Archive for the ‘Obama’ Category

Obama to deliver warning of democracy’s peril against twin backdrops: Jan. 6 and Ukraine – POLITICO

Its unclear the degree to which Obama will reference Jan. 6 in his speech, or if hell discuss it at all. He is a chronic, last-minute editor, making it impossible to confidently state the contents until near-delivery. But Rhodes noted the goal is to speak to broader themes disinformation, the need for inclusive capitalism, inequality, and the decline in political institutions rather than specific news events. Others involved in the program stressed that the more important context was not Donald Trumps lingering denial of the 2020 election results but the war in Europe.

This is an inflection point. It is not just Ukraines fight but a fight for liberal democracy, said Jonas Parello-Plesner, executive director at the Alliance of Democracies, which is hosting the summit.

Youre speaking to a convinced trans-atlanticist, he added. Yes, this has been a hard moment for America But show me the vice president in China or Russia who would stand up to their leader and say, No, this is not how this should be done. So youre a bit shaken. But the checks and balances are still there in the American system.

Those who have worked alongside Obama say he recognizes that the roots of the problems democracies now face became apparent during his presidency. The backlash to the stock market crash and the rise of the internet opened a brief window of possibility around the globe. But that window closed relatively quickly. Technology hasnt been a uniquely liberating force. Disinformation hasnt been checked and regulated. Voting rights have not been expanded. Populism has been accompanied by nativism.

In his post presidency, Obama has tried, as Rhodes put it, to connect some dots on the issues. Earlier this year, he held an off-the-record session in Chicago with a group of reporters who cover democratic backsliding and disinformation, including Semafors Ben Smith, The Atlantics Anne Applebaum and Charlie Warzel, CNNs Brian Stelter, and tech journalist Kara Swisher. He held another one in California with journalists including CNNs Donie OSullivan, New York Times reporter Kevin Roose and Platformer journalist Casey Newton.

Hes also sought insight from conversations with a number of academics, including Renee DiResta, the technical research manager at Stanford Internet Observatory, Marietje Schaake, the international policy director at Stanford Universitys Cyber Policy Center, Safiya Noble, professor of gender studies and African American studies at the University of California, Los Angeles, and Maria Ressa, the CEO of Rappler and the first Filipino recipient of the Nobel Peace Prize.

Asked for some of the reading materials that he has used to stay informed on the topics, an Obama aide sent over a lengthy list of newspaper and magazine articles. Among them, a New York Times column on Trump strategist Steve Bannons savvy in hyper-localizing his political focus; a New Yorker piece on the efforts by activists to create an ad-hoc oversight board at Facebook; and a Wired item on how to stop misinformation from going viral. He also has perused an Atlantic item on the gutting of newsrooms by the hedge fund Alden Global Capital, and a Curbed item about how one authors objectively brilliant job at parallel parking sparked an Internet spat that underscored the mob-ification of online communities.

But, like everyone else, Obamas work on these fronts has been overwhelmed by topics that seem more directly pertinent to everyday life. The coming summit will be the first in-person meeting of this cohort of Obama Foundations Europe program participants since its launch in 2020, when Covid-19 intervened.

Copenhagen will be his opportunity to zoom out again, said one official familiar with the planning, where democracy stands and where young leaders can plug into that solution.

Obamas post-presidency has been a contrast between glitz and grunt work. Hes taken on a producer emeritus role at Netflix, helping to develop and even narrate documentaries. He has launched a podcast with Bruce Springsteen and penned the first half of a massive memoir.

Hes also helped spearhead a major redistricting initiative to put the Democratic Party in a far better spot than after the last round a decade ago. More recently, hes begun aggressively using the spotlight that he commands.

In November, Obama gave a climate-focused speech in Glasgow that stressed the need for younger leaders to engage in politics. In April, he spoke with The Atlantics Jeffrey Goldberg about disinformation. Later that month, he went to Stanford University to talk about how disinformation was puncturing democracy across the globe.

That Stanford address, in particular, has taken on a layer of significance in Obamas orbit.

Some aides emphasize that Obama has a unique capacity to discuss the tech industry its products and shortcomings having been, perhaps, the politician who benefited most prominently from the rise of social media networks that revamped campaigns and the fundraising for them.

I think that gives him credibility to talk about this, said Jason Goldman, a former Twitter board member and Obamas first chief digital officer. He knows these products. He has a long standing relationship with these companies. He is by nature a bit of a nerd. And when he has these conversations, they see a kindred spirit... Hes also able to say Ive had this personal and professional journey of using these tools.

But there is also internal staff pride that his Stanford address was critical of Silicon Valley at the intellectual heart of it. The from-the-belly-of-the-beast staging is something Obama has done repeatedly before. As president, he spoke about the need for financial regulatory reform at Cooper Union and challenged House Republicans on health care reform while at their retreat.

Copenhagen will be a continuation of that. Though the summit was planned before Russias invasion, the war in Ukraine will loom over its proceedings a bloody, theatrical demonstration that democratic fault lines are close to crumbling.

He knows the headwinds these young leaders face in terms of global democratic backsliding, said Laura Lucas Magnuson, executive vice president of global programs at the Obama Foundation. It makes what weve long been doing more urgent than ever and the work of our leaders more urgent than ever. At this moment people really want to hear him continue on that track.

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Obama to deliver warning of democracy's peril against twin backdrops: Jan. 6 and Ukraine - POLITICO

Letter to the editor: Obama can’t save the Democrats – Washington Times

OPINION:

Apparently the architect of the American socialist machine and the Biden collective has crawled out from under his slimy, multimillion-dollar rock on Marthas Vineyard. Former President Barack Obama has a lot to say suddenly, and it just so happens to be coming right before the midterm elections. Laughingly, Mr. Obama has selected misinformation as his focus at precisely the moment when his minions are awash in their own political promises. Lying and deceiving are what Mr. Obama does best, and now he is doing it as well as he ever has. The Stalinists are pulling out all the stops to prevent a red wave, and that is why Mr. Obama has slithered out of his taxpayer-funded crevice. He obviously thinks that his underlings have failed, so he has to do the job himself.

But America is wiser now. It understands that Mr. Obama lies and has rejected him along with his plans and confederates.

JEFFREY H. DISSELL

Gainesville, Florida

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Letter to the editor: Obama can't save the Democrats - Washington Times

Biden gets nostalgic about Obama days at Summit of the Americas – Washington Examiner

President Joe Biden vowed to attendees at the ninth Summit of the Americas in Los Angeles to build on the work started by the Obama administration to help U.S. neighbors invest in clean and renewable energy technologies.

Biden frequently harkens back to his tenure in the Obama administration, during which he was vice president, as evidence of his ability to advance liberal proposals, but his comments Thursday come as his own approval ratings have slipped to their lowest point since he entered the White House in January 2021.

BIDEN'S THREADBARE INTERVIEW SCHEDULE UNDERSCORES COMMUNICATION FAILURES

By contrast, former President Barack Obama consistently polls atop the ranks of modern Democratic politicians and remains a global figure following his departure from the White House in January 2017.

"We're committing to not just the energy transition but to make sure communities that have been historically marginalized are able to share equally in the gains with equitable access to both good-paying jobs we'll create and the affordable clean energy that will be made available," he commented at the top of the summit's plenary session. "I'm going to continue to work just as I did when I was vice president, with Barack Obama, to promote trade and investment in clean energy, including using the United States International Development Finance Corporation to help countries that need assistance to assess financing and to help the region reach ambitious renewable energy goals by 2030."

"The bottom line is this: The Western Hemisphere is home for all of us," he added near the tail end of his remarks. "Back in 2013, when I was vice president to Barack Obama, he asked me to lead our engagement with the region, and I said we should be talking about the hemisphere," he added.

"Over the past decade, our region has changed. The challenges we face have changed, and so our policies and our solutions have to change as well," the president closed. "But I want to be very clear: My fundamental view and my approach to the atmosphere has not changed. I still believe what I said then. I hope that you do too."

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Biden gets nostalgic about Obama days at Summit of the Americas - Washington Examiner

Obama Treasury Secretary: US at ‘Risk of Recession’ in the Next Year – The Epoch Times

Former Obama administration Treasury Secretary Larry Summers predicted the United States will enter an economic recession and suggested the possibility of yet higher gas prices than the country is currently seeing.

I think the optimists were wrong a year ago in saying we have no inflation and I think they are wrong now if anyone is highly confident that we are going to avoid recession, he said on CNNs State of the Union on Sunday, adding thatTreasury Secretary Janet Yellens and Federal Reserve Chair Jerome Powells predictions are too optimistic.

A combination ofhigh inflation and low unemployment is always followed within two years by recession, Summer said, adding,I think there is certainly a risk of recession in the next year and I think given where we have gotten to, it is more likely than not that we will have a recession in the next two years.

In an exchange with CNBC last week, Yellen said, I dont think were going to have a recession in response to a question about stripper-turned-rapper Cardi Bs recent Twitter post that asked, When yall think they going to announce that we going into a recession.

Dont look to me to announce it, Yellen said, adding,We have a very strong economy. I know people are very upsetand rightfully soabout inflation. But theres nothing to suggest inflation if a recession is in the works.

With gas prices officially hitting an average of $5 per gallon across the United States, the Department of Labor confirmed that inflation rose 8.6 percent year-over-year for Maya number not seen in four decades. Thats a 0.3 percent increase from April, which saw a year-over-year increase of 8.3 percent.

The Biden administration and Democrats have struggled to deal with the price jump, blaming it on supply chain issues and Russias invasion of Ukraine as President Joe Biden recently signed a $40 billion deal in new aid to Kyiv. Biden and other Democrats have suggested that Americans mitigate the cost of fuel by purchasing electric vehicles, which may be cost-prohibitive or impractical for many.

Republicans say that the problem is being exacerbated by Bidens policies, including a series of sweeping executive orders he made at the outset of his term that targeted the oil and gas industries. Within a few days of taking office, Biden signed executive orders that suspended new oil drilling on federal lands, blocked the Keystone XL pipeline, directed federal agencies to eliminate subsidies for fossil fuels, rolled back the Trump administrations move to end restrictions on methane regulations, and more.

However, Democrats and environmentalists would criticize Biden if he took steps to increase U.S. oil production, saying that such moves would undercut their climate-related efforts.

At the end of March, Biden announced another draw from the nations Strategic Petroleum Reserve to bring down gasoline prices. The average price per gallon has jumped 77 cents since then, which analysts say is partly because of a refining squeeze.

The Associated Press contributed to this report.

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Jack Phillips is a breaking news reporter at The Epoch Times based in New York.

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Obama Treasury Secretary: US at 'Risk of Recession' in the Next Year - The Epoch Times

11 art exhibits to heat up your summer – WBUR News

When the heat is on, some of us go to the beach, others retreat to air-conditioned movie theatres, and a few smart souls seek out the cool quiet of a museum. After all, when temperatures rise, theres no better place to get out of the summer heat plus, theres art!

And this summer, there are plenty of shows worth visiting, and for more than just the air conditioning. Whether it be an exhibit featuring the playful fashions of designer Patrick Kelly, welded steel sculptures inspired by ancient Nubian sites, or the final stop of the national tour of the Obama presidential portraits, youll find nothing if not variety.

Here's a look at the summer art lineup.

As the ice melts and seas and temperatures rise, nothing could be more appropriate than visiting an exhibit built around recycling. In this show, reuse and reclamation is the basis for immersive installations by six internationally known artists: El Anatsui, Madeline Hollander, Ibrahim Mahama, Karyn Olivier, Ebony G. Patterson and Joe Wardwell. From Ghana-born Anatsui, who collects bottle caps and refuse to create glittering sculptures, to Trinidad and Tobago-born Olivier and Ghana-born Mahama, who collect, respectively, used clothing and crates to build monumental sculptures, we see how ingenious artists make use of discards to build magical works that make powerful points around labor and persistence. Perhaps a better tomorrow is within sight if we only set our minds to it. [Read more about the exhibit here.]

Theres a certain art to giving birth. Now, MAAM explores that art, looking at human reproduction specifically through the lens of design. Tracing breast pumps, forceps, maternity clothes, baby monitors and other accoutrements of motherhood from the 19th-century through the present day, the show features more than 200 pieces reflecting changing reproductive rights and societal norms. Everything about birth and motherhood has evolved in the last 150 years, including contraception, pregnancy, the actual experience of giving birth and postpartum life. This show provides an unusual opportunity to re-examine the material culture surrounding our most primal and essential human experience. It is also an opportunity to visit MAAM, which had suspended new exhibits during the pandemic. Welcome back, MAAM!

Surreal, dream-like and psychedelic, the mixed-media collages of Lunenberg artist Bridie Wolejko take center stage in Hypnagogia. That term refers to that not-quite-asleep but not-quite-awake stage most of us have experienced, sometimes just before drifting off at night, and sometimes just as we wake in the morning. In Wolejkos hypnagogic reverie, dancing figures morph and fuse, only to disintegrate again in collages recalling a Hieronymus Bosch painting. She says shes inspired by fantasy, science-fiction, horror, the occult and nature, and sources the images used in her collage from vintage books, magazines and antique wallpaper. (She also paints.) Wolejko, who was the first prize winner in last summers 85th Regional Exhibition of Art & Craft at the museum, leans into the absurd, keeping things light-hearted while also touching on pressing issues of the day.

In the world of fashion, hot new designers come and go about as fast as the trendy fashions they create. But even in a world of rotating fashions and designers, there is one young designer who managed to create a legacy despite a sadly abbreviated career. Patrick Kelly (1954-1990) was a celebrated self-taught African American designer who took the fashion world by storm in the 1980s. His playful, colorful designs, influenced by time he spent both in New York and Paris, pushed boundaries by remaining firmly rooted in exuberant love and joy, even while pointedly subverting images found in racist memorabilia repurposed in some of his designs. The exhibition includes more than 75 runway ensembles created at the high point of Kellys career, along with footage from his fashion shows. Making its debut at the Philadelphia Museum of Art in 2014 before moving on to San Francisco, the show finally allows New Englanders a chance to appreciate Kellys high-energy vibe.

Azza El Siddique is a sculptor and mixed media artist known for her room-sized installations confronting difficult themes like entropy, impermanence and mortality. Interestingly, considering the ephemeral nature of her subject matter, El Siddique, a Sudanese-born artist who now works out of New Haven, has chosen very concrete materials for her investigations. That includes welded steel and ceramic vases, urns and fragmented figures made of glass. Her inspiration is the ancient forms seen at Nubian sacred sites, including ritual and funerary temples. El Siddique has added the element of impermanence by allowing water droplets to drip onto her pieces, slowly eroding the clay and rusting the steel. In some works, heat lamps allow the scent of sandalwood oil, (used to prepare bodies for Muslim burial), to waft about the room, evoking Islamic mortuary rituals. In this show, El Siddiques first solo at an institution, viewers are invited to contemplate the transitory nature of everything.

Rose B. Simpson creates mesmerizing sculptures incorporating clay, metal, wood, leather, fabric and found objects. Her work is centered around complex psychological states including spirituality and womens strength. Born in New Mexico, receiving her MFA in ceramics from the Rhode Island School of Design in 2011 and another MFA in creative non-fiction from the Institute of American Indian Arts in 2018, Simpson moves easily between genres, incorporating performance and writing into her work. Simpson writes in her artist statement, My life-work is a seeking out of tools to use to heal the damages I have experienced as a human being of our postmodern and postcolonial era objectification, stereotyping, and the disempowering detachment of our creative selves through the ease of modern technology.

Embroidery is not what most of us think of when we think of fine art, yet Jordan Nassar defies those preconceptions by using traditional Palestinian craft techniques in complex works that examine home, land and memory. Nassar is the son of a Polish mother and a U.S.-Palestinian father. Although Nassar himself grew up in New York City, he feels tied to his familial home and turns to Palestinian embroiders and craftspeople to help create his embroidered geometric patterns and abstracted landscapes. His work speaks to beauty and hope while simultaneously exploring the relationship between craft and history.

Climate capitalism and colonial erasure are the subjects of this exhibit featuring the work of Puerto Rican-born, Oakland-based conceptual artist Sofa Crdova. She moves between performance, music, video, photography, sculpture and installation with ease, creating pieces that consider such diverse themes as science-fiction as an alternative history, the liberating nature of dance music, as well as the idea of revolution and its interplay with, gender, race and late capitalism. This solo exhibition includes a newly commissioned installation GUILLOTIN WannaCry Act Green: Sauvage, Savage, Salvaje and video works from Crdovas series SIN AGUA and dawn_chorus.

Curated by writer and curator Sara Raza, this show is a collective featuring the work of 11 contemporary artists whose mixed-media installation, film, sculptures and performances touch on issues surrounding the changing landscape around science, philosophy, biology and economics. The show title was inspired by both a fable and medieval miniatures depicting the signs of the hour leading up to the Day of Judgment. According to its organizers, the show captures the importance of arts role in inspiring dialogue and reassessing political futures and structures.

When the Obama portraits first made their debut in 2018, legions of Americans lined up at the National Portrait Gallery in Washington, D.C., where a perpetual mob gyrated and stirred endlessly around the portraits throughout the day. People not only gawked at Kehinde Wileys stylized work of President Barack Obama but snapped pictures of themselves in front of Amy Sheralds equally stylish portrait of First Lady Michelle Obama. After the original unveiling and time in D.C., the portraits traveled the country, finding as much acclaim as a touring rock band. Finally, the portraits arrive in Boston on their seventh and final stop of the national tour that began June 2021.

Both portraits are a dramatic departure from the usual official presidential portraits. Commissioned by the National Portrait Gallery, the works reflect a distinctive artistic vision that makes them uniquely appealing and approachable much like their subjects.

In a literal jewel of a show, sculptor and metal worker Daniel Jocz presents a survey of his playful and irreverent jewelry designs incorporating aspects of sculpture, painting, architecture and the decorative arts. On view will be 50 jewelry works along with a selection of sculptural pieces. Jocz never took a formal class in metals and learned his skills through trial and error, which may account for his playful pop-art inspired candy wear and his freestyle improvisational approach to design.

I do ask myself many times why I am doing jewelry, Jocz once told the Smithsonian American Art Museum. Seeing his work pretty much answers that question.

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11 art exhibits to heat up your summer - WBUR News