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With an estimated 40,000 fans we can expect two super-charged events across one massive weekend. The events will mark the return of Future Music Festival to South-East Asia, having made its hugely successful dbut in 2012. The 2013 edition will also be the official opening event for the Malaysian Formula 1 Grand Prix week.

On 15th of March 2013, fans of trance music and Armin Van Buuren will have plenty to look forward to. His stage will see a host of top acts hand-picked by Armin himself. The event on Day One will be dedicated solely to celebrate Armins legendary 600th edition of A State of Trance, called the ASOT600 show.

Day Two, held on 16th March 2013, will feature two massive stages with the most innovative and dynamic line up to date. Future Music Festival Asia is bringing you a curated arena plus a super-sized stage.

Undeniably one of the best and most sought after live acts the world has ever seen, The Prodigy, are set to headline and curate their legendary Warriors Dance Arena. Having already toured with it in Japan, UK and most recently Serbia, The Prodigy are all set to bring this epic concept to Kuala Lumpur for the very first time. Feed Me, Kill The Noise, Zeds Dead and Borgore will be joining them. The other massive stage on Day Two will feature acts including Bloc Party, PSY (Gangnam Style), Rita Ora, Fun, The Temper Trap, Rudimental, Stafford Brothers, Timmy Trumpet and Tenzin.

FUTURE MUSIC FESTIVAL ASIA 2013 DATES: Future Music Festival Asia pres. Armin van Buurens ASOT600: Friday, 15. March 2013 Future Music Festival Asia with The Prodidy: Saturday, 16. March 2013

Information, tickets, travel packages and full artist line ups: http://www.futuremusicfestival.asia

Photo: Erasmusa / flickr.com

Originally posted here:
Future Music Festival in Malaysia with ASOT show and The Prodigy ...

Posted on December 28, 2012 by admin

After a monster Halloween bash that captured the imagination of the island, Boutique Hostal Salinas returns with the perfect party to kick start 2013. From 3am until DC10 sees the unique venue call to arms all the Ibiza tribes and professional party people for a pre-party of astronomical proportions. With a line up that showcases the huge talent that the island has to offer throughout the winter, the Ibiza micro-rave and Sunnys Studio Ibiza karaoke, 2013 couldnt hope to get off to a better start.

Boutique Hostal Salinas is only a stones throw from DC10 and with suites available to book for the day, where better to spend your pre-DC10 warm up, in the company of some of the islands finest entertainers and proper party people. Ryan OGorman goes back to back with Bones while there are also performances from Brydie Tong, Jaime Fiorito, Robert Cashin as well as Borja & Ruger and island legend Alfredo, who will be playing under the Une Records banner in room 2. There is also a very special guest DJ to be announced, stay tuned for details.

Salinas is no stranger to a cool Ibiza get together and in Boutique Hostal Salinas it has a venue that offers a truly unique party perspective. There is a true sense of Ibiza community about Hostal Salinas and none more so when it is filled with the islands party people, coming together to celebrate the start of another year on the island. Ibiza is the epicentre of the global dance world during the summer months but New Year is hot on its heels as clubbers descend on the white isle, unable to wait a full year for their Ibiza fix. The island is ready for another monster blow out and Boutique Hostal Salinas is at the heart of the action as we hurtle towards 2013.

Contact info@boutiquehostalsalinas.com for reservations. Online: http://www.hostalsalinas.com

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Ibiza New Year Boutique Hostal Salinas | Essential Ibiza News

The story of this label is the story of a scene weve never fully appreciated our position before but hearing these tracks together is so evocative of a time when everything changed, says Acid Jazz boss Eddie Piller.

The club and radio DJ (6Music, The Modcast), and Essex-born geezer, is gruffly mulling over the previous nights party a private bash for his labels silver anniversary and the 25 years before that. Its a ripe old age to have reached in the fickle music industry. Piller and label cohort (and savvy compiler) Dean Rudland have sealed Acid Jazzs flavours into a rich multi-disc box set spanning its classic funk and soul roots, its crossover hits from dapper signings such as The Brand New Heavies, The James Taylor Quartet, A Man Called Adam and Jamiroquai, its party shakers and remixes. Its not a conventional history lesson, more a snapshot of a pivotal point when British club culture morphed, embraced new forms and had far-reaching effects.

Acid jazz was also an offshoot of the rave scene around 1986/1987, as seasoned mod and jazz fan Piller, label co-founder Gilles Peterson and their fellow DJs began to discover Ibizas acid house sound.

Within six months of acid hysteria in London, I was getting bored with the music, admits Piller. We loved the clubs atmosphere but wanted to bring things back to the spark of the black music we loved.

This was a youth culture based accidentally on eclecticism, where youd hear a jazz track next to a Public Enemy record or a funky Led Zeppelin track. Gilles said, for a laugh: Why dont we call it acid jazz? It allowed us to start from year zero.

Acid jazz had a breadth of tastes, agrees Dean Rudland, who joined the labels team in the early 1990s (Peterson left to launch influential friendly rival label Talkin Loud in 1990). It was just a decade after punk but we went from soul and psych-rock to reggae and dance of all styles.

Around the turn of the 1990s, acid jazz really became a mainstream contender; Piller recalls DJing at intimate Sunday jazz dances (you couldnt even get a beer after 2pm but the atmosphere was stunning), while Rudland describes his shock at looking over The Brand New Heavies sold-out Brixton Academy show in 1992. The label nodded to transatlantic sounds and established fanbases across Europe and the Far East, yet it remained distinctly British in tone.

Thats what the British are best at: were cultural magpies, mixing other music and making it better for us, says Piller. Acid jazz was the latest conduit of that international outlook. It was a music thing that evolved into a fashion thing. It was also self-fulfilling; we started off listening to black music, young white kids such as Jamiroquai played their takes on it with a modern twist and that impacted around the world.

That youth culture also came with a hippyish ethos; Acid Jazz signings from Galliano and Mother Earth to Jamiroquai served dance grooves with a right-on stance. There was a big belief in 1970s right-on political theories, says Rudland. The scene had grown out of a left-wing clubbing movement. People would leave Sohos Wag Club on a Sunday night then join the protests outside the South African Embassy on the way to their night bus.

Admittedly, becoming an established trend posed its own challenges, as Piller points out. When some of our bands blew up internationally, suddenly everything was called acid jazz, he says.

Read more here:
Acid jazz turns 25: The story of a scene

IBIZA Rave party for kids
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Panic Bomber Pantx Turnpipes Rehearsal **SHREDS**
Mega UBER Ibiza Rave 2k9!!!!!From:cosmicfuckfuckViews:165 1ratingsTime:00:17More inMusic

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