Archive for the ‘Media Control’ Category

Little reason to believe the year 2021 will be much better for communities and freedom – National Herald

Democratically elected leaders only cater to those who vote for them. It has always been believed that winning the elections was a stamp of approval for future policies. However, in the past elected leaders have attempted to bring the opposition on their side.

However, both President Trump and Prime Minister Modi have shown scant respect for those opposing them. To cement his presidency Trump has played to the neo-conservative, evangelist and right-wing gallery and in the process has changed the face of the Republican party and divided the country. In India, Prime Minister Modi is slowly unveiling the Hindutva agenda, which only 37.36% of the electorate voted for in 2019. This steady creep endangers the secular fabric of the country. In response, and to the discomfort of many, the Congress has made forays into what is termed as soft Hindutva. Unlike Trump who has never called out the racism of his supporters, Modi has taken his sweet time to speak obliquely about the mob lynching by so called gau rakshaks and other atrocities committed against minorities. The attitude of both leaders has emboldened their supporters.

Though leaders are elected through democratic means, they may not be protectors of democracy. Leaders from across the globe be it Russia, Hungary, Turkey to the US and India prove this point.

According to the 2020 World Press Freedom Index brought out by Reporters Without Borders these countries rank 149, 89, 154, 136, 45 & 142 respectively. In 2012 these countries ranked 142, 10, 148, 14, 58.

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Little reason to believe the year 2021 will be much better for communities and freedom - National Herald

For liberals, Brexit is a hard lesson in the politics of resentment – The Guardian

There is a law of physics that also applies to politics: energy cannot be created or destroyed. It can only be changed from one form to another.

The story of Brexit is a story of energy conversion the work of political engineers who mined a generation of scattered grievances and forged them into a single demand, to leave the European Union. Nobody did this more successfully than Nigel Farage, who transformed an untapped reservoir of xenophobic suspicion into a political force by making the EU synonymous with immigrants.

In the days before the referendum around the time Farage unveiled his infamous breaking point billboard, and a far-right terrorist murdered the Labour MP Jo Cox, there was a vivid sense that this atmospheric energy, present in the air for so many years, had finally taken a new form. For decades, anti-immigrant feeling had been left to grow, unchecked and unchallenged; now it was coupled with a political resentment against an amorphous governing elite, and in a single moment changed the future of the country for ever.

This week, as remainers once again contemplate our defeat, we may reflect on those days after Coxs murder when it felt like there might be a pause for thought, a public recognition of the dark place we were heading. But there was no such moment: the campaigns barely paused, and the entire circus of bile and lies barrelled onwards with a redoubled haste. I remember feeling at the time that there was a steely national insistence that we must refuse to draw the obvious conclusions from the case of a murderer who spent years collecting anti-immigrant propaganda and filing it away neatly in his house in folders.

If you think that was a grotesque failure to stop and confront how this happened, then the years since will provide no solace either. Many people who had lived in the UK for years, or indeed all their lives, reported their first experiences of racist abuse in public. I was one of that number. In 2018, a plot to assassinate another Labour MP, Rosie Cooper, was uncovered. These attitudes did not develop overnight, or even over the span of the EU referendum. Even the pain and frustration caused by austerity are of relatively recent vintage. According to research by Lucy Hu of the University of Pennsylvania: Exclusively economic arguments proved to be a facade for private racist attitudes of many leave voters.

The longer, more corrosive history is that of a right that exploited immigration for cynical ends, and a Labour party that made its own cynical compact with this sentiment, using it, when needed, to show its own toughness against the devious migrant. It was always a myth that New Labour was fundamentally a pro-immigration project; immigrants were welcome as a feature of a pro-globalisation view. High-skilled migrants, who came in on a points-based system, were the most desirable; asylum seekers, after some initial promises, were quickly ditched.

Much of the hostile environment infrastructure of immigration controls that exists today is the legacy of Labours last government. The tier system that sorts immigrants according to their value to the UK, the high barriers to gaining citizenship and the conversion of employers into border guards were all policies established by Labour in 2006.

But it was the way that politicians talked about immigration, or rather didnt talk, that allowed this resentment to congeal, ready to be shaped into an explosive. The years before the financial crisis saw increased asylum applications from conflict zones such as Iraq and Afghanistan. And between a governing party eager not to look like it was too soft on claimants and a rightwing media that tapped into the rich vein of scaremongering about migrants, the tone was fixed. The presence of immigrants was now a matter of legitimate concern; there was a need to look out for the indigenous population, in the words of Labours immigration minister Phil Woolas. By the time Gordon Brown was on the ropes trying to save his premiership, it was British jobs for British workers, the progenitor of Ed Milibands dismal controls on immigration crockery.

All that energy had to go somewhere. In politics, everything is connected: liberals cannot pick and choose when they care about immigrants. Britain went into the Brexit referendum hobbled by a financial crisis and a decade of austerity, many of its communities badly damaged by deindustrialisation. There were no quick answers to any of this, and so the pain was shifted on to an immediate, intimate enemy, easily purged: the immigrant, and all the immigrant represented, be it the enabling EU, the elected elite, the lawyers or the judges.

Perhaps we could not have predicted how and when this would happen but we allowed it to happen. Liberals across parties who are horrified by the consequences of Brexit must realise that they were defeated by an epic national scapegoating project one whose power needed to have been checked long before. That is how to understand Brexit: not an irrational rightwing populism, not a derangement of post-truth politics, but the predictable outcome of a concerted political and media campaign that capitalised on a colossal failure of our economic model.

Just as I did in the days after the murder of Jo Cox, I have searched for signs of this epiphany since the Brexit vote. I have looked for it among Conservatives, naively bewildered by the thuggishness that has captured their party. I have looked for it in Labour under Corbyn and Labour under Starmer. And I have looked for it, in the past few days, in the belated mea culpas of those enraged that all the calamities of a Brexit blunder may finally be upon us. I have not found it. Which means that all that we love will be wrecked, again and again, by an energy that shifts the blame for our national failures from our leaders on to anyone who is not indigenous. If you think that energy is gone because our borders are closing and we have taken back control, think again. It is simply changing form.

Nesrine Malik is a Guardian columnist

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For liberals, Brexit is a hard lesson in the politics of resentment - The Guardian

AWGIE Awards: Wins for The Heights, Rosehaven, Total Control, The Feed – Mediaweek

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Playwright Suzie Millers critically acclaimed one-woman play Prima Facie has taken out the two highest honours at the Australian Writers Guilds annual AWGIE Awards, winning the 2020 Major Award and the David Williamson Prize for Excellence in Writing for Australian Theatre.

In a year that has seen our Australian stories under threat from Covid-19 shutdowns, funding cuts and delays to Government reform, the new-look AWGIE Awards were a fitting coda to 2020; driven online due to restrictions but emerging as a joyous celebration of the strength and talents of Australias screen and stage writers.

The AWGIE Awards were hosted by actor, writer and comedian Bjorn Stewart, with Awards presented by Hugo Weaving, Wayne Blair, Marta Dusseldorp, Tony McNamara, Shane Brennan, David Williamson, Tony Ayres, Kodie Bedford, Benjamin Law, Michelle Law, Alison Bell, John Leary, and Bradley Slabe.

TV Winners

TELEVISION SERIALThe Heights: Season 2, Episode 7 Peter Mattessi

TELEVISION SERIES OR MINISERIES OF MORE THAN 4 HOURS DURATION, INCLUDING ORIGINAL AND ADAPTED WORKSTotal Control: Episode 3 Pip Karmel

TELEVISION TELEMOVIE OR MINISERIES OF 4 HOURS OR LESS DURATION, INCLUDING ORIGINAL AND ADAPTED WORKSThe Hunting Matthew Cormack and Niki Aken

CHILDRENS TELEVISION P CLASSIFICATION (PRESCHOOL UNDER 5 YEARS), ORIGINAL OR ADAPTED, ANIMATED OR PERFORMEDLittle J & Big Cuz: Season 2, Goodbye Swooper Erica Glynn

CHILDRENS TELEVISION C CLASSIFICATION (CHILDRENS 514 YEARS), ORIGINAL OR ADAPTED, ANIMATED OR PERFORMEDMustangs FC: Season 3, Mustangs Forever and Ever Magda Wozniak

COMEDY SITUATION OR NARRATIVERosehaven: Season 4, Episode 5 Luke McGregor and Celia Pacquola

COMEDY SKETCH OR LIGHT ENTERTAINMENTThe Feed: Anger For Women, Chloe Shortens Husband, Social Media Cops, Scotophile and Bushfire Press Release Victoria Zerbst with Michael Hing, Cameron James, Alex Lee and Jenna Owen

7.30: Season 2 Mark Humphries and Evan Williams

See here for full list of winners.

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AWGIE Awards: Wins for The Heights, Rosehaven, Total Control, The Feed - Mediaweek

One of the leading health and wellness retailers Holland & Barrett expands CBD collection – GlobeNewswire

RZESZW, Poland, Dec. 12, 2020 (GLOBE NEWSWIRE) -- As the CBD industry continues to boom around the world, European CBD leader Reakiro and the UK's market leading CBD retailer, Holland & Barrett have agreed an exclusive distribution deal to provide access to Reakiro's award-winning products.

This summer, Forbes reported that CBD sales had continued to soar in the UK. People have become even more conscious of their health and wellness and wish to discover natural alternatives.

The range, launched in Holland & Barrett in November 2020 and includes 14 products, based on customer usage research. These full spectrum products include oils, sprays, a unique raw hemp extract pen, and gel capsules, in a broad range of strengths to meet all customer needs.

"We're extremely proud to work with Holland & Barrett, the number one retailer in health and wellness. Holland & Barrett and Reakiro have the same values - to bring the highest quality natural health products to people around the world. We look forward to a productive, long-term partnership with them," said Stuart McKenzie Reakiro CEO.

Reakiro prides itself on delivering the highest quality products. Every step of the process is managed and controlled by the company, from seed to shelf, to meet the highest standards and to produce a consistently effective product. Reakiro CBD will be carried in all 737 UK stores and online.

Reakiro has won multiple awards for quality and customer service and has become a reliable supplier of premium CBD and Hemp Oil Products. The company has recently completed a state of the art manufacturing centre which is HACCP and GMP certified. Reakiro is an industry-recognised, premium quality manufacturer that quality controls its products from seed to sale.

About Reakiro

Founded in 2016, Reakiro is a leading European GMP and HACCP certified manufacturer and supplier of premium CBD products and one of the few producers who can consistently trace the entire product lifecycle from seed to sale. The company offers a comprehensive range of CBD and hemp-oil products including signature oils, capsules, sprays, skin care products and supplements. Reakiro CBD oil is a full-spectrum oil produced from the highest quality industrial hemp cultivated in the EU and tested by independent third-party laboratories. Find out more atcbdreakiro.com

About Holland & Barrett

Holland & Barrett is one of Europe's leading health and wellness retailers. Founded in 1870, its purpose is to help people take positive control of their own wellness. Offering a wide range of own brand and exclusive vitamins, supplements, specialist foods, sports nutrition and ethical beauty brands, Holland and Barrett has more than 1300 stores worldwide, (including over 800 in the UK and Ireland) as well as a rapidly expanding digital presence. Holland & Barrett's colleagues are "qualified to advise" with in depth training in nutrition and supplements to give accessible wellness advice to help its customers improve their wellness. Go tohollandandbarrett.comfor more info.

Industry Awards

Number 1 in Top 10 CBD Skincare products in Europe in 2020 https://straininsider.com/best-cbd-oil-in-europe-2020/

Number 3 in Top 10 CBD oil products in Europe in 2020 https://straininsider.com/top-cbd-skin-care-products-in-europe/

Media contact

Company: Reakiro

Elena McKenzie, PR Manager

Telephone: +48124004235

Facebook: https://www.facebook.com/reakiro/

Twitter: https://twitter.com/reakiroofficial

Instagram: https://www.instagram.com/reakiro.shop/

E-mail: info@reakiro.com

Website: https://cbdreakiro.com

SOURCE: Reakiro

Photos accompanying this announcement are available at:

https://www.globenewswire.com/NewsRoom/AttachmentNg/97c20963-bad6-47eb-b8a0-4226aebbfa10

https://www.globenewswire.com/NewsRoom/AttachmentNg/6d36f033-b453-4a6c-a958-0e25cb0ce153

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One of the leading health and wellness retailers Holland & Barrett expands CBD collection - GlobeNewswire

You might use Google Home’s new music feature every single day. Here’s how it works best – CNET

Lots of people have multiple Google Home and Nest smart speakers in their houses, and the Google Home app's new media controls help keep them organized.

One of the features I value most about Google Home is its ability to string together two, three or even a couple dozen smart speakers so I can blast music throughout my whole house. Up until now, however, getting all those speakers to sync up has been a frustrating process -- never mind trying to add or delete speakers from a group once it's been created. Thankfully, that all changed with version 2.31 of the Google Home app.

The new update introduces streamlined media controls that let you spontaneously create a speaker group without having to go into the settings menu. You can also bring speakers in or out of the mix on the fly, while music or other audio keeps on playing. With these new media controls, rocking out while navigating my townhouse -- with its office on the first floor, kitchen and living spaces on the second and sleeping quarters on the third -- just got a whole lot easier.

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The new control panel is fairly simple and intuitive, but there are a few ways to use it that work better than others, as well as a couple of pitfalls you'll want to watch out for. Here's how I've been following the music -- and having the music follow me -- with Google Home's new media control interface.

The Google Home app's new media controls make it easier to play music simultaneously from two devices in the same room, too.

To get to the new media controls, open the Google Home app and tap the green circular button near the top of the screen labeled Media. It should be grouped with similar (but differently colored) buttons for Lights, Broadcast, Routines and possibly some others.

This will open a screen with either the current track (if you're already jamming) or the logo for your default music service at the top, followed by a list of your devices with small circular buttons for selecting turning them on or off. You may need to tap More devices in the lower right corner if you have a big enough collection (like mine -- currently, eight). At the end of the list an option to Stop the music will appear when music's playing.

After all the device names, you'll see a list of speaker groups (if you've created any) and, at the very bottom of the screen, there's a menu labeled Manage your system. The oval buttons labeled Music, Video and Radio will take you to the settings for those categories (where you can link services, choose defaults and, under Video, link Google Photos). Create group opens the page where you can create and save a specific speaker group.

As you move from room to room, you can bring different speakers in and out of the mix without pausing the music, thanks to the Google Home app's new media controls.

If nothing is playing on any of your speakers, you can technically get the party started from the control panel within the Google Home app itself, but you're extremely limited in what you can play. First, you can only play from your preferred music service, which for many people might be all they use. I, however, have three different services linked to Google Home: YouTube Music (my default), Pandora and SiriusXM.

Second, it seems to only be able to play a random selection of songs I've listened to before, which would be fine, I guess, if I didn't listen to an array of genres that includes reggae, jazz, classical, grunge and, lately, holiday music. Bob Marley followed by Miles Davis, Mozart and Carol of the Bells can get a little disorienting. There's a much better way to kick things off, so keep reading.

The best way to get some tunes going is with a voice command. It doesn't matter which speaker you're near or if you'll want to keep playing through it -- you can change that in a minute. Just pick a song, playlist or channel you want to hear from any one of your linked music services with a command like "Hey, Google, play [song, playlist or channel] on [music service, if other than your default]."

Once something's playing, open up the controls to make adjustments. You can add and subtract speakers (by tapping the circle buttons beside your devices' names) as well as adjust volume, both for individual speakers on the sliders that appear under their names or for everything that's playing on the slider at the top.

You'll want to adjust the volume individually for speakers that are close to each other, then use the main volume slider at the top of the screen to control all of them at once.

Getting the volume dialed in perfectly on multiple devices can be a bit of a challenge. You don't want the speaker in another room to overpower the one in the room you're in, and if you're not careful, turning up the system volume could crank a faraway speaker up beyond reason.

Here's what I did to get the mix just right: I slid the main system volume button right to 50% then played some music through all the speakers. Starting in the first-floor office, I adjusted the speakers in the room I was in, then moved to the next room and did the same until I'd been through the entire house. Then I did one more walk-through to make sure I didn't get any spillover from other rooms.

From then on, I only touched the main system volume slider, never the individual devices, which kept them all perfectly balanced with one another. Whenever I added a new speaker on the fly, I moved the main volume back to 50% before adding it so the ratios between speaker volumes remained consistent.

Play music on one speaker or all of your speakers with the touch of a button thanks to the new media controls in the Google Home app.

Most of the minor problems I encountered when I started testing out the new media controls were solved with a simple router reset. Still, the whole system still seems a little fragile. For example: I found it best to wait until one new speaker is connected and playing music before adding another, or it might take more than one try to connect successfully. Sometimes, even when I took my time adding speakers to the mix, a duplicate menu would appear showing a different track playing.

Also, if a speaker starts playing and is slightly out of sync with the rest, don't mess with the Group delay correction settings. Just disconnect and reconnect it and it'll most likely sync up the second time.

Once you've mastered the new Google Home media controls, try usingGoogle Home's new scheduling feature to turn the music off at a later time (like, say, quiet hour in your neck of the woods). And if you have several devices spread out around your house and you're not usingGoogle Home's broadcast feature, you're really missing out. Also, you can pump more than just music through all those smart speakers -- here's how to listen tothousands of audiobooks for free on Google home.

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You might use Google Home's new music feature every single day. Here's how it works best - CNET