again, this time to announce findings from the excavations in a sleepy village of Mayiladumparai in Krishnagiri. He said iron artefacts dating back 4200 years had been unearthed, indicating that Tamil Nadu is home to the oldest Iron Age settlement.

It would appear that by rushing to the assembly hall before the findings had been checked by independent experts, Stalin wanted to make a political statement, CP Rajendran, an adjunct professor at the National Institute of Advanced Studies (NIAS) in Bengaluru,wroteinThe Wirelater in May.

Ravi Korisettar, also an adjunct professor at NIAS, said while he was happy about the Tamil Nadu governments increasing support for archaeology, well-trained archaeologists in the state could advise the leaders to refrain from making hypothetical statements.

This is the situation both at the national and regional levels. Small evidence is blown up beyond proportions that certainly lack scientific scrutiny. This is much needed in 21st-century archaeology. said Korisettar. Findings should help formulate a hypothesis that warrants further work in order to test the hypothesis, this test either validates or invalidates and when validated it can be put into the public domain with confidence. Unfortunately, suggestions are taken as conclusions leading to making high-sounding statements, he said.

Also Read: Archeologist who found 4,500-yr-old skeletons in Haryana doesnt buy Aryan invasion theory

With the Dravidian party having an ideological stake in resisting theBJPgovernments Vedic supremacy politics, questions do arise on whether archaeology is used to solidify cultural identity in modern-day Tamil Nadu.

For its part, the Tamil Nadu government is showing its full commitment to the excavations by setting aside Rs 5crorefor excavations alone in 2022. In recent years, the state government has sanctioned an annual budget of Rs 3 crore for excavations.In comparison,neighbouringKarnatakas archaeology departmentreportedly receives an annual budget of roughly Rs 25 crorebut it is unclear how much of it is used forexcavations. The DMK government wants to give importance to large-scale excavations. This is one area which is neglected, when people talk about budget cuts, they lay their hands first on archaeology and museums, Minister of Industries, Tamil Culture and Archaeology Thangam Thennarasu told ThePrint.

At his residence in a leafy neighbourhood in South Chennai, he said the interest that the government has in archaeology is not for political advantage. The quest is to fill cultural gaps, to establish connectivity between sites, he said. To answer questions like who was the first to live in this land? Where did it all start? How are the sites connected?

We never want to mix politics with archaeology, that we are very clear, he said. Whatever we are doing now is only backed by scientific evidence, only if it is vetted and agreed by veteran scientists, or the archaeologists or experts, then only it is published. The government does not add any colour to it.

Thennarasu has photographs of the soon-to-be-opened world-class Keeladi museum on his phone which the state government hopes will solidify social and intellectual curiosity around the excavations. The objective is to make people realise how old our civilisation is.

TNSDA archaeologists were muted in their responses over recent findings. Since we work with public money, it is our duty to inform and since it (Iron Age finding) was announced by the chief minister it became a big deal, said an archaeologist, who did not wish to be named. This isnt a very unusual discovery. Tomorrow, if somebody is excavating in Uttar Pradesh or Andhra Pradesh, they may find an earlier date. As of today, the date of iron in India traces back to 2172 BCE, thats about all, he said matter-of-factly.

Also Read: The Class of Taxila how Mortimer Wheeler set up the first Indian archaeology school

Excitement apart, the digs in Tamil Nadu feed directly into a renewed debate on indigenous culture that the state has been undergoing specifically around questions of identity. It fosters a sense of belonging to the land and an opportunity for a belated recognition in history textbooks that are seen as being skewed toward north Indian history.

This (archaeology) could be driven by politics, but it is also very cultural, said G. Sundar, director of the Roja Muthiah Research Library. The research library runs The Indus Research Centre which is currently collaborating with TNSDA onstudyinglinks between graffiti marks on potsherds excavated in Tamil Nadu with signs found in the Indus Valley. Experts say 90 per cent graffitiisfound in South India, more so in Tamil Nadu.

Sundar and his colleagues are attempting to digitize graffiti marks inscribed on potsherds to build a concordance along the lines of what has been documented on IVC seals by late renowned epigraphist Dr Iravatham Mahadevan. His work is now digitized on this site:indusscript.in

Sundar identifies the 2017 pro-Jallikattu protests as an inflection point. Jallikattu was really a trigger for cultural identity, he said. In January 2017, thousands of Tamil youth took to the streets to protest the Supreme Court ban on the traditional bull-vaultsport that takes place around the Tamil harvest festival of Pongal.

That same year, for reasons that remain unclear, the Archaeological Survey of India, which reports to the Union government, did not approve further digs at Keeladi, where an urban settlement was unearthed in 2015. The site was subsequently taken over by the TNSDA.

When your values are not respected or come under attack, you ascertain, Sundar said. Whatever gains that were made through the Jallikattu movement, it was like, here is another episode (referring to Keeladi digs). In both cases, the place targeted was Madurai, the cultural capital of Tamil Nadu. People had become extremely conscious of their cultural heritage, and they did not want to give up, he said.

Also Read: Two Ayodhya archaeologists changed how we dig up Indias Hindu history

On the ground, archaeologists are on a quest to plug cultural gaps from the day a human showed up in Athirampakkam, near Chennai, some 1.5 million years ago. From that day, history starts, said a senior archaeologist who serves as an advisor to the state department of archaeology. Later, from the 6thCentury BCE, we have written documents in Tamili script, which gives us the name of a person. We can reconstruct the language, linguistics, grammar, society, and social structure, based on written documents. But there is a long history, how did they reach this level?

To answer these questions, the TNSDAs approach is multidisciplinary, partnering with several scientific institutions to gain a wholesome understanding of who the ancient Tamils were.

The problem is everyone, whether a specialist in Sangam Literature, archaeology or history, writes from their perspective alone, said the senior advisor. For this multidisciplinary approach, I need to take a botanist, a geologist, an archaeo-geologist, I have to retrieve ancient DNA, get maritime navigational techniques, marine engineers, study coastal geomorphology, paleochannels, metallurgy, and put all these together to get a perspective.

Dr R. Sivanantham, the commissioner of TNSDA, named a whole list of institutes that work closely with the state, including collaborations with Chicago and Harvard Universities, the French Institute in Pondicherry and Birbal Sahni Institute of Palaeosciences in Lucknow. Among them is the NIAS in Bengaluru.

Professor Sharada Srinivasan is a researcher of archaeometallurgy and has frequently collaborated with both TNSDA and ASI. She studied South Indian metal icons, including Chola bronzes.

In her work, she identified previously unknown production sites for wootz steel making in Mel-Sirvualur in Tamil Nadu. There is now a sequence of dates that seem fairly reliable coming in, which is pushing back the antiquity of various ferrous finds as indicated in Tamil Nadu and southern India so that the early dates for Mayiladumparai are not out of place.

Yet, she warns, the most important approach is to have findings published in peer-reviewed journals and papers that can stand up to international scrutiny.

Professor Srinivasan stresses on time as a factor. In many ways, scientific work is also challenging, and these are also preliminary findings that need more rigorous and systematic studies which require sustained and long-term support to take the investigations further, she said. It must be said that at the end of the day, all heritage, wherever it is across the globe, is world heritage and the heritage of humankind and needs to be approached, preserved or appreciated in a dispassionate and objective way.

(Edited by Srinjoy Dey)

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Stalin's archaeology push in Tamil Nadu is the stuff of culture wars. Experts have a warning - ThePrint

‘Lightyear,’ ‘The Boys,’ and How to Start a Fake Culture War – Pajiba Entertainment News

Over the past week, I watched two major pop culture properties become wearily inevitable targets for the kind of bad-faith discourse that has polluted my occupation for several years now. Fans of Amazons The Boys, a scathing satire of superhero stories and corporate culture, seemed aghast that this deeply political show had become, uh, political. Around this time, as we all guffawed at the Reddit screenshots, the usual suspects started ranting about Lightyear, the Pixar sort-of prequel to Toy Story that focuses on the origin story of the action figure. Right-wing rabble-rousers like Patricia Heaton tried to start drama over the decision to cast Chris Evans as this take on Buzz Lightyear over the original voice, Trump supporter Tim Allen. The tedious claims of wokeness and cancel culture were invoked for everything, including a very brief gay kiss that saw the film banned in Saudi Arabia. The movies soft box office opening from this past weekend inspired further smarmy nonsense, but mercifully, it hasnt gained as much traction as stuff like this often does. Perhaps were all too exhausted from the heatwave to care.

I bring these two examples up, as minor and entertaining as they are, because they ended up perfectly embodying the obvious artifice and ignorance that has been maintained the past few years of trumped-up fury over entertainment. Weve all watched on wearily as pop culture became the default battleground for the current force of right-wing, anti-inclusivity fearmongering that opened the doors to a rabbit hole of radicalization. Films, TV shows, music, and so on have always inspired a certain sort of fervency, a deeply emotional investment encouraged by marketing. Im not sure weve ever had a time when such things havent led to well-crafted hysteria. Consider the Satanic Panic over the 80s targeting horror movies and rock music, or the Catholic League picketing Hollywood way back in its infancy. For as long as art has existed, someone has tried to ban it. Our current era isnt new, but it does feel more immediate, tied to the rising anti-queer and racist tide that has permeated political power on both sides of the pond.

Its easy to get people wound up over pop culture. It seems so low-stakes yet enticingly comforting in its ability to comfort and inspire us. Were hardwired to defend the things we love, taught to believe that they are extensions of our very selves. Ive witnessed more than my fair share of fandom wars to know how messy this mindset can get, and Im not immune to it myself. Nobody is. That seemingly minor sensation is scarily easy to wield as a weapon. When youve been trained from birth to view certain corporate entities and their highly profitable IPs as your childhood, breaking away from that idea is often easier said than done, especially if youre used to being exclusively pandered to by these brands. Remember the fallout from 2016s Ghostbusters reboot and how quickly that perfectly fine film was swarmed by misogynists and racists and their fake fury? That bigotry became impossible to ignore because it was amplified by the same shameless careerists who had turned hating Anita Sarkeesian into their full-time job. They saw an opportunity and they took it, and plenty of creeps latched onto them to give their movement the vaguest sheen of legitimacy.

The pattern is obvious once you notice it: take a pop-culture property with at least some mainstream appeal, latch onto a minor detail involving diversity, shout about how its yet another example of the vague concept of wokeness or cancel culture, and tag in a few bigots or Elon Musk for extra promo. Make sure to use a lot of words like erasure of whiteness or heterosexuality, and big up the frequently refuted delusion that Hollywood is an uber-liberal paradise that forces poor oppressed racists to censor themselves. Maybe throw in some incendiary claims about child grooming and critical race theory to seal the deal and guarantee some QAnon support. Lather, rinse, repeat.

I saw a Daily Mail headline recently because of course it was them that claimed British builders were going WOKE (their capitalization) because many tradesmen were now discussing their feelings with colleagues and shunning greasy fried breakfasts. We know that the appropriation of woke to now mean anything vaguely diverse was always a dog-whistle sham, but seeing it applied in such an evidently ridiculous context only emphasizes that. Woke and cancel culture and culture war are meaningless terms, barely legitimate covers for wannabe provocateurs who are mad that they cant say the N word on stage. When even eating well and being open with colleagues is positioned as something damning, you have to wonder what kind of future these people want for us.

As with all culture wars, the goalposts are always moving. The targets change, sometimes flipping from fine to abhorrent for no other reason than its convenient to do so. The smallest of details are elevated to criminal status, and the targets are predictably marginalized voices and individuals. A half-second gay kiss is wokeness going too far. A Black woman in a story about space wizards with laser swords is unthinkably evil. A female protagonist of any kind elicits abject fury. Theres no reason behind this hate, not that reason would justify it. The aim is to destroy progress in all its forms. If that werent the case then we wouldnt see the likes of Joe Rogan, Ben Shapiro, and the chucklefuck GOP congressmen of the week latching onto these moments with practiced zeal.

They dont want to see queer people existing. They dont want to see people of color existing. They dont want to see trans kids living. They dont want to see toxic masculinity be challenged in any shape, way, or form. When the most audience tested, watered down and corporate mandated forms of entertainment we all consume reflect even the tiniest signs of progress, its seen as going too far and must be stomped out of life immediately. It may not seem like much to many at first because hey, its just a movie, right? Its no big deal. But we all know the road its leading towards. Thats why I felt the need to write this piece, to note how blatantly flimsy the theatrics are when they fail, yet remain so potent when theres a real force behind them. Calling it out isnt easy when the other side reject reason and exist only to hate, but it still feels worthy. This wont stop anytime soon, especially as conservative politicians target trans kids, book banning has come back in style, and Black educators are stalked over ludicrous fears of critical race theory. These are the punching bags that rile up the most violent people in our society, all of whom are buoyed by a media landscape that wont condemn the rising ride of fascism. Pop culture is but one of their chosen battlegrounds. It may fail once or twice but its success rate is shockingly high, and that should worry us.

Kayleigh is a features writer and editor for Pajiba. You can follow her on Twitter or listen to her podcast, The Hollywood Read.

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'Lightyear,' 'The Boys,' and How to Start a Fake Culture War - Pajiba Entertainment News