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The Barstool Bros’ Split Over Abortion Could Determine the Future of the GOP – POLITICO

Last summer, I wrote about how Portnoys particular brand of transgressive boorishness served as an inspiration to Republican politicians eager to capitalize on the backlash to newly established progressive social norms around things like gender pronoun usage and diversity, equity and inclusion practices. But that alliance was never ideological it was aesthetic. To a certain kind of secular, mostly apolitical Barstool bro, the party of evangelical pro-lifers might not have been an ideal fit, but it was certainly more appealing than the party of woke scolds and stuffy bosses across the aisle.

Now that the Supreme Court has handed social conservatives their most significant ideological victory of the modern political era, those voters will have to choose: Is it worth giving sanction to an overtly religious, mostly unpopular political project simply to own the libs? Portnoy himself explicitly says no. But cultural backlash is as unpredictable as it is powerful, and its place at the heart of the modern GOP means that how a particular type of independent, attitudinally conservative voter responds could shape America for years to come.

To look at the empirical evidence in so much as it exists around opinion on abortion rights, one might think that Republicans victory over Roe is somewhat Pyrrhic. The most recent data from the Pew Research Center, collected at the beginning of July after the Dobbs decision, shows that 57 percent of the population disagrees with the decision itself (including a not-insignificant 29 percent of Republicans); the only group expressing overwhelmingly strong approval is white evangelicals. Sixty-two percent of Americans say abortion should be legal in most or all cases.

But dig deeper into the data and youll find that support for abortion varies considerably based on the duration of pregnancy, especially taking into account voters geographic distribution. There are also, of course, the inherent limitations of public opinion polling, as well as the relative rarity of single-issue voters (among whom anti-abortion voters outnumber their counterparts). Its not quite accurate to say the GOP has summarily alienated an electorate that otherwise seemed prime to embrace it in this falls midterms.

So one might look to another indicator, albeit one lacking the veneer of empiricism that polling maintains: The opinions of thinkers and leaders in the conservative movement. What actual politicians say is unreliable, as beholden as they are to pesky primary voters and wealthy, ideological donors. What about those responsible for curating the vibes of the modern conservative movement?

At the beginning of June, the National Review fellow and social-conservative wunderkind Nate Hochman wrote an op-ed for the New York Times titled What Comes After the Religious Right? In it, he expanded on the somewhat declinist view of the conservative Catholic writer Matthew Walther, who coined the term Barstool conservative in a 2021 op-ed for The Week writing that, While the old religious right will see much to like in the new cultural conservatism, they are partners, rather than leaders, in the coalition. Hochman argues that although a figure as non-pious as Trump (who could plausibly claim the mantle of the Barstool president) might have empowered social conservatives, theyre too much of an electoral minority to succeed without their comparatively libertine coalitional partners.

Hochmans insight invites a similar reflection from the other side of the aisle. Once upon a time, as the writer Matt Yglesias recently pointed out in response to Portnoys pro-Roe stance, chauvinistic bros were reliable Democratic voters, who made common cause with realpolitik-ing feminists willing to overlook the Clinton-era partys affective cultural conservatism in exchange for political wins. Both were opposed to the Moral Majority-era sanctimony of the Reagan-Bush GOP, the ethos of the alliance perhaps best summed up by a notorious quote regarding Clinton from the former Time White House reporter Nina Burleigh: Id be happy to give him a blowjob just to thank him for keeping abortion legal. I think American women should be lining up with their presidential kneepads on to show their gratitude for keeping the theocracy off our backs.

For various reasons beyond the scope of this essay, the salience of cultural politics has increased in American life to an extent that makes that alliance impossible. Conservative thought leaders now find themselves at the same crossroads liberals once did: What price are they willing to pay what are they willing to sacrifice, or excuse to keep such fickle, secular, Portnoy-like independent voters in the fold?

What are conservative thought leaders willing to sacrifice, or excuse to keep such fickle, secular, Dave Portnoy-like independent voters in the fold?|Michael Reaves/Getty Images

As the GOPs most reliable and motivated voting bloc, the anti-abortion movement is clearly not going anywhere. To the chagrin and fear of liberals, and the hope of the would-be New Right, theres some evidence that they might not have to. Looking at the replies to Portnoys initial post-Roe tweet, alongside the criticism from hard-right figures like Dan Bongino (as well as Hochman himself), one can see a slew of comments from average, non-blue-check-sporting Barstool fans, protesting that all the Supreme Court did was let it be a state issue, or that he should simply stick to sports.

This is where Barstool per se ceases to be a useful framework through which to understand the shifts occurring in American politics today. (As with any brand with as massive a reach as Portnoys, its fans are more ideologically diverse than a liberals snap judgment would assume.) The angst inspired by Portnoys pro-abortion rights turn reflects a much broader phenomenon: Just as secular and religious GOP voters are split, theres an even narrower division among those who are simply alienated by the modern left and those who are outright anti-feminists, especially among young voters.

The anti-feminism of todays young conservatives takes a few different forms. There is, of course, the outright hate spread on forums like 4chan and by trolls like Nick Fuentes; the casual, fratty misogyny of more mainstream figures like Trump White House aide Garrett Ziegler, who in a live streamed rant after his Jan. 6 committee testimony called his female former coworkers thots and hoes; and the faux-erudition of New Right leaders like Sen. Josh Hawley, who in a keynote address to the National Conservatism Conference decried the lefts attack on men in America. (Its not just America, either: In South Korea, youth anti-feminism helped propel a conservative president to the Blue House.) Young anti-feminists see a world where women are at least notionally more empowered than ever, yet no one seems to be happy about it. They look to the past for solutions in lieu of inventing new ones for the moment.

And there are plenty of historical examples, both religious and secular, to draw from. In her 1991 book, Backlash: The Undeclared War Against American Women, the feminist writer Susan Faludi described a taxonomy of anti-feminist reaction to the advances of the Equal Rights Amendment era, from Christian leaders like Paul Weyrich who promised to overturn the present power structure of the country to the quasi-paganism of the poet Robert Bly, who encouraged real men to reclaim their cultural birthright by psychologically isolating themselves from women. Faludi sums up their shared philosophy as the belief that the very steps that have elevated womens position have actually led to their downfall.

One might wonder what Faludi, in an era where Weyrich and Bly have inspired successors in figures like the (now-disgraced) megachurch pastor Mark Driscoll and the Canadian psychologist Jordan Peterson, would have to say about the backlash to womens more recent advances. To borrow a rhetorical move from Woody Allen, whom Bly especially hated, we dont have to wonder; I happen to have Ms. Faludi right here: Writing in the New York Times in response to Roes overturning, she argues that feminisms growing entwinement with celebrity culture is a primary culprit in making it more vulnerable than ever to a more pernicious backlash, one that has never relented, one that has brought us the calamity of the Alito draft opinion.

This is why social conservatives find themselves at a moment of not just dog-that-caught-the-car peril, but potential promise. The Courts ruling was only made possible by the combined forces of secular conservatism, via Trumps mass heterodox appeal, and the decades of concentrated effort by a minority of religious activists. Like with Weyrich and Bly, or Driscoll and Peterson, anti-feminism can take many forms and have many motivations, but the basic ressentiment it taps into transcends religion, class or partisanship, and is stubbornly persistent. By subsuming life-or-death social issues under the auspices of Lean In moments and social media slap downs over whether Taylor Swift is or isnt a feminist, as Faludi wrote, liberals and feminists have risked erasing the distinction in the publics mind between serious material outcomes and such symbological slap-fights.

That possibility conjures a world where arguments about womens health outcomes, or whether theres a feminist case against abortion, or over pro-family Republican economic policies might become immaterial as abortion becomes an entirely different, more recognizably modern kind of culture-war issue. We simply dont know yet whether the Barstool cohort of the modern GOP will look around at a post-Roe world and decide their party has gone too far. But if they dont, and Trumps coalition holds, it will be the most powerful symbol yet of Americas transition to a symbolic mass politics of cultural grievance.

Those politics still can have very real policy consequences, as millions of women in red states are now discovering. Improbable as it might seem, whether or not said consequences endure or even spread might depend on what occurs in the hearts and minds, and on the ballots, of men like Dave Portnoy.

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The Barstool Bros' Split Over Abortion Could Determine the Future of the GOP - POLITICO

Remembering the honest and natural voice of Amy Winehouse – The Daily Star

I

My preference for female artistes (outside groups) has two sides in a balance. On one side there is Joan Baez, Janis Joplin, Carole King, and Joni Mitchell. On the other, there's Ella Fitzgerald, Billie Holiday, and Nina Simone.

There are others like Olivia Newton John, Mary Hopkin, and Sarah Vaughan, but I listen to the above seven more.

Baez, Joplin, King, and Mitchell pushed the boundaries of songwriting for women. They were storytellers telling their own stories, and stories of their time.

Fitzgerald, Holiday, and Simone were singers who gave life to the great American songbooks and composer-songwriters of their time. However, Fitzgerald had her fair contribution to songwriting. Holiday also wrote a few songs.

When I reached the end of my formative years, these seven female voices became my lighthouse.

II

Aman Bhai, a friend who happens to be a child psychiatrist once told me, if you treat a child as an adult, they'll respond back as an adult. I remembered this. When I became a father, I would encourage serious and open discussions with my daughter, Annapurna. Whether because of this or not, Annapurna has shared things with me ever since she and I can remember. This gave both of us a portal to transcend a generation divide.

A couple years ago, I asked Annapurna to give me a list of some albums I could present her in vinyl (LP). A few days later she gave me her list. The second serial was circled. It was Amy Winehouse's Back to Black.

Annapurna told me, "Listen to this album. You'll like Amy."

I had no idea who Amy Winehouse was. The only guess I could make was from her surname. It was evident she was Jewish and white. I now had to listen to the "Back to Black" single.

The 10-second intro sent shivers down my spine. The moment Amy started to sing, I was blown away. Had I listened blindfold, I'd have thought I was listening to a black voice. When she spoke, I was even more surprised. She had a British accent. London Cockney to be precise.

The seven female voices that tuned my ears are all from the USA, with Joni from Canada. I never came across one British female voice worthy to be inducted into my personal "hall of fame". And here I was listening to such a voice that was full of power and majesty.

My curiosity didn't end here. Amy's voice was tearing emotions out with honesty. The lyrics were unexpectedly explicit, but honest. The voice was raw, natural, and full of melancholy. In the melancholy there was an emptiness.

I never heard a female voice with this emptiness. I had to find out more.

III

Back to Black has eleven songs. Each song is different, but they all string into a common thread. Like Joni Mitchell's Blue (1971), Back to Black is an autobiography of a young girl trying to understand relationships. Like Carole King's Tapestry (1971), the album navigates through different experiences of a young girl.

Back to Black songs are songs of love and betrayal. They're not sugary. If love can kiss, it can also bleed. This is the freshness and honesty I never found in depth in the song writing of Baez, Joplin, King, and Mitchell.

There was still something different with Amy. In her voice, you can feel blues, gospel, and jazz oozing. However, it wasn't polished. It was raw. Only Billie Holiday, in the seven female voices that were my lighthouse, had that raw voice.

Once you hear a voice like that, you know there's a story behind all this.

IV

The more I explored Amy through her studio albums and live performances, the more it became evident, that she wasn't listening to sugary pop while growing up. Coming from a musical family, and her paternal grandma Cynthia knowing the jazz musician Ronnie Scott, intimately told you what type of songs her young ears were subject to.

Frank Sinatra's "Fly Me to The Moon" was one of the first songs Amy listened, at the age of two. She would sing the song to cheer her up.

While growing up, she listened to Motown girl groups. She listened to gospel voices in Mahalia Jackson and Aretha Franklin. She listened to the jazz of Sarah Vaughan, Dinah Washington, and Thelonius Monk. Ella Fitzgerald and Billie Holiday also trained her ears. Carole King, Madonna, Michael Jackson, Alanis Morissette, and others were also with her in her formative years.

Amy only wanted to be a jazz singer. When she applied to the Sylvia Young Theatre, she wrote in her essay, she wanted people to hear her voice and forget their troubles. Many certainly did. She also wrote songs to forget her troubles. Sadly, she failed to make ends meet.

Growing up near and later settling in Camden in London exposed Amy to the bright and dark sides of popular culture. Camden is a place that makes dreams. And dreams can go either way. They can be fairy tales or can end up in nightmares. When you live between the two in a place like Camden, you need to be managed well. Sadly, that wasn't the case with Amy, before or after her fame. Her death was just the end, but her troubles started well before that fateful day, July 23, 2011, when she never woke up.

V

Amy Winehouse was the missing link in my balance of seven female voices. The balance needed a voice that would resemble both its sides. Amy was that voice. Through Amy I explored Adele, Fiona Apple, Billie Eilish and some others. Somehow, they lack that raw, honest, and sincere emotion in their voice, and the lyrics came so naturally with Amy.

Although Amy is no longer with us, "I'm not ashamed even if the guilt kills me" to say that she was a breath of fresh air while she sang, and fresher now as we look back with a smile on our faces on an artiste who was honest and natural.

Asrar Chowdhury is a Professor of Economics at Jahangirnagar University. He is the author of Echoes in SHOUT of the Daily Star. Email: asrarul@gmail.com; asrarul@juniv.edu

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Remembering the honest and natural voice of Amy Winehouse - The Daily Star

Brian Robinson Jr. reminds RB coach of Alfred Morris and Adrian Peterson – NBC Sports Washington

Following in the footsteps of two of the best Washington running backs in recent memory isnt a bad way to go for a rookie out of Alabama.

Brian Robinson Jr. is set to be an integral member of the Commanders RB room this season along with Antonio Gibson, J.D. McKissic and Jaret Patterson. Robinson, unlike his position mates, is a big and barreling body who can truck through defenders, rather than solely juking around them.

Washington running backs coach Randy Jordan spoke on the contributions Robinson could make this season during OTAs. He evoked a couple of names that Commanders fans are sure to be familiar with.

It was a run where we didnt get up on the second level and he was able to kind of bait [the defense] with his eyes and his body, knowing that the lineman hadnt come off yet, Jordan said. And the backer went one way and he replaced the backer. I said, Dog, you cant coach that.

"Like, the only other guys Ive kinda seen that were Alfred Morris and Adrian Peterson. Those two guys.

Robinson imitating two of his D.C. predecessors, intentionally or otherwise, is a good omen for the 23-year-old. Morris was Washingtons lead rusher from 2012-15 while Peterson, even at age 33, led the squad in rushing yards in 2018 and 2019.

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Morris was tinier than Robinson and used a stealthy combination of quickness, agility and strength to evade tacklers during his time in Burgundy & Gold. Its easy to see why Jordan sees the connection between Robinson and Peterson, though.

Both backs are around 6-foot-2 and 220 pounds. They both have shown the ability to cut on a dime and plow through defensive lines when need be. Its a lot to live up to, but Robinsons comparison to the future Hall-of-Famer in Peterson is high praise.

Jordan got more specific when discussing what specifically Robinson does that can make him such an effective weapon in the Commanders backfield.

Hes nifty now. Hes sneaky nifty, Jordan said. The thing is hes 62 and his ability to move backwardlike theres a couple runs he had in there and I said, Hey man, thats scary good, like thats graduate work. Thats like tour level.

Robinsons niftiness was part of the reason why he was able to rise through the ranks and become the RB1 at the best college program in the country: Alabama. Robinson impressed coaches early on, but had to wait until his predecessors Najee Harris and Josh Jacobs got their 15 minutes of fame before punching his own ticket.

Once he got the starting job, Robinson never looked back. He broke the Crimson Tide record when he became the first back in school history to rush for 200+ yards in a bowl game, which he did in the college football playoff vs. Cincinnati this past season.

Washington liked the pick immediately when they snagged Robinson in the third round this past April. He hasnt played a down of NFL football yet, but if his Alabama tape and initial impressions in Ashburn are any indication, his coach says, the Commanders could be in for a treat.

Just him being a natural running back, cause thats all hes played, so he understands where his limits are, Jordan said. Every run, he kinda knows where everybody is supposed to fit.

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Brian Robinson Jr. reminds RB coach of Alfred Morris and Adrian Peterson - NBC Sports Washington

Jon Stewart: The Supreme Court is Now the Fox News of Justice – Barrett Sports Media

Substack has decided to lay off 13 people, around 14% of the company, which employs 94 people, to reach profitability without relying on fundraising amid a weak economy.

Substacks co-founder and CEO Chris Best informed staffers in a note, letting them know of their decision to part ways with some of their co-workers.

Our goal is to make Substack robust even in the toughest market conditions and to set the company up for long-term success without relying on raising money or, at least, doing so only on our time and our terms, Best wrote in a memo shared byAxios.

The layoffs were across human resources, support, and operations, the companys vice president of communications. Executives decided that Substack would be better served not to depend on fundraising, either for stability or growth.

In recent weeks, the macroeconomic outlook has become increasingly uncertain, making it clear that we should be prepared for a period of challenging conditions that could last years, Wrote said.

By refocusing our team and financial planning, we can fund our investments from our growing business while remaining a reliable partner for the writers who are building their own businesses on our platform.

Despite the 13 layoffs, Substack continues to proceed with new products and features since the company still has funds in the bank as they attempt to fuel growth.

Substack remains in a strong position. We continue to grow, we have a business model that works, and we have money in the bank. But the way we play to win in 2022 and beyond is different from the way we were playing in 2021, Best noted.

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Jon Stewart: The Supreme Court is Now the Fox News of Justice - Barrett Sports Media

The 13 Best Fourth of July Horror Flicks, from Jaws to The Purge – Yahoo Entertainment

How far does the dial have to move to take a holiday movie from festive to freaky? At least since the events of Jaws hit Amity Island, Fourth of July celebrations have served as frightful fodder for satirists. Film has taken the holiday to especially horrifying heights.

The best Fourth of July horror movies make use of both their seasonal setting and thorny subject matter. Theres something innately disturbing about taking a summer holiday that should be celebratory and re-packaging it in that twisted carnival aesthetic, dripping with oversaturated reds, whites, and blues. Plus, exploring the birth of a country currently tearing itself in two bestows an embarrassment of thematic riches onto the writers and directors willing to stew in its spirit.

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Fourth of July horror movies have become a genre category in their own right because they offer opportunities to criticize the U.S. as it currently is and reflect on the darker aspects of our history (and present). Not to mention, fireworks and crowds spell menacing horror movie magic. Toss in a zombified Uncle Sam and youve got a slasher worth lighting sparklers.

Roland Emmerich sicced aliens on the world in the aptly titled Independence Day, a sci-fi disaster movie starring Will Smith, Jeff Goldblum, and Bill Pullman among others. Robert De Niro played a freed prisoner hunting down his former attorney, played by Nick Nolte, in Martin Scorseses Cape Fear. Thats a remake of the 1962 psychological thriller of the same name, set against the backdrop of a well-to-do North Carolina community also partying on the Fourth. And while The Purge creator James DeMonaco may have technically set his fictive blood bath in the spring, its no secret that the murder marathon of the title, an annual event canonically sanctioned by the U.S. government, incorporates elements similar in tone to the real federal holiday.

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Whether youre rounding out a day of summer fun or sitting out of this years festivities, here are the best Fourth of July horror movies. The list has been capped at 13 titles in a star-spangled homage to the original colonies codified by the Declaration of Independence on this doomed day.

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The 13 Best Fourth of July Horror Flicks, from Jaws to The Purge - Yahoo Entertainment