Archive for the ‘Pepe The Frog’ Category

Pepe The Frog | Derp Cat Wiki | Fandom

*Pepe The Frog is a meme frog. He is the mortal form of Lord Kek and the leader of Kekistan. PepeAllies

The Kekistanti people

Enemies of Kekistan

Upon the rise of his followers to form a nation, Lord Kek decided he should directly influence his followers, help them grow and flourish. As such, he took on a mortal form. A frog known as Pepe, the undying King of Kekistan. He led his people through numerous battles and wars, helping them through hardship with his divine powers. However, Pepe was an unstable entity. Like the Kekistani bordered the line of dank and cringe, Pepe bordered Meme God and Devil Entity. Pepe/Kek remains sane for the moment, though those who know his secret are wary he could snap. Regardless, Pepe is an influential meme leader and not to be underestimated. He is Kekistan's representative at the United Memes, and seems to truly care for his people. Crazed God or not, there is some aspect of Pepe that can be....respected.

During the Great Mongo-Kekistan War, Pepe led a massive force to attempt to retake parts of the Mongoose Empire, but was beaten back by the combined forces of Megarton and High God King Overlord Sashank. Since then, he has not ventured out of his lair, except to attend meetings of the United Memes or meet with his generals.

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Pepe The Frog | Derp Cat Wiki | Fandom

NFT goldrush: A roundup of the strangest nonfungible tokens – CNET

A .gif of Nyan Cat sold for lots and lots (and lots) of money as an NFT.

NFTs have temporarily taken the reins from cryptocurrency as the strangest online trend. Nonfungible tokens have become a sensation, or scandal, thanks to the headline-grabbing insanity of it all: Memes being sold for the cost of a Tesla, tweets fetching seven-figure bids and digital art selling for $69 million.

A quick catchup: Nonfungible assets are those that aren't interchangeable with one another. Every $100 bill holds the same value as any other $100 bill, therefore they are fungible. Houses, cars and collectables are nonfungible: Houses of the same size on the same street will sell for different prices, and the same model of the same car can similarly vary in cost.

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Which takes us to nonfungible tokens. They're essentially certifications of ownership recorded on a blockchain. Nonfungible tokens put the ownership of a digital product -- be it digital art, a video clip or even just a jpeg or gif -- on that ledger. In the age of NFTs, downloading a picture is like owning a print. Having the NFT is like owning the original painting.

Real digital artists are making real money on NFTs. Take Beeple. He's a digital artist with a huge fanbase, over 1.8 million followers on Instagram. Art he sold as an NFT recently fetched $69 million in a Christie's auction. That's insane to you or me, but not to people who frequent Christie's auctions, who spend $60 million on abstract expressionist paintings.

But even if there is a small percentage of NFT sales you can make sense of, there are many more which are absolutely, positively nuts.

For example...

When COVID-19 lockdown began last March, Brooklyn filmmaker Alex Ramrez-Mallis and four friends did the obvious thing: Started sending audio recordings of their farts to one another through a WhatsApp group chat. One year later, Ramrez-Mallis is auctioning 52 minutes of audio flatulence as an NFT.

The auction's starting price: $85. Would you pay $85 for farts? Would be a solid investment if you did, since someone out there was ultimately willing to pay 0.24 ethereum, or about $420, for the NFT. What's more, in addition to selling the 52-minute recording, he's also selling NFTs for individual farts. Only one has been sold: Fart #420, for about $90.

"If people are selling digital art and GIFs, why not sell farts?" Ramrez-Mallistold the New York Post. Truer words, never spoken.

Bad Luck Brian.

Remember Bad Luck Brian? It was a meme popularized in 2012, when a yearbook photo of high school student Kyle Craven, depicting him with braces and a plaid sweater, was posted to Reddit. People would post the picture with macro captions of unfortunate events, like "Escapes burning building. Gets hit by firetruck." (Most of the good ones are too NSFW for me to post here.)

Kyle Craven has had the last laugh, though, selling the yearbook photo as an NFT for $36,000. It's kind of a beautiful underdog story for the digital age. Kind of.

This art was sold as an NFT in $38,000 in 2018 and flipped three years later for $320,000.

This one is dumb, but also is an illustrative example of why people are buying NFTs: to sell them for more later on.

The above piece of art is like a Pokemon card for a hell-creature merge of Homer Simpson and Pepe the frog. Homer Simpson is, well, Homer Simpson, and Pepe is an internet frog that's popular on 4chan and other areas of the internet. The NFT for this art recently sold for $320,000.

The crazy part? The person who sold it wasn't its creator.He bought it back in 2018 for $38,000. So as preposterous as all of this NFT business is, it's worth noting that some people are actually making a lot of money flipping them.

Now we get into the stupid money.

Nyan Cat was a YouTube sensation nearly 10 years ago. It was a video of a pixelated cat with a Pop-Tart for a torso, along with the tune of a Japanese pop song. It has over 185 million views on YouTube, and has become a ubiquitous gif in the years since.

"The design of Nyan Cat was inspired by my cat Marty, who crossed the Rainbow Bridge but lives on in spirit," wrote its creator on the sales page for the NFT of Nyan Cat. It would end up selling for 300 ethereum -- $531,000.

"Just setting up my twtter," tweeted Jack Dorsey, co-founder and CEO of Twitter, back in 2006. Turns out that each of those words is worth over $625,000, as the NFT for that tweet is currently at auction, with the top bid sitting at $2.5 million.

Dorsey has said the proceeds will be turned to Bitcoin and donated to GiveDirectly, a charity that helps six African countries with COVID-19 relief.

The philanthropy is nice -- not to be understated, since it'll likely save thousands of lives -- but there's also some clever marketing at play here. NFTs are closely related to cryptocurrency, since both are based on blockchain, to the point where NFTs are almost always bought with Ethereum, the second biggest currency after Bitcoin. So if you're a big investor in cryptocurrency, like Dorsey is, inflating the NFT bubble isn't a bad way to help your cryptoholdings appreciate.

Which is why it's not surprising to see Tesla CEO Elon Musk tweet about NFTs, and tease selling one in the future.

But despite the philanthropy, the guerrilla marketing and the distinct possibility that the buyer will be able to flip the tweet for $10 million in a few years, dropping $2.5 million on a tweet is a sign we've entered a new era of internet insanity.

See also: NFTs explained: These pricey tokens are as weird as you think they are

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NFT goldrush: A roundup of the strangest nonfungible tokens - CNET

NFTs Are a Pyramid Scheme and People Are Already Losing Money – Fstoppers

Photographers, filmmakers, and digital artists are falling over themselves to mint NFTs in a get-rich-quick scheme that will do little beyond transferring wealth from artists to tech billionaires. Why are so many people buying into the idea that something is rare because everyone says it is?

If youve yet not minted your first NFT and youre wondering how it works, heres a quick summary of the process: you create a wallet, buy some Ethereum, and choose a platform. You then pick one of your digital creations and pay around $70-100 to mint this artwork into aNon-Fungible Token. You choose a starting price and wait for the bids to come rolling in. You may even like to build up to a drop to create some hype.

One of the easiest places to get started is Rarible,which is bewildering, thanks to the crypto aesthetic made up of nightmarish visions of randomness and memes. Certain tropes emerge: Pepe the Frog, rhinos, and rainbows proliferate, creating a nonsensical soup of chaos and confusion that feels like a terrifying mash-up of kids cartoons and 4chan.

If youre one of the early adopters or have some friends who were ahead of the curve, you might have landed yourself an invitation to a platform such as Foundation.app. These sites create a degree of exclusivity, as theres a level of filtering to ensure that only a small number get to mint their work. If you dont know anyone with an invite, you can head to a specific channel on Foundations Discord server and ask politely, though such is the FOMO, meaning requests have been piling in at more than one every 30 seconds.

For Foundation.app, you'll need an invitation. For Nifty Gateway, you'll need to upload a video telling them why you're valuable enough to warrant being allowed to sell your art.

Whichever platform you choose, you wont be able to ignore the fact that a lot of people seem to be selling a lot of questionable digital art for ludicrous amounts of money. Thats a very strong nudge for you to get involved.

Incentivization is such a feature of these platforms that many of the artworks being minted and traded reflect it in the aesthetic. Pieces involving the letters FOMO proliferate in a self-referential sea of urgency to buy, sell, and be sold. This sense that youre not on board with the beginnings of something big underpins the entire NFT experience, and its a marketing masterstroke. Almost every tweet telling you about an auction that you should get involved in will remind you that artwork will only be available for a brief window. The FOMO is so powerfulthat you probably feel like you're already losing money by having not signed up yet.

To many, its a means of overthrowing the existing regime; when you look a little closer, you realize that its just an extrememanifestation of neoliberalism. Instead of convincing you to buy stuff that you dont need, theyre convincing you to buy imaginary optimism based on a mass enchantment. In addition, as a generation, we have the fervent belief that every single one of us is special and that therefore our creativity must have innate value; NFTs are our chance to sell it.

The rhetoric is compellingif a little naive at times. I stumbled upon astatement accompanying the forthcoming drop (i.e., the beginning of an auction) of one reasonably well-established digital artist, which, like many NFT artworks, ties the concept of the NFT into the artwork itself. This is how he described his animation of a futuristic character and his flying car: NFTs are a rallying call for creatives, it read. A call to explore, to dream, and to leap into a world where our solitary dreams become a collective reality. He added: Collecting and creating NFTs is not an act of defiance but a tribute to a historical moment of a movement that is changing our lives.

Im not sure anything can be more meta than the simulated ownership of a digital copy of an artwork that describes itself as a tribute to a historical moment of a movement. It also conveniently ignores that these platforms are owned by millionaires such as the Winklevoss twins, who famously sued Mark Zuckerberg for stealing their idea for Facebook.

Buy, sell, and discover rare digital items, reads the strapline on OpenSea.io. If youre wondering how a digital item can be rare, youre asking the right question. Last century, philosopher Walter Benjamin explored how the authenticity of art was tied to its uniquenessand that photography along withmechanical reproduction brought instability. Im not sure what Benjamin would have made of NFTs, but this disconnect between our love of authenticity and the virtual worlds inability to provide an alternative isnt resolved by owning tokens that barely even exist. Digital rarity is a pretense.

Society is becoming less physical and more virtual, and its no coincidence that NFTs have taken hold at a time when our social interactions have never been less tangible. Furthermore, the creative industries now play a significant role in the economies of major nations, and yet despite the supposed value of artists contributions, employment is largely precarious (which itself is made to look appealing) and often supported by mundane jobs. The carrot dangled by the world of NFTs is incredibly alluring: lets all sell something virtually so that we can collectively pretend that it is now owned by someone else.

The art market has always been about making enough people believe that something has value. Its also been a shadow banking system that facilitates the movement of large sums of money across borders or hides it from tax inspectors. The value of the artworks that are now being sold as NFTs have acquired value thanks to marketing, FOMO, and a massive pile-on of unwitting minters and buyers trailing eagerly after celebrities and huge brands. Money washes through this system, and as a bubble, its unsustainable.

What doesnt get seen among the flashy websites and occasionally beautiful artworks is the huge volume of minted pieces that do not sell. Selling an NFT is not that different from selling a print: its far easier if you have an excitable band of fans keen to part with their cash, and with NFTs,its even simpler if those fans are already tech geeks. If youre a digital artist with a large following, you might do quite well, and it works in your favor if you indulge heavily in the crypto aesthetic. Thats a tiny minority of sellers; the vast majority will only lose money, as minting isnt free, and you can be sure that someone somewhere is making a tidy profit as a result.

Being friendly, supportive people, artists are encouraging fellow artists to buy each others art, salvaging egos, and giving you a sense that the money you spent on gas hasnt been a complete waste. However, gas fees aside, most platforms add a 3% fee to the sum paid by the buyerand then take a 15% cut of that received by the seller: this generous, mutually supportive act of buying each others art is doing little more than line the pockets of the millionaires that set up these platforms in the first place. Artists would be far better off simply sending each other checks, posting a photo of the checks on social media, and then just keeping those checks in a drawer.

What many artists are conveniently ignoring is that NFTs have a vast carbon footprint. To her horror, one environmentally conscious artist calculated that minting her six tokens was the equivalent to running her studio for two years. Theres plenty of discussion about the precise impact of NFTs(though the platforms seem predictably reluctant to get involved), but any conversation about this marketplace that doesnt mention its potential environmental impact is massively irresponsible.

On the surface, the NFT marketplace is made to look like everyone is making money, and while crypto might be rewriting the rules of economics, there is one dictum it cannot escape: for someone to make money, another has to lose money. NFTs do not magically generate wealth from nowhere; theyre taking it from those buying into the idea that everyone whos getting in early is making a killing. As David Gerard, author of Attack of the 50 Foot Blockchainexplains, NFTs are entirely for the benefit of the crypto grifters. The only purpose the artists serve is as aspiring suckers to pump the concept of crypto and, of course, to buy cryptocurrency to pay for minting NFTs.

Eventually,this pumping will tail off as the number of people willing to keep plowing money into Ethereum and NFTs will begin to ease. Given that this system relies on constant growth, it seems a safe bet that the value of these "rare" items might start to fall, and those countless investors who spent thousands of dollars on low-res pictures of a puppy might want to get their money out before it collapses completely. Otherwise, what are you going to do with that puppy? Print it and hang it above the toilet?

Prices might not even need to stagnate for people to sell. They just need to stop rising as rapidly, and suddenly, it will seem like a safer option to have dollars in your Chase account rather than Ethereum in a wallet where its value has already been seen to fluctuate by 20% in a single day.Once investors confidence is dented, the collapse could happen quite quickly.

Ethereum increases in value when people keep buying Ethereum,and this simulated ownership of supposedly rare digital assets has manufactured demand. Cryptocurrenciesare desperate to find a reason for people to swap their dollars for a slightly more imaginary monetary system, and NFTs are the latest solution. When it reaches saturation point, the market will adjust, and it could be messy.

This bubble will burst; its just a matter of when.

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NFTs Are a Pyramid Scheme and People Are Already Losing Money - Fstoppers

Myanmar: memes and mantras of a new generation of democracy protesters – The Conversation UK

What do the internet memes Doge and Cheems, the Hollywood film franchise The Hunger Games, and a sachet of instant tea have in common? They are all part of a rich lexicon of protest now being deployed by young activists contesting Myanmars military coup.

The country has been in turmoil since the military seized control on February 1, imprisoning state councillor Daw Aung San Suu Kyi and leading NLD party officials, who won another landslide victory in Novembers elections.

But, as a new generation of protesters take to the streets of the countrys towns and cities in growing numbers, they are drawing on a range of internet memes, slogans, cartoons, and cultural symbols to make themselves heard and mobilise support within the country and across the region.

The three-finger salute, initially appropriated from the hugely popular The Hunger Games trilogy by young democracy activists protesting the 2014 military coup in neighbouring Thailand, is their shared signal of defiance, enumerating the need for equality, freedom, and solidarity as they find themselves engaged in a similarly dystopian struggle with an unscrupulous tyrant.

They deploy cartoon characters including Pepe the Frog and the internet memes Doge and Cheems to ridicule senior general Min Aung Hlaing and other junta leaders. Their placards are in English as much as Burmese, and they now set the protest songs employed by previous generations of the countrys pro-democracy activists to western rap and hip-hop soundtracks.

Myanmars young protesters epitomise a culture of transnational activism now favoured by a generation of technically savvy and increasingly cosmopolitan young people intent on resisting the imposition of authoritarian agendas.

As the authorities suspend the internet and block social media platforms such as Facebook, many are resorting to VPN access to get their message out on Instagram, TikTok and Discord through an avalanche of rapidly mutating hashtags. Likeminded netizens in Hong Kong, Taiwan and Thailand are working in support through the Milk Tea Alliance, a movement pushing for democratic change across south-east Asia and beyond.

This diffuse, largely online, democratic solidarity movement unites young people confronting riot police in downtown Yangon and Mandalay with Thai youth in Bangkok campaigning for reform of the monarchy, pro-democracy activists in Hong Kong contesting Beijings National Security Law, and young Taiwanese nationalists countering the increased presence of Chinese trolls and bots from the internet cafes of Taipei.

Thai artist Sina Wittayawirojs illustration of a set of fists defiantly holding aloft steaming cups of milk tea fast becoming the unofficial logo of the alliance has now been joined by one bearing the Myanmar flag. Images of Royal Myanmar Teamix sachets, featuring its distinctive milky brew much like Thailands orange-hued and Taiwans boba tea, are being enthusiastically disseminated on social media and emblazoned on street placards.

Like other members of the alliance, they are quick to blame China (where tea is of course traditionally served without milk) as they accuse Beijing of lending the Myanmar military logistic support as well as working to undermine democratic rights and freedoms elsewhere in the region.

Solidarity is being expressed by the alliance in other ways. Some young activists in Myanmar are wearing hard hats like the flashmobs in Hong Kong, and others have created impromptu Lennon Walls on bridges and underpasses redolent of those created by the Umbrella Movement there. These, in turn, were inspired by anti-communist street propaganda in Europes former Eastern bloc shortly after the assassination of the Beatles front man.

Young members of Thailands Progressive Movement and anti-establishment organisation Ratsadon (The People) have organised solidarity protests banging pots and pans as anti-coup demonstrators are doing nightly in Myanmar to drive out evil spirits which have torn down their fledgling democracy.

One young aerobics instructor in the the Myanmar capital Naypyidaw happened to record a video of her regular workout session in front of the Burmese government buildings as armoured personnel carriers moved into the shot. This has subsequently been set to an Indonesian protest anthem which has gone viral.

Art and music are being expertly employed to articulate messages of protest and solidarity that bridge cultural and linguistic divides and unite political interests.

Not for the first time, young people particularly educated young people are playing a decisive role in Myanmars growing civil disobedience movement. Student protests in 1920, 1936, 1962, 1974, 1988, 2007 and 2015 have been part of the long struggle for independence and democracy. They ignited the momentous democratic uprising in 1988, and the so-called Saffron Revolution in 2007, when the countrys monks joined them on the streets in a defiant show of moral support.

For the most part, these popular uprisings were violently crushed. It is estimated that hundreds if not thousands died in the 1988 uprisings alone. How is this latest expression of dissent likely to be any different? Already we hear of police brutality and with the protests gathering momentum it is likely the authorities will respond with increasing force.

Indeed, the stage is set for just such a confrontation as the commitment of young people largely innocent of history but with a brief taste of freedom encounter the dark forces of authoritarian rule that have yet again undermined a democratic future for their beleaguered country.

And yet there is hope that this generation of young activists might succeed where others have failed. They are politically and technically literate. They inhabit a wider world than young pro-democracy activists in Myanmar have done in the past. They have access to new places and spaces of protest thanks to the technological benefits of globalisation. They are actively forging new networks of solidarity and resistance beyond their country and communities. They are, in short, on the right side of history.

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Myanmar: memes and mantras of a new generation of democracy protesters - The Conversation UK

These 15 Feminist Books Will Inspire, Enrage, and Educate You – Esquire

"Women who lead, read," said Laura Bates, the feminist writer and the founder of the Everyday Sexism Project, an online resource inviting women to share the sexist encounters they've experienced. Bates' words speak to a powerful truth about not just feminism, but about activism more broadly: to be an activist leader, first you'll need to get educated. Perhaps you've already explored the rich world of feminist writing, or perhaps you're adrift in the sheer surfeit of excellent choices, unsure of where to start. Wherever you're calling from, we've curated a list of exceptional feminist books both old and new.

In these fifteen books, feminist thinkers interrogate everything from intersections of racism and misogyny to Pepe the Frog's deeper meaning to online enclaves of sexist men. A feminist thinker needn't be an academic, of coursethese writers range from feminist scholars to novelists, poets to producers of feminist pornography. Whatever their trade or their topic, their work is bound to inspire you, enrage you, and galvanize you to take part in the feminist movement, whether that's marching in the streets or producing powerful change in your own workplace or home life.

1This Bridge Called My Back: Writings by Radical Women of Color, edited by Cherre Moraga and Gloria E. Anzalda

$33.55

The fourth edition of this venerable anthology, first published in 1981, remains an enduring trove of foundational thought from women of color. Before the term intersectionality entered academic discourse, This Bridge Called My Back put in the radical work of developing intersectional feminism, challenging the hollow sisterhood of white feminists while drawing connections between race, class, gender, and sexuality. Forty years later, the panoply of perspectives contained in this anthology continues to undergird third wave feminism and emerging activist coalitions. May future generations of radical women fall just as hard for This Bridge Called My Back as their forebears did; after all, the future of feminism remains forever indebted to thisgroundbreaking anthology.

2Hood Feminism: Notes from the Women That a Movement Forgot, by Mikki Kendall

In Hood Feminism: Notes From the Women That a Movement Forgot, writer and feminist scholar Mikki Kendall writes, We rarely talk about basic needs as a feminist issue Instead of a framework that focuses on helping women get basic needs met, all too often the focus is not on survival, but on increasing privilege. This is the thesis of Hood Feminism, an urgent and essential text about the failure of modern feminism to address the needs of all but a few privileged women. Hood Feminism is a searing indictment of whitewashed, Lean In feminism, with Kendall calling for the movement to embrace inclusivity, intersectionality, and anti-racism. In powerful, eloquent essays, Kendall highlights how the movements myopia has failed Black women, Indigenous women, and trans women, among others, and how feminism must shift its focus away from increasing privilege in favor of solving issues that shape the daily lives of women everywhere.

3Men Explain Things to Me, by Rebecca Solnit

From one of our most imaginative and incisive writers comes a contemporary classic: seven sharp essays, each one an exceptionally hewn gem, beginning with the rousing title essay about how conversations between men and women are often driven off-course by mansplaining. In the ensuing essays, Solnit peers through politics, history, art, and media as lenses on cultural misogyny, arguing that seemingly isolated acts of sexism, like mansplaining, exist on a dangerous continuum of gendered exploitation and abuse, leading perilously to sexual violence. Solnit writes, Its a slippery slope. Thats why we need to address the slope, rather than compartmentalizing the varieties of misogyny and dealing with them separately. Candid, courageous, and unflinchingly honest, Men Explain Things to Me is a powerful polemic for a future where women can enjoy equal power and respect.

4The Bluest Eye, by Toni Morrison

$11.99

To choose a single work from Toni Morrisons prolific and peerless oeuvre is a daunting task, but when in doubt, begin at the beginning. Morrisons visionary first novel is the painful and poignant story of Pecola Breedlove, an abused and unloved Black girl, pregnant by her own father, who suffers relentless oppression and cruelty in her rural Ohio town. Pecola wishes desperately for blue eyes, convinced that conventional white beauty is the ticket to a better life, but soon finds her mind colonized to the brink of madness. In 1970, The Bluest Eye put Morrison on the map as a once-in-a-century writer of preternatural gifts; in the decades since, it has remained a mainstay on banned books lists, with states citing offensive language and sexually explicit material as justification for excluding it from academic curriculum. Oprah Winfrey once said of Morrison, She is our conscience, she is our seer, she is our truth-teller. May the lightning rod of Morrisons truth strike these states, as The Bluest Eye is a groundbreaking text with an important place in the American canon. Saturated with sorrow and charged with wonder, it remains an indelible study of trauma, shame, and internalized racism.

5Good and Mad: The Revolutionary Power of Women's Anger, by Rebecca Traister

Released just five days after Dr. Christine Blasey Fords historic congressional testimony and four days before Justice Brett Kavanaughs Supreme Court confirmation, Good and Mad is the rare book published exactly when the culture needed it. Through exhaustive and compelling historical research, Traister illuminates female fury as a powerful political toolone thats long been ignored and suppressed, to the great detriment of American society. Traister traces womens rage to the roots of the abolition and labor movements, exploring the forces that have sought to curb and marginalize womens voices, while also emphasizing the ways in which Black women have long laid the foundation for the activism of American women. Powered by Traisters own anger and laced through with compelling anecdotes from women about wielding righteous rage for constructive purposes, Good and Mad is galvanizing proof that hell hath no fury like half a nations population silenced.

6Whipping Girl: A Transsexual Woman on Sexism and the Scapegoating of Femininity, by Julia Serano

$18.68

In this twenty-first century cornerstone of transfeminism, Serano, a transgender woman, exposes the myriad ways in which trans women have been stereotyped and disregarded in popular culture. Serano challenges the hyper-sexualization of trans women and connects transphobia to misogyny, while also debunking dangerous and deeply-rooted cultural mistruths about femininity as weakness and passivity. Her acute analysis builds to a rousing manifesto for a new framework of gender and sexuality: one rooted in inclusivity and empowerment, designed to embrace femininity in all its many varied forms.

7Bury My Heart at Chuck E. Cheese's, by Tiffany Midge

"Whats the Lakota word for intersectional feminism? Is it just an emoji of a knife?" asks prolific humorist Tiffany Midge in this uproarious, truth-telling collection of satirical essays skewering everything from white feminism to Pretendians to pumpkin spice. Midge, a member of the Standing Rock Sioux Tribe, muses bitingly on life as a Native woman in America, staring colonialism and racism in the face wherever she finds them, from offensive Halloween costumes to exploitative language. This collections deliciously sharp edges draw laughter and blood alike.

8The Witches Are Coming, by Lindy West

Only Lindy West, one of our foremost thinkers on gender, could capture the agony and the ecstasy of 21st century life in one slim volume. In this searing collection of seventeen laser-focused essays, she unveils her unifying theory of America: that our steady diet of pop culture created by and for embittered, entitled white men is directly responsible for our sociopolitical moment. Adam Sandler, South Park, and Pepe the Frog all come under her withering scrutiny in this uproarious, hyper-literate analysis of the link between meme culture and male mediocrity. West crafts a blistering indictment of the systems that oppress usthe government that denies our rights, the media that denies our stories, and the society that denies our dignity.

9Girl Decoded: A Scientist's Quest to Reclaim Our Humanity by Bringing Emotional Intelligence to Technology, by Rana el Kaliouby

At once a moving memoir of one womans becoming and a fast-paced story set on the bleeding edge of artificial intelligence, Girl Decoded traces el Kalioubys personal and professional journey as a Muslim woman in the overwhelmingly white and male world of technology. Raised by conservative parents in Egypt, el Kaliouby broke with obedient daughterhood to earn a PhD at Cambridge, then moved to the United States to pursue her dream of humanizing the tech industry. As she recounts her quest to bring emotional intelligence to emerging technologies, el Kaliouby writes beautifully about the personal challenge of learning to decode her own feelings. Her efforts led her to found Affectiva, a software company pioneering artificial intelligence that can understand human emotions. As women in STEM continue to fight misogyny, racism, and countless other challenges, Girl Decoded is a rousing reminder that women can and should be able to succeed without sacrificing any part of their wholeness.

10The Will to Change: Men, Masculinity, and Love, by bell hooks

$16.99

In this seminal excavation of patriarchys devastating effect on the male psyche, hooks describes an endemic pattern of psychic self-mutilation, which drives men to lead lives of spiritual barrenness when they lose touch with love, self-expression, self-knowledge. Hooks addresses common male fears of intimacy and loss of patriarchal status while encouraging men to enrich and share their inner lives. Although hooks wrote The Will to Change with an eye toward reforming the emotional and spiritual lives of male readers, it nonetheless contains troves of wisdom for women. After all, as hooks writes, Anytime a single male dares to transgress patriarchal boundaries in order to love, the lives of women, men, and children are fundamentally changed for the better.

11Entitled: How Male Privilege Hurts Women, by Kate Manne

The visionary author of Down Girl returns with a bracing and brilliant study of male entitlement, bound to become a cornerstone of contemporary feminist canon. In a far-ranging analysis, Manne explores the myriad manifestations of male entitlement in American society, from Brett Kavanaughs Supreme Court appointment to the unequal division of domestic labor. So too does her scrutiny fall on incels, the medical undertreatment of female pain, and the myth of female politicians as unelectable, among other forces that police and punish women. Manne interrogates how entitlement gives rise to misogynist violence, making for a perceptive, precise, and gut-wrenching account of a social framework with devastating consequences.

12Circe, by Madeline Miller

Disparaging tales of witches, harpies, and other female monsters are burned into our cultural imagination, but in the lush, luminous pages of Circe, a minor sorceress from Homers Odyssey receives a long-overdue feminist reimagining. Miller charts the lesser goddess Circes exile to the enchanted island of Aiaia, where Circes prison soon becomes her paradise. For centuries, she lives a free, feral life, honing her divine gifts of witchcraft and transfiguration while bedding down with lions and wolves. When Odysseus is shipwrecked on Aiaia, Miller reimagines the power dynamics of their entanglement, chipping away at Homers fabled myth of one man's greatness to expose a selfish man as flawed as any other. In Millers masterful hands, a long-overlooked goddess steps into the spotlight, giving rise to a powerful story of independence and self-determination in a mans world.

13I Must Be Living Twice: New and Selected Poems, by Eileen Myles

In the past decade, a new generation of feminists awakened to the work of Eileen Myles, whose lifetime of intimate and inimitable poetry is collected in I Must Be Living Twice. Spanning almost four decades of visionary work, this collection assembles an eclectic blend of Myles finest work, from their reminiscences on life as a young creative in New York City to more universal reflections on falling in love. Resisting heteronormative modes and subverting facile labels, Myles reminds us that poetry is a form of activismone that can shift how we understand and empathize with the world around us.

14The Feminist Porn Book: The Politics of Producing Pleasure, edited by Tristan Taormino, Constance Penley, Celine Parrenas Shimizu, and Mireille Miller-Young

Can pornography and feminism coexist? At the heart of this informative and far-reaching volume is that thorny question, explored in a series of gripping and provocative essays authored by producers, actors, consumers, and scholars of feminist pornography. From plus-size porn to disability in porn to trans womens fight to be included as frequently as trans men, these essays demand an inclusive new future for erotic representationone where fantasies of power and pleasure are egalitarian, in front of and behind the camera.

15 The Feminist Utopia Project, edited by Alexandra Brodsky and Rachel Kauder Nalebuff

What would a feminist utopia look like? Just ask any one of the fifty-seven cutting edge feminists whose voices resound in this expansive collection, which invites us to imagine a radically different world of freedom, safety, and equality. With essays by Janet Mock, Sheila Heti, Melissa Harris-Perry, and more, The Feminist Utopia Project proposes vigorous and compelling thought experiments: how might birth control be different if it were designed by an abortion provider? What would our economy look like if it valued caregiving and domestic labor? What would good sex mean through a framework of female pleasure? Next time you feel the feminist project is doomed, dive into this galvanizing book for a curative and necessary dose of hope.

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These 15 Feminist Books Will Inspire, Enrage, and Educate You - Esquire